King Curtis – Soul Serenade (Capitol ST-2095)

 

 

 

 

 

 

 

 

 King Curtis – Soul Serenade (Capitol Records ST-2095): The Classic Soul Jazz Saxophone Masterpiece

 

 

 

 

Capitol Records 1964 ‎– ST 2095

 

notes:

Released in 1964 on Capitol Records, Soul Serenade 
is one of the finest albums by legendary saxophonist 
King Curtis, blending soul, rhythm & blues, jazz, and pop
into a polished instrumental collection. By the early 1960s
, Curtis had already established himself as one of 
America's most in-demand session musicians, r
ecording with artists ranging from Aretha Franklin and 
The Coasters to Buddy Holly and countless Atlantic Records stars.
Built around his warm, expressive tenor saxophone tone, 
Soul Serenade showcases Curtis' remarkable ability to transform
 contemporary pop songs, blues standards, and soulful ballads 
into memorable instrumental performances. The title track became
 one of his signature recordings, combining gospel-inspired phrasing
 with sophisticated jazz arrangements that
 appealed to both R&B and mainstream audiences.

credits:

King Curtis – tenor saxophone, saxello (featured on "Soul Serenade"),
 musical director, arranger on several tracks.

Possible participants include:

Guitar – possibly Everett Barksdale or Al Caiola
Piano/Organ – unidentified
Bass – unidentified
Drums – unidentified
Additional brass and rhythm section – unidentified
Recording period: Late 1963 to early 1964
Release: 1964
Producer: Capitol Records production staff 
(individual producer not consistently credited)
Arrangements: King Curtis with Capitol staf
f arrangers on selected titles.

Producer – Dave Cavanaugh

tracklist:

A1 Tequila
Written-By – Chuck Rio
2:00    
A2 Night Train
Written-By – Jimmy Forrest
2:31    
A3 Java
Written By – Friday, Toussaint, Tyler
2:15    
A4 Harlem Nocturne
Written-By – Earle Hagen
2:26    
A5 Honky Tonk
Written By – Butler, Doggett, Scott, Shepard
2:49    
A6 Soul Twist
Written-By – Curtis Ousley
2:35    
B1 Memphis
Written-By – Chuck Berry
2:52    
B2 Watermelon Man
Written-By – Herbie Hancock
2:34    
B3 Soul Serenade
Written-By – Curtis Ousley, Luther Dixon
2:58    
B4 Swingin' Shepherd Blues
Written By – Jacobson, Koffman, Roberts
2:00    
B5 My Last Date (With You)
Written By – Bryant, Cramer, Davis
2:34    
B6 Wiggle Wobble
Written-By – Les Cooper
2:17 

 

 

 

link    

 

 

 

 

 

 

Billy Preston – Wildest Organ In Town! (1966)

 

 

 

 

 

 

Capitol Records 1965 – ST2532

 

notes:

Before becoming known as the "Fifth Beatle" and collaborating 
with music legends such as The Beatles, The Rolling Stones, and 
Eric Clapton, Billy Preston was already demonstrating extraordinary 
talent on the Hammond organ. Released in 1966 on Capitol Records, 
Wildest Organ In Town! (Catalog Number: T2532) captures the 
young musician's electrifying energy and remarkable command 
of soul, rhythm and blues, and jazz influences.

This album highlights Preston's unique ability to blend 
gospel-rooted expression with the groove-driven sounds that
 defined the mid-1960s. From upbeat instrumentals to soulful 
interpretations, Wildest Organ In Town! showcases the musical 
brilliance that would later earn Preston worldwide recognition.

Although Billy Preston would later achieve greater commercial 
success through collaborations with some of the biggest names
 in music history, Wildest Organ In Town! remains a fascinating 
early showcase of his immense talent. The album captures a 
young artist already displaying the musical creativity and technical 
skill that would make him one of 
the most respected keyboard players of his generation.
Whether you're a longtime fan of Billy Preston or discovering
his early recordings for the first time, Wildest Organ In Town! 
offers a rewarding journey into the roots of a legendary musician.

credits:

Organ / featured artist    Billy Preston
Arranger    Sly Stone
Producer    Steve Douglas
Photography    George Jerman
Recording date    11 Sept 1965
Studio    Not documented in currently available sources
Additional session players    Not documented in currently available sources

tracklist:

A1    In The Midnight Hour
    Pickett, Cropper    
A2    Uptight (Everything's Alright)    
    Moy, Wonder, Cosby    
A3    A Hard Day's Night 
      John Lennon, Paul McCartney    
A4    Ain't Got No Time To Play    
     Billy Preston    
A5    Love Makes Me Do Foolish Things    
        Holland, Dozier, Holland    
A6    The Duck    
       Fred Smith, Earl Nelson    
B1    Advice    
      Billy Preston, Sly Stone    
B2    (I Can't Get No) Satisfaction    
       Jagger, Richard    
B3    I Got You (I Feel Good)    
     James Brown    
B4    It's Got To Happen    
      Billy Preston, Sly Stone    
B5 Free Funk    
      Billy Preston, Sly Stone    
B6    The "In" Crowd    
     B. Page     

 

 

link 

 

 

 

Billy Preston – Club Meetin' (Capitol T 2607)

 

 

 

 

 

 

Capitol Records 1965 – T 2607

 

 notes:

Few musicians embodied the spirit of soul, gospel, rhythm & blues, 
and Hammond organ mastery quite like Billy Preston. Released 
on Capitol Records as catalog number T 2607, Club Meetin' 
captures Preston in a vibrant live setting, delivering energetic 
performances that showcase his extraordinary keyboard skills 
and deep gospel roots. Recorded at The Trip nightclub on the 
Sunset Strip in West Hollywood and released in 1967, this album 
stands as one of the hidden gems of the classic soul-jazz era. 
Featuring memorable interpretations of "Sunny," "Summertime," 
and a dynamic James Brown medley, Club Meetin' remains an 
essential listen for collectors of vintage R&B, Hammond organ 
recordings, and rare Capitol Records vinyl releases.

credits:

Unfortunately, Capitol did not publish a complete personnel
 list on the original LP, 
and no authoritative session documentation has surfaced.

Confirmed

Billy Preston – Hammond organ, electric piano, vocals
The Soul Brothers – backing vocal group on:
"No Man Is an Island"
"Let the Music Play"

The album was recorded live at The Trip, a famous 
Sunset Strip nightclub in West Hollywood.

Evidence from contemporary advertisements and venue 
schedules places Billy Preston at The Trip during 
11–17 November 1965, making those performances the 
most likely source of the recordings used on the album.
 Capitol later released the album in March 1967.

Producers
Billy Preston
Steve Douglas
Arranger
H. B. Barnum

tracklist:

A1        Introduction (Billy's Theme)
Written-By – Billy Preston
    1:17
A2        Sunny
Written-By – Bobby Hebb
    2:32
A3        I'm Your Hoochie Coochie Man
Written-By – Willie Dixon
    4:17
A4        Billy's Groove
Written-By – Billy Preston
    2:22
A5        No Man Is An Island
Written-By – Alex Kramer, Joan Whitney
    4:00
A6        Let The Music Play
Written-By – Billy Preston
    2:32
B1        Wade In The Water
Adapted By – Billy Preston, H.B. Barnum
Written By – Traditional
    2:50
B2        Summertime
Written-By – DuBose Heyward, George Gershwin
    3:51
B3        This Little Light Of Mine
Adapted By – Billy Preston, H.B. Barnum
Written By – Traditional
    3:32
B4        Ike's Theme
Written-By – Billy Preston
    2:26
B5        Together
Written-By – Betsy Buchanan, Viril Hollins*
    2:37
        James Brown Medley    (4:40)
B6a        Out Of Sight
Written-By – Ted Wright
    
B6b        I Got You (I Feel Good)
Written-By – James Brown
    
B6c        Please, Please, Please
Written-By – Brown*, Terry*

link

 

 

 

 

 

Willie Tee – I’m Only A Man (1970 LP)

 

 

 

 

Willie Tee – I’m Only A Man (1970 LP) | Capitol Records ST-199 | Soul Funk Review

 

 

 

 

 

Capitol Records 1969  ‎– ST199

notes:

Willie Tee stands as one of the most underrated figures in 
New Orleans soul. With the release of I’m Only A Man in 1970 
on Capitol Records, he delivered a powerful mix of deep soul,
 funk grooves, and socially conscious songwriting.
Often overlooked in favor of bigger names of the era, this LP 
(catalog number ST-199) has since become a sought-after 
gem among collectors of vintage soul and rare groove.
Recorded during a period of intense musical evolution, 
I’m Only A Man captures Willie Tee’s ability to blend raw 
emotion with tight, funky arrangements. The album moves
 effortlessly between introspective ballads and rhythm-driven 
tracks, reflecting both personal and societal themes of the early 1970s.
Backed by polished production and rich instrumentation, the record 
highlights Tee’s expressive vocals and sophisticated songwriting 
approach. It’s a record that feels both intimate 
and expansive at the same time.

Credits

I'm Only A Man is a seminal soul and funk album by New Orleans 
artist Willie Tee (born Wilson Turbinton), originally released in 1969. 
The album was produced by David Axelrod, a renowned composer 
and arranger known for his work with artists like Lou Rawls and Stan Kenton.
 The arrangements were crafted by H.B. Barnum, adding a rich, 
orchestral layer to Tee's soulful vocals. 

Willie Tee (Wilson Turbinton) – vocals, piano, keyboards, songwriter (some tracks)
Drums: Earl Palmer or Frank Severino
Bass: Carol Kaye or Max Bennett
Guitar: Tommy Tedesco / David Cohen / Dennis Budimir (session rotation)
Piano/organ doubling: Willie Tee + possible session keyboard reinforcement
Strings: Capitol Records Los Angeles studio string section
Brass: L.A. session horn players (Barnum-arranged horn charts)
Woodwinds / auxiliary percussion: studio orchestra contractors
 Background vocals
Likely uncredited L.A. studio vocalists (Capitol rotating session singers used for Axelrod productions)

Recorded at Capitol Studios, Hollywood
Arranged By, Conductor – H.B. Barnum
Producer – David Axelrod
Date:    Apr 1969 

 

tracklist:

A1 Bring On The Heartaches
Written-By – Wilson Turbinton
A2 I'm Only A Man
Written-By – Lester Carr
A3 Loneliness
Written-By – Marcene Harris*
A4 Reach Out For Me
Written-By – B. Bacharach - H. David*
A5 No Answer Came
Written-By – James Rein, Josef Zawinul*
A6 Walk Tall (Baby That's What I Need)
Written-By – Marrow, Rein, Zawinul, Turbinton
B1 Mirror
Written-By – Wilson Turbinton
B2 By The Time I Get To Phoenix
Written-By – Jim Webb*
B3 Take Your Time
Written-By – Wilson Turbinton
B4 I'm Related To You
Written-By – Wilson Turbinton
B5 People
Written-By – Bob Merrill, Jules Styne*

link

Lou Rawls – Too Much! (1967)

Lou Rawls – Too Much! (1967 Capitol Records Album)  Rare Soul & Blues Vinyl Info

Capitol Records 1967 ‎– T 2713

 

notes:

Lou Rawls, the smooth-voiced soul and blues legend, released

 Too Much! in 1967 under Capitol Records. Known for his velvety

 baritone and emotive delivery, Rawls created an album that 

blends soul, blues, and early R&B. This record is a must-have 

for collectors of vintage vinyl and fans of 60s soul.

Credits:

Arranged By – H.B. Barnum

Bass – James Bond*

Drums – Earl Palmer

Engineer – Joe Polito

Guitar – Barney Kessel

Piano – Gerald Wiggins

Saxophone – Jim Horn, Teddy Edwards

Trumpet – Fred Hill*, Tony Terran

Producer – David Axelrod

Engineer [Recording] – Joe Polito

tracklist:

A1 Yes, It Hurts (Doesn't It?)

Written-By – Ben Raleigh, H.B. Barnum

2:08

A2 It's An Uphill Climb To The Bottom

Written-By – Fangette Enzel

2:52

A3 I Just Want To Make Love To You

Written-By – W. Dixon*

3:27

A4 You're Takin' My Bag

Written-By – John D. Loudermilk

3:11

A5 Then You Can Tell Me Goodbye

Written-By – John D. Loudermilk

2:32

A6 Dead End Street - Monologue

Written-By – Lou Rawls

1:27

A7 Dead End Street

Written-By – B. Raleigh*, D. Axelrod*

2:10

B1 Twelfth Of Never

Written-By – J. Livingston*, P. F. Webster*

3:34

B2 Righteous Woman - Monologue

Written-By – Lou Rawls

2:10

B3 I Wanna Little Girl

Written-By – B. Moll*, M, Mencher*

2:11

B4 Why (Do I Love You So)

Written-By – J. W. Alexander

2:43

B5 I'll Take Time

Written-By – John Anderson*

2:07

B6 You're Always On My Mind

Written-By – J. W. Alexander

2:50

Link

 

Maze Featuring Frankie Beverly

 

Maze Featuring Frankie Beverly: Legends of Soulful R&B

Capitol Records 1977 ‎– ST-11607

 notes:

Maze Featuring Frankie Beverly is the debut studio album by the American 

soul/R&B/funk band Maze featuring Frankie Beverly, released in 1977 on 

Capitol Records. It marked the beginning of Maze’s long and influential 

recording career and helped establish their signature smooth, 

soulful sound that blended funk, R&B and heartfelt lyricism.

Crédits

    Art Direction – Roy Kohara

    Bass – Robin Duhe

    Congas, Vocals – Ronald (Roame) Lowry*

    Drums – Joe Provost

    Keyboards – Sam Porter

    Lead Guitar – Wayne Thomas

    Lead Vocals, Rhythm Guitar – Frankie Beverly

    Percussion, Vocals – McKinley (Bug) Williams*

Producer, Written-By – Frankie Beverly

Engineer – John Nowland

Recorded At – Pacific Recording Studios 

El Camino Real,

San Mateo, CA 94402

 Tracklist:

A1 Time Is On My Side 5:19

Composed By – Frankie Beverly

A2 Happy Feelin's 7:10

Composed By – Frankie Beverly

A3 Color Blind 3:22

Composed By – Frankie Beverly

A4 Lady Of Magic 4:45

Composed By – Frankie Beverly

B1 While I'm Alone 4:35

Composed By – Frankie Beverly

B2 You 8:24

Composed By – Frankie Beverly

B3 Look At California 9:27

Composed By – Frankie Beverly

link

Maze Featuring Frankie Beverly ‎– Inspiration

 

MAZE Featuring Frankie Beverly – Inspiration (1979)

Capitol Records 1979 ‎– SW-11912

notes:

Maze Featuring Frankie Beverly has long been synonymous with 

smooth soul, and “Inspiration” stands as one of their most uplifting 

and emotionally rich songs.Released during the height of their influence,

the track continues to resonate with listeners who crave authentic R&B

 rooted in feeling and musicianship.Driven by Frankie Beverly’s 

unmistakable voice, Inspiration delivers a message of hope, love, and 

perseverance. The song’s laid-back groove, layered harmonies, and soulful 

instrumentation create a sound that feels both intimate and expansive

perfect for quiet reflection or late-night listening.

credits:

Art Direction, Design – Roy Kohara

Bass – Robin Duhe

Congas – Roame Lowry

Drums – Ahaguna Sun

Keyboards – Sam Porter

 Lead Guitar – Wuane Thomas

Percussion – McKinley Williams*

Producer, Arranged By, Written-By,

 Lead Vocals, Rhythm Guitar – Frankie Beverly

 Vocals – McKinley Williams*, Roame Lowry

Producer, Arranged By, Written-By, Lead Vocals,

 Rhythm Guitar – Frankie Beverly

Recorded at Studio In The Country, Bogalusa, Louisiana

Mastered By – Wally Traugott at Capitol Studios, Hollywood, California

Engineer – Bill Evans , David "Sparky" Farrell,

 Gene Thompson, John Nowland

tracklisting:

A1 Lovely Inspiration 5:08

A2 Feel That You're Feelin' 5:33

A3 Call On Me 5:42

A4 Timin' 5:02

B1 Welcome Home 5:08

B2 Woman Is A Wonder 7:20

B3 Ain't It Strange 5:23

B4 Lovely Inspiration (Instrumental) 1:56

link

Donna Hightower

 

 

 

 

 Gee Baby...Ain't I Good To You ?

 

Capitol Records 1959  – T 1273

 

 notes:

Donna Lubertha Hightower (December 28, 1926 – August 19, 2013) was an American R&B, 
soul and jazz singer and songwriter, who recorded and released albums for the Decca and 
Capitol labels. Later in her career she was based in Europe, 
where she had a hit in 1972 with "This World Today is a Mess."

credits:
   Donna Hightower (vocal),
   Chauncey Welsh (trombone),
   Georgie Auld (tenor sax), 
   Hank Jones (piano), 
   Barry Galbraith (guitar), 
    Milt Hinton (bass), 
    Osie Johnson (drums)
    Conductor, Arranged By – Sid Feller
    Liner Notes – David Cavanaugh


tracklist:


A1        Every Day I Have The Blues
Written-By – Peter Chatman
A2        Gee, Baby, Ain't I Good To You?
Written-By – Andy Razaf, Don Redman
A3        All Or Nothing At All
Written-By – Arthur Altman, Jack Lawrence (2)
A4        I Laugh To Keep From Crying
Written-By – Leon Pober, Nacio Porter Brown, Jr.*
A5        Lonesome And Sorry
Written-By – Benny Davis, Con Conrad
A6        The First To Know
Written-By – Donna Brinson*
B1        The Blues Don't Care
Written-By – Vic Abrams
B2        Can't Help It
Written-By – Jack Segal, Marvin Fisher
B3        Born To Be Blue
Written-By – Mel Tormé, Robert Wells (2)
B4        I'll Be Around
Written-By – Alec Wilder
B5        A Cottage For Sale
Written-By – Larry Conley, Willard Robison
B6        I'm Alone Because I Love You
Written-By – John Siras*, Joseph Young (3)

 

 

link

 

 

 

Ike & Tina Turner

 

 Her Man... His Woman

Capitol Records 1969  ST-571

notes:
Get It – Get It is an album by Ike & Tina Turner released on Cenco Records 
circa 1966. was reissued by Capitol Records as Her Man . . . His Woman in 1971
Once Ike and Tina had a resurgence in the late 1960s, labels they were 
previously signed to released a multitude of old recordings. Her Man . . . His Woman
 is a reissue of Get It – Get It released by Capitol Records in 1971. 
The songs are remixed with strings, horns overdubs and in stereo. 

 

Get It – Get It cover:

 

 

credits:

   Horns  Phil Wright
    Producer  David Michaels, Ike Turner
    Strings  Kirby Johnson
    Written-By  Billy Pleston (tracks: A5), Elmo James (tracks: A2), 
     Ike Turner (tracks: A1, A3, B1, B3 to B5), Junior Parker (tracks: B2),
     Little Walter (tracks: A4)




tracklist:


A1        Get It-Get It!
Written-By – Ike Turner
3:31
A2        I Believe
Written-By – Elmo James*
2:19
A3        I Can't Believe
Written-By – Ike Turner
2:07
A4        My Babe
Written-By – Little Walter
1:59
A5        Strange
Written-By – Billy Preston
2:36
B1        You Weren't Ready
Written-By – Ike Turner
2:37
B2        That's Alright
Written-By – Junior Parker
3:02
B3        Rooster
Written-By – Ike Turner
2:13
B4        Five Long Years
Written-By – Ike Turner
2:42
B5        Things I Used To Do
Written-By – Ike Turner
2:24

link
   

Jimmy McGriff & Junior Parker – Capitol Records ST-569 (1970)

Jimmy McGriff & Junior Parker ST-569 (1970) – Capitol Records LP

Capitol Records 1970 ‎– ST-569

 

notes:

Released in 1970 on Capitol Records, Jimmy McGriff and Junior Parker 
(ST-569) brought together two giants of the soul-blues world. 
Hammond organ master Jimmy McGriff had already established 
himself as one of the leading figures of soul jazz,
 while Junior Parker was renowned for his smooth, expressive 
blues vocals and influential recordings dating back to the 1950s.

The album captures the perfect meeting point between blues,
 soul, R&B and jazz. McGriff's driving organ grooves provide a
 rich backdrop for Parker's warm vocal delivery, creating a sound 
that appealed equally to blues fans and soul music audiences.
 Recorded during a period when blues artists were increasingly
 embracing modern soul influences, the LP remains a fine 
example of late-1960s and early-1970s urban blues.

Today, the album is sought after by collectors of blues, 
soul and Hammond organ recordings, representing an 
important collaboration between two legendary performers
whose careers helped shape modern Black American music.

credits:

Recorded: 1970
Recording Studio: New York City, New York, USA
Producer: Sonny Lester
Recording Engineer: Malcolm Addey
Arranger & Conductor: Horace Ott

Jimmy McGriff    Hammond organ
Junior Parker    Vocals, harmonica
Horace Ott    Piano, electric piano, arranger, conductor
Cornell Dupree    Guitar
Eric Gale    Guitar
Chuck Rainey    Electric bass
Bernard Purdie    Drums
Unidentified musicians    Trumpet
Unidentified musicians    Trombone
Unidentified musicians    Tenor saxophone
Unidentified musicians    Baritone saxophone
Unidentified musicians    String section (selected tracks)
Unidentified female backing vocalists    Backing vocals (selected tracks)

trackslist:

A1        Drownin' On Dry Land
Written-By – A. Jones*, M. Gregory*
3:03
A2        Good Things Don't Happen Every Day
Written-By – Horace Ott, R. Evretts*
3:07
A3        Ain't That A Shame
Written-By – A. Domino*, D. Bartholomew*
2:45
A4        A Losing Battle
Written-By – Dauenhauer*, Rebennack*
3:16
A5        It Ain't What'cha Got
Written-By – G. Caldwell*
2:47
B1        In The Heat Of The Night
Written-By – A. Bergman*, M. Bergman*, Q. Jones*
4:41
B2        Workin'
Written-By – A. Stewart*, H. Ott*
3:43
B3        Oh! Darling
Written-By – J. Lennon-P. McCartney*
3:34
B4        The Inner Light
Written-By – George Harrison
3:50

link

 

 

James Cotton Blues Band – Taking Care Of Business

 

Capitol Records 1971  – ST-814

credits:

   Lead Vocals, Harmonica – James Cotton
    Accordion – Ralph Schuckett (tracks: B5)
    Acoustic Guitar – Johnny Winter (tracks: B1)
    Acoustic Guitar [Bottleneck Acoustic Guitar] – Johnny Winter (tracks: B5)
Backing Vocals – Emily (Cissy) Houston* (tracks: A1, A3, A4, B4), 

Deidre Tuck* (tracks: A1, A3, A4, B4),
Renelle Stafford (tracks: A1, A3, A4, B4), Todd Rundgren (tracks: A4), 

Vanevit Simms (tracks: A1, A3, A4, B4)
Backing Vocals [Background Singer] – Mark Klingman (tracks: B5), N.D. Smart II (tracks: B5),
Stu Woods (tracks: B5), Todd Rundgren (tracks: B5), Tom Cosgrove (tracks: B5)
    Bass – Stu Woods (tracks: A1 to A5, B2, B4, B5)
    Bass Drum – Joel Bishop O'Brien* (tracks: B1)
    Drums – Joel Bishop O'Brien* (tracks: A2, B3, B5), N.D. Smart II (tracks: A5, B4),
   Richie Hayward (tracks: A1, A3, B2), Todd Rundgren (tracks: A4)
    Guitar – Don Triano* (tracks: A4, B4), Matt Murphy (tracks: A1, A3 to A5, B2, B4),
     Michael Bloomfield* (tracks: A2, B3), Todd Rundgren (tracks: A2, A3, A5)
    Horns – Dave Sanborn* (tracks: A3 to A5, B4), Gene Dinwiddie (tracks: A3 to A5, B4),
    Steve Madaio (tracks: A3 to A5, B4), Trevor Lawrence (tracks: A3 to A5, B4)
    Organ, Piano – Mark Klingman (tracks: A1 to A5, B2, B4, B5)
    Piano – Ralph Schuckett (tracks: B3)
    Slide Guitar – Todd Rundgren (tracks: A1, B2)


Recorded at I.D. Sound Studio, Los Angeles, CA.
Engineer – James Lowe, Todd Rundgren
Producer, Arranged By – Mark Moogy Klingman, Todd Rundgren

tracklist:

A1        The Sky Is Falling
Written-By – Danny Kortchmar
3:57
A2        Long Distance Operator
Written-By – Bob Dylan
5:20
A3        I'm A Free Man
Written-By – Mark Klingman
2:34
A4        Can't Live Without Love
Written-By – R. Valente*, R. Vito*
4:24
A5        Kiddy Boy
Written-By – Todd Rundgren
4:03
B1        She Moves Me
Written-By – Mckendley Morganfield*
4:25
B2        Tonight I Wanna Love Me A Stranger
Written-By – M. Klingman*, T. Rundgren*
3:08
B3        Nose Open
Written-By – Matt Murphy
4:02
B4        Goodbye My Lady
Written-By – M. Klingman*, T. Rundgren*
3:05
B5        Georgia Swing
Written-By – Michael Bloomfield*
4:48

 

 

link 

 

 

 

Micki Lynn

 

 

Some Of This And Some Of That

 

I've Got The Blues (What Can I Do)

Capitol Records 1965       single 5495 

 

 Credits

    Arranged By, Conductor – H.B. Barnum
    Producer – David Axelrod

 

 

Cover

 

 

 

The Cannonball Adderley Quintet, Mercy, Mercy, Mercy! - Live At "The Club"

 

Capitol Records 1966  ST 2663

notes:

Mercy, Mercy, Mercy! Live at "The Club" is a 1967 live in-studio album
by The Cannonball Adderley Quintet, the jazz group formed by musician
 Cannonball Adderley. It received the Grammy Award for Best Instrumental
Jazz Performance – Group or Soloist with Group in 1967.
 and was added to the Grammy Hall of Fame in 2021.

Though the original liner notes state that it was recorded
 at the Club DeLisa in Chicago, it was actually recorded at
 Capitol's Hollywood studio with an invited audience and an open bar.
The reason for this discrepancy, according to the liner notes in the CD
reissue, is that Adderley and the new manager of Club DeLisa
(which had been renamed "The Club", after operating for years in
Chicago under its old name) were friends, and Adderley
 offered to give the club a bit of free publicity.

credits:

      Cannonball Adderley - Alto saxophone, leader
    Nat Adderley - Cornet
    Joe Zawinul - Piano, Wurlitzer electric piano
    Victor Gaskin - Bass
    Roy McCurdy - Drums

Recorded    October 20, 1966
Studio    Capitol (Hollywood)

tracklist:

A1     Introduction     0:07
A2     Fun
Written-By – Nat Adderley 7:33
A3     Games
Written-By – Nat Adderley 8:03
A4     Mercy, Mercy, Mercy
Written-By – Josef Zawinul 5:07
B1     Sticks Written-By – Julian Adderley 3:53
B2     HippodelphiaWritten-By – Josef Zawinul 5:43
B3     Sack 'O Woe
Written-By – Julian Adderley 10:45

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Barbara Dane

 

On My Way

 

 

 

 Capitol Records 1962 – ST 1758

credits:

 Vocal - Barbara Dane
    Bass – Wellman Braud
    Drums – Earl Palmer (tracks: A2, B2, B4), Jesse Sailes*
    Guitar – Billy Strange
    Percussion [Conga ] – Rocco Wilson (tracks: A2, B2)
    Piano – Ray Johnson (tracks: B4)
    Piano, Cornet – Kenny Whitson
    Producer – Kermit Walter

tracklist:

 A1        Take It Slow And Easy    2:26
A2        I'm On My Way    2:27
A3        Draggin' My Heart Around    2:05
A4        Crazy Blues    3:23
A5        Goodby Daddy Goodby    2:13
A6        Cake Walking Babies From Home    2:14
B1        Wild Women Don't Have The Blues    2:16
B2        This Little Light Of Mine    2:55
B3        Hurry Up Sundown Let Tomorrow Come    3:23
B4        Good Old Wagon    3:23
B5        The Hammer Song    3:04
B6        Mama Don't Allow No Twistin'    2:10

 

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