Showing posts with label Etta James. Show all posts
Showing posts with label Etta James. Show all posts

7/20/2026

Etta James – Tell Mama (Cadet LPS 802)






Etta James – Tell Mama (Cadet LPS 802) Review




Original 1968 Etta James Tell Mama LP on Cadet Records LPS 802 featuring the classic Muscle Shoals soul recordings.

Cadet Records 1967 – LPS 802

 
notes:

Tell Mama is the seventh studio album by American singer 
Etta James. Her second album release for Cadet Records, 
Released in 1968 on Cadet Records (LPS 802), Tell Mama marked 
one of the greatest comebacks in soul music history. Recorded
 primarily at the legendary FAME Studios in Muscle Shoals, 
Alabama, the album revitalized Etta James' career by 
combining Southern soul, blues, gospel, 
and R&B into one unforgettable recording.
Backed by the celebrated Muscle Shoals Rhythm Section, 
Etta delivered some of the most emotionally charged performances 
of her career. Her powerful voice perfectly matched producer
 Rick Hall's raw Southern sound, resulting in timeless classics 
such as Tell Mama, I'd Rather Go Blind, and Security.
Today, Tell Mama remains one of the finest soul albums ever 
recorded and an essential LP for collectors of vintage soul and blues vinyl.


credits:

Etta James – lead vocals
Jimmy Johnson – guitar
Albert Lowe Jr. – guitar
David Hood – bass
Roger Hawkins – drums
Keyboards

The keyboard personnel varied slightly between sessions:

August 1967 sessions

Dewey "Spooner" Oldham – piano, organ
Carl Banks – organ

November–December 1967 sessions

Barry Beckett – organ
George Davis – piano
Marvell Thomas – piano (selected tracks)
Carl Banks – organ (selected tracks)
Horn Section
Charles Chalmers – tenor saxophone
Floyd Newman – baritone saxophone
Aaron Varnell – tenor saxophone
James Mitchell – saxophone (later sessions)
Gene "Bowlegs" Miller – trumpet
Recording Sessions by Date
August 22, 1967

Recorded:

Steal Away
Don't Lose Your Good Thing
Just a Little Bit

Personnel:

Etta James
Jimmy Johnson
Albert Lowe Jr.
David Hood
Roger Hawkins
Dewey Oldham
Carl Banks
Charles Chalmers
Floyd Newman
Aaron Varnell
Gene "Bowlegs" Miller
August 23, 1967

Recorded:

I'd Rather Go Blind
Watch Dog
I'm Gonna Take What He's Got

Same core Muscle Shoals band as above.

August 24, 1967

Recorded:

Tell Mama
The Love of My Man
It Hurts Me So Much

Same personnel as the August sessions.

November 30 – December 6, 1967

Recorded:

The Same Rope
Security
My Mother-in-Law
Do Right Woman, Do Right Man

Personnel changes:

Barry Beckett replaced Dewey Oldham on many organ parts.
George Davis and Marvell Thomas shared piano duties.
James Mitchell joined the horn section on several tracks.

Recording studio: FAME Studios
Location: Muscle Shoals, Alabama
Recording dates:
August 22–24, 1967
November 30 – December 6, 1967
Producer: Rick Hall
Recording engineer: Rick Hall
Arranger: Rick Hall

trackslist:

A1 Tell Mama
Written-By – Carter*
A2 I'd Rather Go Blind
Written By – Foster
Written-By – Jordan*
A3 Watch DogWritten-By – Rosco Gordon
Written-By – Covay*
A4 The Love Of My Man
Written-By – Townsend*
A5 I'm Gonna Take What He's Got
Written-By – Covay*
A6 The Same Rope
Written-By – Caston*, Webber*
B1 Security
Written-By – Redding*
B2 Steal Away
Written-By – Hughes*
B3 My Mother-In-Law
Written-By – George David*, Lee Diamond
B4 Don't Lose Your Good Thing
Written By – Robert Killen
Written-By – Hall*, Oldham*
B5It Hurts Me So Much
Written-By – Chalmers*
B6 Just A Little Bit
Written-By – Rosco Gordon











4/14/2026

Etta James – Call My Name 1966

 









Etta James – Call My Name LP (Cadet Records): Soul Classic Vinyl Review




Etta James Call My Name LP vinyl cover Cadet Records

Cadet Records 1966 ‎– LP 4055


notes:


Released in 1967, Call My Name captures Etta James at 
a turning point in her career, blending deep soul, gospel 
influences, and emotional storytelling. This album stands 
as a powerful example of late-60s rhythm and blues evolution.
Released January 27, 1967
Recorded December 1966
Studio Ter Mar Studios, Chicago

credits:


Producer Monk Higgins & Ralph Bass
Engineer – Doug Brand
While exact session credits for every track may vary or 
be partially undocumented, recordings from this period 
at Cadet/Chess studios commonly featured:

 Piano and Hammond organ players from Chicago’s soul scene
 Electric guitar session musicians specializing in blues-R&B fusion
 String orchestras arranged for emotional depth
Horn sections (trumpet, saxophone, trombone)
 Professional rhythm section drummers and bassists from studio pools

These musicians were not always credited individually, 
but they were essential to shaping the rich soul sound of the album.

tracklist:


A1 Happiness 2:48
written by Smith, Dollison
A2 That's All I Want From You 2:45
written by Rotha
A3 Have A Little Faith In Me 2:40
written by Higgins, Wrencher
A4 I'm So Glad (I Found Love In You) 3:12
written by Smith, Dollison
A5 You Are My Sunshine 2:37
written by Davis, Mitchell
A6 It Must Be Your Love 2:52
written by Bernard, Higgins, Dollison, Foster
B1 842-3089 (Call My Name) 2:57
written by Higgins, Dollison, Foster
B2 Don't Pick Me For Your Fool 2:31
written by Higgins, Dollison, Foster
B3 I Prefer You 2:50
written by Higgins, Dollison
B4 Nobody Loves Me 2:45
written by Higgins, Wrencher
B5 It's All Right 2:37
written by C. Mayfield
B6 Nobody Likes You 2:53
written by Higgins, Dollison






4/13/2026

Etta James – At Last! 1960

 





Etta James – At Last! Album Review, Songs, Meaning & Legacy





Front cover of Etta James' At Last! released on Argo Records LP 4003 in 1960.

Argo Records ‎1961 – LPS 4003


notes:


At Last! is the debut studio album by American blues 
and soul artist Etta James. Released on Argo Records
 in November 1960, the album was
 produced by Phil and Leonard Chess
Released in 1960, At Last! is one of the most 
influential soul and blues albums ever recorded. Performed 
by legendary artist Etta James, the album blends R&B, jazz, 
blues, and soul into a timeless masterpiece.
The album is best known for its iconic title track “At Last”, 
which has become a cultural symbol of romance and emotional depth.


credits:


    Etta James – vocals
    Harvey Fuqua – vocals
    Riley Hampton – arranger, conductor
    Arranged By, Conductor – Riley Hampton
    Orchestra – Riley Hampton Orchestra
    Producer – Leonard Chess, Phil Chess


All tracks recorded in Chicago. Recording dates:
1960 - January, Chicago: A5. B3, B5.
May, Chicago: A2, B1.
September, Chicago: A1.
October, Chicago: A3, A4, B2, B4.
 Probable Chicago Session Musicians

Research by Chess historians indicates that Hampton's orchestra 
was assembled from Chicago's leading studio musicians. Although 
not documented track-by-track, the orchestra likely
 included members of the regular Chess session pool, such as:

Lefty Bates – guitar
Matt Murphy – guitar
Louis Satterfield – bass
Al Duncan – drums
Lafayette Leake – piano
Sonny Thompson – piano (some sessions)
Gene Barge – tenor saxophone
Phil Upchurch – guitar (possible later 1960 sessions)


tracklist:


A1 Anything To Say You're Mine
Written-By – S. Thompson*
A2 My Dearest Darling
Written-By – E. Bocage*, P. Gayten*
A3 Trust In Me
Written-By – Schwartz*, Ager*, Wever*
A4 Sunday Kind Of Love
Written-By – Leonard*, Belle*, Prima*, Rhodes*
A5 Tough Mary
Written-By – C. Uto
B1 I Just Want To Make Love To You
Written-By – W. Dixon*
B2 At Last
Written-By – Warren*, Gordon*
B3 All I Could Do Was Cry
Written-By – B. Davis*
B4 Stormy Weather
Written-By – Arlen*, Koehler*
B5 Girl Of My Dreams (Rendered As Boy Of My Dreams)
Written-By – Charles Clapp









Etta & Harvey – Spoonful / It’s a Crying Shame 1960

 





Etta & Harvey – Spoonful / It’s a Crying Shame 1960s Soul Classic Review & History




Etta James and Harvey Fuqua Spoonful vinyl record 1960s soul

Chess ‎Records 1960 – single 1771


notes:


“Spoonful” by Etta James and Harvey Fuqua stands as a 
powerful fusion of blues and soul, showcasing the raw 
vocal chemistry between two legendary performers. 
Originally rooted in blues traditions popularized by 
Willie Dixon, this version transforms the track into a 
deeply emotional duet. On the flip side, “It’s a Crying Shame” 
delivers a heartfelt performance that highlights 
the expressive depth of classic 1960s R&B.

credits:


Etta James, duet with Harvey Fuqua.
Arranged By, Conductor – Riley Hampton

Session Musicians (Probable Lineup)
Phil Upchurch – guitar
Louis Satterfield – bass
Morris Jennings – drums
Isaac 'Redd' Holt – drums (alternate sessions)
Sonny Thompson – piano / musical direction

Recorded in Chicago around September 1960, “Spoonful” 
and its B-side “It’s a Crying Shame” were issued on 
Chess Records (catalog number 1771).
Chess Studios, Chicago


tracklist:


A Spoonful
Written-By – W. Dixon*
B It's A Crying Shame
Written-By – James*, Fuqua*







Etta James , Songs & Legacy





Etta James Biography, Songs & Legacy (At Last Singer Guide)





Etta James portrait blues singer

Argo Records ‎1960/62 – LPS-4013

notes:


Etta James is the self-titled third studio album by American blues artist, 
Etta James. The album was released on Argo Records in 1962
 and was produced by Ralph Bass. 
The legendary Etta James remains one of the most powerful voices 
in blues, soul, and R&B history. Among her early releases, 
Argo Records ‎– LPS-4013 stands out as a highly collectible vinyl 
that captures her raw, emotional depth.
Released under Argo Records, this album showcases the signature 
blend of gospel, blues, and jazz that defined her early career.
This pressing reflects the golden era of analog recording, 
where Etta’s vocals were front and center—unfiltered and deeply 
expressive. Collectors and audiophiles value this record for both 
its sound quality and historical significance.

credits:


    Etta James - lead vocals
    The Riley Hampton Orchestra
    Riley Hampton - arranger, conductor
    Harvey Fuqua - duet vocals on "If I Can't Have You" and "Spoonful"
Phil Upchurch – guitar 
   Louis Satterfield – bass 
   Gene Barge – saxophone and arrangements

Released May 5, 1962
Recorded 1960-62
Studio Chess Studios, Chicago, Illinois
Ron Malo - engineer
Producer
Leonard Chess
Phil Chess

tracklist:


A1 Waiting For Charlie To Come Home
Written-By – Hilliard*, Bacharach*
A2 Guess Again
Written-By – Schroeder*, Glazer*, Gold*
A3 A Lover's Mourn
Written By – Reese
A4 You Can Count On Me
Written By – Singleton
A5 If I Can't Have You
Written-By – James*, Fuqua*
B1 Something's Got A Hold On Me
Written-By – James*, Kirkland*, Woods*
B2 My Dear
Written By – Reese
B3 Nobody But You
Written-By – W. Dixon*
B4 Let Me Know
Written-By – Gordy*, Davis*
B5 Spoonful
Written-By – W. Dixon*