Alvin Robinson – Something You Got / Searchin' (Tiger Records – TI 104).

 

 

 

 

 

 

 Alvin Robinson – Something You Got / Searchin' (Tiger Records TI 104)  Classic New Orleans Soul Vinyl

 

 

Tiger Records 1964  – TI 104

notes:

Alvin Robinson – Something You Got / Searchin' (Tiger Records – TI 104) 
remains one of the defining releases of classic New Orleans R&B. Released 
during the golden era of American soul music, this outstanding 45 RPM single
 showcases Alvin Robinson's powerful vocals and the unmistakable groove t
hat helped shape Southern soul.
The A-side, "Something You Got," became Robinson's signature recording. 
Built around an irresistible rhythm, infectious guitar work, and soulful delivery, 
the song quickly earned recognition among R&B audiences and would later
 be covered by numerous legendary artists, proving its timeless appeal.
The flip side, "Searchin'," complements the release with another strong
 performance, highlighting Robinson's expressive voice and the rich musical 
tradition emerging from New Orleans during the early 1960s.
Issued by Tiger Records as TI 104, this rare single remains highly sought after 
by vinyl collectors, Northern Soul enthusiasts, DJs, and fans of vintage 
rhythm and blues. Original pressings are increasingly difficult to find,
 making the record an important addition to any serious soul collection.
Today, "Something You Got" continues to receive airplay among collectors 
and classic R&B fans worldwide. Its influence can still be heard in later soul, 
blues, and rock recordings, cementing Alvin Robinson's place in American music history.
Whether you're a longtime collector or discovering classic New Orleans soul for 
the first time, Tiger Records TI 104 is an essential recording that captures 
the authentic sound and spirit of early 1960s rhythm and blues.

credits:

Session musicians

Unfortunately, no surviving session sheet or AFM contract has surfaced 
identifying the musicians on this single. None of the standard
 discographical sources list personnel.
Given Alvin Robinson's background as a New Orleans session guitarist and 
the musical style, collectors and historians generally believe the backing 
band was drawn from New Orleans studio musicians associated with Joe Jones,
 but this has never been documented. Any names would therefore be speculative.
Recording studio
Likewise, no recording studio has been positively identified.
The most likely possibilities are:
a New Orleans studio used by Joe Jones during 1964 (possibly Cosimo Matassa's operation),
or a New York session organized after Robinson signed with Tiger Records.
Producer: Joe Jones
"Something You Got" arrangement: Joe Jones
"Searchin'" arrangement: Mike Stoller
Tiger Records was the new label established by the songwriting/production 
team of Jerry Leiber and Mike Stoller, although they are not
 credited as producers of this particular single.

tracklist:

A        Something You Got
Arranged By – Joe Jones (2)
Written-By – Chris Kenner
    2:26
B        Searchin'
Arranged By – Mike Stoller
Written-By – Jersey Leiber-Mike Stoller*
    2:31

link

 

 

 

 

 

Prime Mates – Hot Tamales

 

 

 

 

 Prime Mates – Hot Tamales  Classic Dance &  Groove Review

 

 

 

Sansu records 1967  ‎– 465

notes:

Prime Mates – Hot Tamales is a dance and electronic music release 
that captures the energetic spirit of classic club culture. Built around
 engaging rhythms, dynamic percussion, and memorable melodies, 
the track remains an interesting listen for fans of vintage electronic music.
The production showcases the characteristics that made many dance 
records from its era stand out: driving beats, layered instrumentation, 
and a groove-oriented arrangement designed to keep 
listeners engaged from beginning to end.
For collectors and enthusiasts of electronic dance music, Hot Tamales 
represents a snapshot of a period when creativity and experimentation 
were central to club-oriented productions. Its rhythmic structure and i
nfectious energy continue to appeal to DJs, music historians,
 and fans exploring classic dance releases.
The Prime Mates only released one single 'Hot Tamales'.
They were a group of Sansu studio musicians possibly 
including Allen Toussaint on piano and Art Neville on organ.

Credits

Musicians

No contemporary source gives a complete lineup. The strongest 
published lead is that The Prime Mates were probably a studio-only
 group made up of Sansu session musicians, with possible participation by:

Allen Toussaint – piano (unconfirmed)
Art Neville – organ (unconfirmed)
This attribution comes from collector/researcher notes stating that the 
Prime Mates were “a group of Sansu studio musicians possibly including 
Allen Toussaint on piano and Art Neville on organ.

    Producer – A. Toussaint*, M. Sehorn*
    Written-By – Al D. F. Fayard*

tracklist:

A     Hot Tamales - Part 1     2:37
B     Hot Tamales - Part 2     2:50 

 

 

link 

 

 

 

 

 

This Is My Band – Lloyd Price

Lloyd Price – This Is My Band (Double-L Records DL-2301) | Rare Soul & R&B LP Review

Double-L Records  1963 – DL-2301

 

 notes:

Lloyd Price returned with This Is My Band, a powerful soul and R&B LP released
 on Double-L Records under catalog number DL-2301.
Known for blending New Orleans rhythm & blues with orchestral soul arrangements, 
Lloyd Price delivers a dynamic set featuring rich brass sections,
 tight grooves, and polished studio production.
This rare vinyl pressing remains sought after by collectors of classic soul, 
funk, and vintage R&B records from the late 1960s and early 1970s.

credits:

 James Booker Organ, Piano
Lloyd Price Primary Artist, Vocals
The complete personnel for the LP has never been fully documented
 in major discographies, but the following musicians and arrangers are confirmed:
Slide Hampton — arranged 7 of the 12 tracks
James Booker — featured on organ on 4 tracks; also composer of several instrumentals
Norman Thrasher — vocal appearance on one track
The remaining musicians were members of the Lloyd Price Orchestra  touring band,
 but individual names are not listed on surviving LP credits or standard databases.
Production
Producer: likely Lloyd Price himself through his Double-L label operation.
Several compositions credited to Lloyd Price and manager Harold Logan.
Recording date & studio
No authoritative source currently gives an exact recording date or studio location for 
This Is My Band. Collectors and discography discussions generally 
place the sessions around 1962–1963, probably in New York during

 the Double-L Records period.

tracklist:

A1        Trouble - Part One    2:30
written by L. Price, H. Logan
A2        Trouble - Part Two    2:45
written by L. Price, H. Logan
A3        Number Four    2:35
written by James C. Booker    
A4        Tommy Dorsey's Boogie Woogie    2:22
A5        Ooh-Pee-Day    2:41
written by James C. Booker    
A6        Soulful Waltz    2:46
written by James C. Booker    
B1        Pan Setta    2:41
written by James C. Booker    
B2        Cool Blue    2:54
written by L. Price, H. Logan
B3        Go Straight Ahead    2:35
written by L. Price, H. Logan
B4        No Limit    2:37
written by L. Price, H. Logan
B5        Brother Elijah    2:24
written by L. Price, H. Logan
B6        Sweetie    2:35
written by L. Price, H. Logan

 

 

link

 

 

Robert Parker – Tip Toe Soul Kind Of Loving (Nola Records 729)

Robert Parker – Tip Toe / Soul Kind Of Loving (Nola Records 729) Rare Soul Vinyl

Nola Records 1966 ‎– 729

notes:

Robert Parker delivers pure Southern soul energy on Tip Toe / 

Soul Kind Of Loving, released on Nola Records 729. This rare 

45 RPM single blends smooth rhythm and blues grooves with 

the emotional vocal style that made Parker a respected name 

among Northern Soul collectors and vintage vinyl enthusiasts. 

For fans of classic soul music and rare records, 

this release remains a standout addition to any collection.

credits:

Probable session musicians

No confirmed personnel listing for Nola 729 has surfaced publicly, 

but the record was almost certainly cut by the core Wardell 

Quezergue New Orleans session circle active in late 1966. 

The most likely contributors include:

Wardell Quezergue — arrangement / production

Smokey Johnson — drums (frequent Quezergue/Nola drummer)

George Davis — guitar

James Booker or Allen Toussaint — possible piano

members of the regular Quezergue horn section, potentially including:

Melvin Lastie

Nat Perrilliat

Red Tyler

Most researchers place Parker’s Nola sessions from 1966–67 at:

Cosimo Recording Studio (Cosimo Matassa’s studio)

Arranged By – Wardell Quezergue

Producer – Whurley Burley

tracklist:

A Tip Toe

Written By – R. Parker

B Soul Kind Of Loving

Written By – E. Frank / T. Val

link

Robert Parker ‎– Happy Feet - The Scratch (1966)

Robert Parker – Happy Feet / The Scratch (Nola Records 726) | Rare Funk Soul Vinyl

 

Nola Records 1966 ‎– 726

 notes:

Robert Parker delivered a raw slice of New Orleans rhythm and soul

 with Happy Feet / The Scratch, released on Nola Records as catalog 

number 726. This rare vintage 45 captures the energetic dancefloor 

spirit of classic Southern funk and R&B, blending infectious grooves, 

tight rhythm sections, and the unmistakable sound of Louisiana soul.

Collectors and DJs continue to seek out this single for its gritty production,

 upbeat tempo, and authentic 1960s New Orleans vibe. Whether you are 

into rare soul, funk breaks, or vintage vinyl collecting,

 Happy Feet / The Scratch 

remains a standout release from Robert Parker’s discography.

credits:

Studio

No confirmed studio credit has surfaced for this exact single.

However, most mid-1960s Nola Records sessions arranged by 

Quezergue were typically recorded in New Orleans studios associated with:

Cosimo Recording Studio (Cosimo Matassa’s studio)

or occasionally other local facilities used by Quezergue during the period.

Because no session sheet has been published for Nola 726, this remains 

an informed but unconfirmed attribution.

Session musicians

A complete lineup for “Happy Feet / The Scratch” has not been documented 

in reliable published sources. The recordings almost certainly used the regular

 New Orleans studio players working around Quezergue and Nola 

Records in 1965–66, but exact personnel are undocumented.

Likely contributors from the Quezergue/New Orleans session orbit during 

that period included musicians associated with:

James Black

Smokey Johnson

Melvin Lastie

Alvin Tyler

Arranged By – Wardell Quezergue

    Producer – Whurley Burley

    Written-By – Robert Parker

tracklist:

A Happy Feet 2:13

B The Scratch 2:35

link

 

Robert Parker – “Holdin’ Out / I Caught You In A Lie (1967)

Robert Parker – “Holdin’ Out / I Caught You In A Lie” (Single, Nola Records 738) | Classic Soul & Funk Vinyl

Nola Records 1967 – 738

notes:

This single was released on Nola Records, a label associated with 

regional soul and R&B recordings from New Orleans and surrounding

 areas. The catalog number 738 identifies this specific pressing:

Label: Nola Records

Catalog Number: 738

Format: 7-inch vinyl single

Genre: Soul / Funk / R&B

Era: Late 1960s–early 1970s (approx.)

Collectors often seek out Nola Records releases due to their regional 

authenticity and limited pressings, which make them increasingly 

rare in today’s vinyl market.

On the flip side, “I Caught You In A Lie” leans more into storytelling

 and emotional confrontation. It carries a slightly sharper tone, 

supported by:

Punchy rhythm section

Call-and-response style backing elements

A stronger sense of urgency in the vocal delivery

This track highlights Parker’s ability to shift from smooth groove

 to emotional intensity without losing musical cohesion.

Conclusion

“Holdin’ Out / I Caught You In A Lie” by Robert Parker is a powerful example 

of Southern soul craftsmanship. Released on Nola Records 738, 

this 7-inch 

single reflects the emotional depth and rhythmic strength 

of an era that shaped modern funk and soul music.

credits:

“Typical Nola Session Lineup” reconstruction

A realistic assembled lineup for a mid-60s Quezergue 

Nola session (like Robert Parker sides):

Rhythm

Drums: Smokey Johnson or John Boudreaux

Bass: unnamed union bassist (Quezergue directs line)

Piano: Willie Tee / local session pianist

Horns (3–5 players typical)

1–2 trumpets

1 trombone

1–2 saxophones (tenor + baritone)

Vocals

Robert Parker or rotating Nola artist

    Arranged By – Wardell Quezerque

    Producer – Nola Records

tracklist:

A Holdin' Out

Written-By – E. Johnson 2:32

B I Caught You In A Lie

Written-By – L. Diamond 2:40

link

 

 

 

 

A side

Robert Parker ‎– Walkin' - Across The Track (1960)

Robert Parker – Walkin' Across The Track (Ron 331) | Rare Soul Single

Ron Records 1960   ‎– 331

 

 notes:

“Walkin' Across The Track” stands as a powerful example of the rich, 
heartfelt sound that defined 1960s soul music. While Robert Parker 
is best known for his hit Barefootin', this lesser-known release showcases
 a deeper, more introspective side of his artistry.
This single is especially appreciated in Northern Soul circles, where DJs 
and collectors constantly search for obscure yet danceable
 tracks with emotional depth.
“Walkin' Across The Track” may not have reached mainstream success, 
but that’s exactly what makes it special. It’s a reminder of how many 
incredible soul recordings remain under the radar, waiting to be rediscovered.
If you're exploring rare vinyl or diving deeper into the catalog of Robert Parker,
 this Ron 331 release is absolutely worth your attention.

credits:

Lead vocal / saxophone: Robert Parker
Likely uncredited New Orleans session band (standard practice)
Parker was part of the New Orleans studio circuit, regularly working with:
Professor Longhair
Eddie Bo
Huey "Piano" Smith
Fats Domino
Recording location: almost certainly New Orleans
Very likely at Cosimo Matassa’s studio (J&M or Cosimo Recording Studio)
This was the hub for Ron/Ric label recordings and Parker’s work in this period
Producer: not credited on label or surviving listings
Label owner / production context: Joe Ruffino (Ron/Ric Records)

 Tracklisting

A Walkin' 2:29
Parker, Allen
B Across The Track 2:21
Parker, Douglas

 

 

link 

 

 

 

Robert Parker – Barefootin' (Nola Records LP 1001)

 

 

 

 Robert Parker – Barefootin’ (Nola Records LP 1001) | Soul Classic Review

 

 

 

 

Nola Records – LP 1001

notes:

Robert Parker’s “Barefootin’”, released on Nola Records (LP 1001), 
stands as one of the defining tracks of 1960s New Orleans soul. 
Known for its infectious groove and dancefloor appeal, the record 
helped cement Parker’s place in R&B history and remains
 a favorite among collectors and soul enthusiasts today.
Barefootin’” by Robert Parker is more than just a hit single it’s a snapshot
 of a vibrant musical era. From its New Orleans roots to its lasting
 impact on dance culture, the record stands as a
 timeless example of 1960s soul at its best.
Whether you’re a seasoned vinyl collector or just discovering classic R&B,
 this track is essential listening—and proof that sometimes, 
the simplest grooves leave the biggest mark.

credits:

Lead artist / vocals / saxophone: Robert Parker
Producer & arranger: Wardell Quezergue
Production company: Whurley-Burley Productions
Frequently associated musicians in these sessions:
James Booker – piano/organ (common Quezergue collaborator)
Eddie Bo – piano (possible overlap)
Joe 'Smokey' Johnson – drums (major Nola Records session drummer)
Walter Payton – bass (active with Parker era)
Lee Allen – horns
Alvin 'Red' Tyler – horns
Recording site:
Almost certainly Cosimo Matassa’s New Orleans studio

(Many New Orleans R&B LPs of the 1960s did not list musicians
Sessions were done with a rotating “pool” of players
Documentation was often lost or never formally kept
So unlike later studio albums, LP 1001 has no authoritative full personnel sheet)

tracklist:

A1    Barefootin'
Written-By – Robert Parker    
A2    Let's Go, Baby (Where The Action Is)
Written-By – Robert Parker
A3    Mr. Pitful
Written-By – Redding*, Copper*    
A4    I've Been Loving You Too Long
Written-By – Redding*    
A5    Soul Kind Of Living
Written-By – E. Frank*, T. Val*
A6    C. C. Rider
Written-By – Robert Parker    
B1 The Scratch
Written-By – Robert Parker
B2    Happy Feet
Written-By – Robert Parker    
B3    In The Midnight Hour
Written-By – Copper*, Pickett*    
B4    Directly From My Heart
Written-By – Penniman*    
B5    Heading For A Fall
Written-By – E. Frank*, T. Val*    
B6    I Can't Help Myself
Written By – Dozier-Holland

link

Willie Tee ‎– Teasin' You - Walking Up A One Way Street 1964

Willie Tee – “Teasin’ You / Walking Up A One Way Street” | Classic Funk & Soul Review

NOLA RECORDS 1964        SINGLE 708

 

 notes:

Willie Tee (born Wilson Turbinton) was a pioneering musician
 from New Orleans who helped shape the city’s unique blend 
of R&B, jazz, and funk. He was a child prodigy and later became 
a key figure in the development of the New Orleans 
funk scene during the 1960s and 1970s.
His music is known for:
Rich jazz-influenced arrangements
Deep emotional soul vocals
Funk-driven grooves
Strong New Orleans rhythmic identity
Willie Tee also influenced later generations of musicians and was
 closely connected to the city’s vibrant studio and live music culture.
“Teasin’ You” opens with a laid-back but emotionally charged groove 
that reflects classic New Orleans soul at its finest. The track blends 
soft keyboard melodies with warm basslines and subtle percussion.
The song captures the feeling of longing and emotional tension, 
making it a standout piece for fans of deep soul music.
On the flip side, “Walking Up A One Way Street” takes a slightly different 
approach. It introduces a stronger rhythmic structure 
while still maintaining emotional depth.
This track reflects the struggles and emotional complexity often found
 in classic New Orleans recordings, blending storytelling 
with irresistible funk energy.

Crédits

Willie Tee (Wilson Turbinton)
Lead vocal
Piano / Hammond organ
Songwriter
Session leader / arranger input
Musical lineup identity (what actually defined the session sound)
Even when names are missing, the “line-up” is effectively:
Willie Tee (lead + keys)
New Orleans AFO/NOLA session rhythm section
Arranged By – Wardell Quezerque
Written-By – Earl King
New Orleans independent studios used by NOLA Records
AFO-associated recording spaces (semi-pro, rhythm & blues focused)
Later mastering/distribution handled via Atlantic’s network

tracklist:

A     Teasin' You     2:32
B     Walking Up A One Way Street     2:32

  

 

link

 

 

Irma Thomas ‎– Don't Mess With My Man / Set Me Free 1959

 

 

 

 

 Irma Thomas – Don't Mess With My Man / Set Me Free (Classic Soul Single)

 

 

 

 

 

 

Ron records 1959  ‎– 328

 

 notes:

This was Irma Thomas’s debut single and effectively launched her 
career as the “Soul Queen of New Orleans”
Original pressings were issued on Ron (New Orleans) with yellow/black 
or pink/black labels; later reissues often appear with red/black labels

credits:

Recording details (most accepted view)
Probable musicians (reconstructed session lineup)
No official credits exist, but based on who regularly played Ron/Ric sessions:
Piano: Allen Toussaint
Guitar: Justin Adams
Bass: Frank Fields
Drums: likely Earl Palmer–style player, but Palmer himself had largely 
moved to Los Angeles by this point, so attribution is uncertain
Saxophone / horns: possibly players from the Harold Battiste / 
Alvin “Red” Tyler circle (unconfirmed)

Location: Cosimo Recording Studio (Cosimo Matassa’s studio on Rampart Street)
Approx. date: late 1959
Producer – Joe Ruffino
Written-By – D. Labostrie

tracklist:

A Don't Mess With My Man 2:07
B Set Me Free 2:16

 

 

 

link 

 

 

Lil Bob And The Lollipops – Life Can Be Lonely - Song For My Father

 

Lil Bob And The Lollipops – Life Can Be Lonely / Song For My Father (Rare Soul 45 Review & History)

La Louisianne Records 1966 ‎– LL-8078

notes:

Lil Bob And The Lollipops – “Life Can Be Lonely / Song For My Father” 

is a rare and emotionally charged soul 45 that continues to attract 

attention from Northern Soul DJs and vinyl collectors. With its deep,

 expressive vocal delivery and limited pressing history, this single 

stands as a hidden gem in underground soul music culture.

credits:

Lil Bob (Camille Bob)

Lead vocals on both sides

Also active as drummer and bandleader

Known for “singing drummer” style common in Louisiana dance bands

Performance style rooted in gospel-inflected Southern sou

As with most La Louisianne mid-60s recordings, official session 

logs were not consistently published. Based on label practices 

and recurring musicians in adjacent sessions, 

the backing band is typically reconstructed as:

 Horn Section (probable)

Local Lafayette / Lake Charles horn players

Trumpet + tenor sax frontline typical of La Louisianne productions

Arranged in a dance-band soul style (not big studio orchestration)

 Guitar

Likely Guitar Gable (or associated Louisiana session guitarist circle) 

on rhythm guitar in this era

(Gable was known to collaborate with Lil Bob during this period

 and later performances)

Keyboards (possible)

Regional session pianist from La Louisianne house band pool

Minimalist blues-soul comping style 

(left-hand bass patterns common)

Acoustic/electric local rhythm section player

Tight “swamp groove” bassline typical of Lafayette sessions

Either:

Lil Bob himself (on some sessions), OR

rotating studio drummer from La Louisianne house sessions

Production & Engineering

Producer: Likely Jay Miller 

(La Louisianne in-house production system influence)

Studio: La Louisianne recording facilities

(South Louisiana independent setup)

tracklist:

A Life Can Be Lonely

Written-By – Camille Bob 2:00

B Song For My Father

Written-By – Horace Silver 2:50

link

Little Bob & The Lollipops – Nobody But You

Little Bob & The Lollipops – Nobody But You (1960s Louisiana Soul)

La Louisianne Records 1966 ‎– LL-113

notes:

Few records capture the raw energy of 1960s Louisiana swamp soul quite

 like Nobody But You by Little Bob and the Lollipops.

Fronted by singer Camille Bob, the group became a key act in the Gulf Coast

 R&B scene, blending New Orleans rhythm & blues, swamp pop and classic soul. 

Their recordings for the La Louisianne label in Lafayette produced some 

of the finest regional soul records of the decade.

The song Nobody But You was originally written and recorded in 1958 by 

Chicago R&B singer Dee Clark. The original version reached No. 3 on the 

U.S. R&B chart and No. 21 on the Billboard Hot 100,

 becoming one of Clark’s early hits.

When Little Bob & The Lollipops recorded their version in the mid-1960s, 

they transformed the song into a horn-driven Louisiana soul groove, 

replacing the polished Chicago R&B sound with a tougher Gulf Coast rhythm section.

Recorded at La Louisianne Recording Studios in Lafayette, the track features a 

classic R&B lineup of guitar, bass, drums and horns, delivering a direct, dance-floor 

oriented sound typical of the regional scene.

These sessions also produced the band’s cult classic “I Got Loaded,” which later

 became Little Bob’s signature song and inspired numerous covers 

by artists from blues and roots scenes.

credits:

vocal:

Camille Bob Singer, drummer, bandleader

Recorded & Produced by  Carol J. Rachou

at: La Louisianne Recording studios

Lafayette LA

tracklist:

A1 Nobody But You 2:40

A2 Just Got To Forget You 2:33

A3 Agent Double-O Soul 2:43

A4 All These Things 3:50

A5 Out Of Sight 2:37

A6 With These Hands 2:35

B1 My Hearts On Fire 2:10

B2 Life Can Be Lonely 2:00

B3 I Got Loaded 2:34

B4 Song For My Father 2:50

B5 My Girl 2:48

B6 Cry Cry Cry 2:48

link

 

Sonny Jones ‎

 

 

 Sissy Walk

 

 

 

 

  Scram Records ‎1969  – 115

 

 notes:

Sonny Jones was a New Orleans artist known from works with legend "Eddie Bo",
The funky 45 "Sissy Walk (Parts 1 & 2)" was written and produced by "Eddie Bo"
 and originally released on Scram Records.

tracklist:

A     Sissy Walk (Pt.1)
    Written-By – A. Scramuzza, E. Bocage 2:25

B     Sissy Walk (Pt.2)
    Written-By – A. Scramuzza, E. Bocage 2:30

 

 

link

 

 

 

 

 

Chris Kenner ‎

 

 

Land Of 1000 Dances

 

 

Atlantic records 1966 ‎– LP 8117

notes:

Christophe Kenner (December 25, 1929 – January 25, 1976) 
was an American, New Orleans–based R&B singer and songwriter,
 best known for two hit singles in the early 1960s,
 "I Like It Like That" and "Land of 1000 Dances", 
which became staples in the repertoires of many other musicians
Compilation of Instant single sides issued 1961 - 1963.


credits:

    Arranged By – Allen Toussaint
    Written-By – Chris Kenner, A. Domino* (tracks: A6, B1)

recorded at: New Orleans LA May 17, 
September 30,1963 and December 1, 1965

tracklist:

A1        Land Of 1000 Dances    2:26
A2        Come Back And See    2:21
A3        How Far    2:11
A4        Time    2:45
A5        Come And See About Me    2:36
A6        Packing Up    2:31
B1        Something You Got    2:56
B2        I Like It Like That-Part 1    1:55
B3        I Like It Like That-Part 2    1:58
B4        Go Thru Life    2:10
B5        A Very True Story    2:27
B6        That's My Girl    2:34


 session recording :

Chris Kenner (vocals) and others
New Orleans, LA, May 17, 1963
7017    Land Of 1000 Dances
7018    That's My Girl
same personnel
New Orleans, LA, September 30, 1963
7238    Something You Got
7239    Gone And See About Me
same personnel
New Orleans, LA, December 1, 1965
9664    Come Back And See
9665    How Far
9666    Time
9667    Packing Up
9668    I Like It Like That, Part 1
9669    I Like It Like That, Part 2
9670    Go Thru Life
9671    A Very True Story 

 

 

link 

James Booker And His Organ ‎

 

 

 Madison

 

 

 

Disques Pop ‎1962 – MPO 3089

 French EP

 

 notes:
James Carroll Booker III was an American New Orleans rhythm and blues 
keyboardist and singer. Flamboyant in personality and style, and a pianist 
of extraordinary technical skill, he was dubbed "the Black Liberace.
His 1960 recording "Gonzo" reached No. 43 on the Billboard magazine
record chart and No. 3 in R&B, and he toured internationally in the 1970s.


credits:

rec. 1960-62 in Houston, James Booker, org; 
unknown tp, saxes, g, b, dr

tracklist:

A1 Gonzo
Written By – Malone 
A2 Cool Turkey
Written By – Malone 
B Tubby (Part 1 & 2)
Written By – Booker-Malone-Frank 

link