Johnny "Hammond" Smith – The Stinger

Johnny "Hammond" Smith – The Stinger (Prestige PR 7408)

updated 11/06/2026

Prestige records 1965   ‎– PR 7408

Album Description

Released in 1965 on Prestige Records, The Stinger showcases 
the distinctive Hammond organ playing of jazz musician 
Johnny “Hammond” Smith. Recorded at the legendary Van Gelder Studio 
in Englewood Cliffs, New Jersey, this six-track album blends soul jazz, 
blues, swinging rhythms and earthy organ grooves.

Smith leads a compact quintet featuring tenor saxophonists Houston Person 
and Earl Edwards, guitarist Floyd Smith, and drummer John Harris. 
The two saxophonists appear on different tracks, adding 
contrasting textures to the album’s sound.

From the energetic title track and the funky drive of “Benny’s Diggin’” to 
the blues-inflected atmosphere of “You Don’t Know What Love Is,” the record 
captures the warm, groove-oriented sound of mid-1960s Prestige jazz. 
It is an appealing LP for collectors of Hammond organ jazz, rare groove, 
bluesy jazz and vintage soul jazz.

Line-up and Musicians

Johnny “Hammond” Smith – Hammond organ
Houston Person – tenor saxophone on tracks 1, 4 and 6
Earl Edwards – tenor saxophone on tracks 1, 2, 3 and 5
Floyd Smith – guitar
John Harris – drums

Production and Recording
The Stinger was recorded on May 7, 1965, at Van Gelder Studio 
in Englewood Cliffs, New Jersey. The session was produced by 
Cal Lampley and engineered by Rudy Van Gelder, whose recordings 
became a defining part of the Prestige jazz catalog.

Trackslist:

A1        The Stinger
Written-By – Smith*
    6:40
A2        There Is No Greater Love
Written-By – Jones*, Symes*
    5:30
A3        Brother John
Written-By – Smith*
    3:55
B1        Cleopatra And The African Knight
Written-By – Smith*
    4:55
B2        You Don't Know What Love Is
Written-By – Raye*, DePaul*
    6:50
B3        Benny's Diggin'
Written-By – Smith*
    4:15

Link available upon request

  

Cal Tjader – Tjader (1971)

Cal Tjader – Tjader (1971) | Fantasy Records 8406

updated 11/06/2026

Fantasy records 1971  ‎– 8406

Album Description

Released in 1971 on Fantasy Records, Tjader is an engaging 
album by American vibraphonist and Latin jazz pioneer Cal Tjader.
Issued in the United States as Fantasy F-8406, the LP combines 
Latin rhythms, jazz improvisation, electric keyboards and 
funk influences in a distinctive early-1970s sound.

Recorded at Wally Heider Studios in San Francisco during 
the summer of 1970, the album features a large ensemble 
of musicians under Tjader’s leadership. Arranger Ed Bogas 
helped shape the sessions, bringing brass, percussion, 
backing vocals and electric piano into a colourful musical setting.

The opening track, “I Showed Them,” establishes the album’s 
rhythmic character with Tjader’s vibraphone at the centre of
 the arrangement. The programme also includes 
Donovan’s “Wear Your Love Like Heaven” and “First There Is a Mountain,” 
alongside Michel Legrand’s “What Are You Doing the Rest of Your Life.”

On the second side, the group explores Julius Wechter’s “Fresh Air,” t
he Supremes classic “You Keep Me Hangin’ On,” the Beatles’ “She’s Leaving Home” 
and the Latin-tinged instrumental “Mambero.”

One of the album’s most appealing qualities is the contrast between
 Tjader’s fluid vibraphone lines and the warm, electric textures of
Al Zulaica’s piano and electric piano. Brass arrangements, layered percussion
 and Latin rhythms give the music a groove-oriented character that connects jazz, 
funk and the emerging rare-groove sound of the 1970s.

The record also features the Escovedo family’s distinctive percussion 
contributions, with Pete Escovedo on congas and Coke Escovedo on timbales. 
Together with the rhythm section and horn players, they help 
create the album’s lively, danceable atmosphere.

For collectors of Latin jazz, jazz-funk and rare groove, 
Tjader is an excellent example of Cal Tjader’s creative 
return to Fantasy Records during the early 1970s.

Line-up and Musicians

Cal Tjader – Vibraphone, organ
Al Zulaica – Piano, electric piano
Jim McCabe – Bass
Dick Berk – Drums
Michael Smithe – Congas
Pete Escovedo – Congas
Coke Escovedo – Timbales
Johnny Rae – Tambourine
Robert Ferreira – Flute
Gordon Massick – Trombone
Bill Atwood – Trumpet
Bill Powers – Trumpet
John Coppola – Trumpet
Bonnie Flower and Wendy Flower – Vocals

Producer: Ed Bogas
Arrangements: Ed Bogas
Recording Engineer: Russ Gary
Recording Studio: Wally Heider Studios, San Francisco, California
Recording Date: Summer 1970

trackslit:

A1        I Showed Them
Written-By – Tjader*
    5:58
A2        Wear Your Love Like Heaven
Written-By – Donovan
    2:30
A3        First There Is A Mountain
Written-By – Donovan
    4:45
A4        What Are You Doing The Rest Of Your Life
Written-By – Michel Legrand
    6:55
B1        Fresh Air
Written-By – J. Wechter*
    3:51
B2        You Keep Me Hangin' On
Written-By – Holland-Dozier-Holland
    3:30
B3        She's Leaving Home
Written-By – Lennon-McCartney
    3:59
B4        Evil Ways
Written-By – Sonny Henry
    4:19
B5        Mambero
Written-By – Tjader*
    5:34

Link available upon request

Solomon Burke – I Wish I Knew (1968)

Solomon Burke – I Wish I Knew (1968) | Atlantic SD 8185

updated 11/05/2026

Atlantic records 1968   SD 8185

Album Description:

Released in 1968 on Atlantic Records, I Wish I Knew is 
a powerful soul album by Solomon Burke, one of the 
most distinctive voices in American rhythm and blues.
 Combining Southern soul, gospel influences, blues 
feeling and classic R&B arrangements, the album 
captures Burke’s passionate vocal style at a pivotal
 moment in late-1960s soul music.

The LP opens with “I Wish I Knew (How It Would Feel to Be Free),” 
a stirring interpretation of the song written by Billy Taylor 
and Dick Dallas. The album also features memorable 
versions of Allen Toussaint’s “Get Out of My Life Woman,”
 Jimmy Webb’s “By the Time I Get to Phoenix,” 
and Ray Charles’s “What’d I Say.”

Burke moves effortlessly between gospel-inspired intensity,
 heartfelt ballads and driving rhythm and blues. Guided by 
arranger Arif Mardin and producer Tom Dowd, I Wish I Knew 
showcases the emotional depth and musical versatility
 that made Solomon Burke a major figure in soul music.

For collectors of vintage Atlantic Records releases, 
classic Southern soul and rare 1960s R&B vinyl, t
his album is an essential addition to any serious collection.

Musicians and Session Personnel

The album features Solomon Burke backed by a
 studio ensemble of piano, organ, guitar, electric bass,
 drums and choir. Arif Mardin supervised 
the arrangements and conducting.

Documented personnel associated with the album include:
Solomon Burke — Lead vocals
Arif Mardin — Arrangements and conducting
Bobby Emons — Electric piano
Bobby Wood — Piano and organ
Reggie Young — Guitar
Tommy Cogbill — Bass
Gene Chrisman — Drums

Additional session credits associated with the album 
include horn and rhythm-section musicians. Individual 
track assignments should be verified against 
the original LP credits or a detailed sessionography.



    Memphis, TN, March 15, 1968
    Producer, Engineer  Tom Dowd

trackslist:

A1        I Wish I Knew (How It Would Feel To Be Free)
Written-By – Billy Taylor, Dick Dallas
2:50
A2        Get Out Of My Life Woman
Written-By – Allen Toussaint
3:15
A3        Meet Me In Church
Written-By – Joe Tex
3:26
A4        By The Time I Get To Phoenix
Written-By – Jim Webb*
2:50
A5        Then You Can Tell Me Goodbye
Written-By – John D. Loudermilk
3:10
B1        What'd I Say
Written-By – Ray Charles
4:45
B2        Since I Met You Baby
Written-By – Ivory Joe Hunter
3:40
B3        Save It
Written-By – Don Bryant
2:25
B4        Shame On Me
Written-By – Don Bryant, Willie Mitchell
2:30
B5        Why, Why, Why
Written-By – J. W. Alexander
2:24

Link available upon request

 

Diana Ross & The Supremes With The Temptations – TCB 1968

 Diana Ross & The Supremes with The Temptations – TCB (1968) 

 Motown MS 682

 

 

 

updated 11/04/2026

 

 

 

Motown records 1968  ‎– MS 682

Album Description

Released in 1968 on Motown Records, TCB (Takin’ Care of Business) 
brings together two of the most celebrated vocal groups of 
the Motown era: Diana Ross and the Supremes and the Temptations. 
This original soundtrack album captures the energy, elegance and 
showmanship of their landmark television collaboration.

The title TCB stands for “Takin’ Care of Business,” an expression that
 perfectly reflects the confidence and professionalism of these two 
outstanding groups. Originally created for an NBC television special, 
the production combines classic Motown soul with Broadway standards, 
contemporary pop hits, sophisticated arrangements and 
spectacular vocal performances.

Diana Ross takes centre stage with the Supremes, while the Temptations 
contribute their distinctive harmonies, dynamic lead vocals and polished 
stage presence. The result is a stylish musical showcase that moves 
effortlessly between romantic ballads, upbeat soul numbers and 
medleys of popular songs.

Highlights include “Stop! In the Name of Love,” “You Keep Me Hangin’ On,” 
“Get Ready,” “The Way You Do the Things You Do,” “Respect” and 
“Ain’t Too Proud to Beg.” The album also features medleys built 
around well-known songs such as “A Taste of Honey,” “Eleanor Rigby,” 
“Mrs. Robinson” and “Come See About Me.”

Line-up and Musicians

    Diana Ross & the Supremes:
        Diana Ross
        Mary Wilson
        Cindy Birdsong

    The Temptations:
        Dennis Edwards
        Eddie Kendricks
        Paul Williams
        Melvin Franklin
        Otis Williams


Producers: George Schlatter and Ed Friendly, 
in association with Motown Productions, Inc.
Recording dates: August 23–24, 1968

Original US release: December 2, 1968.
Television broadcast: December 9, 1968.

    Art Direction – Ken Kim
    Liner Notes – Berry Gordy
   

trackslist:

A1 T.C.B.
    Written-By – B. Angelos*, B. Kohan* 
A2 Stop! In The Name Of Love
    Written-By – Holland, Dozier, Holland* 
A3 Introduction Of Diana Ross & The Supremes     0:55
A4 You Keep Me Hangin' On
    Written-By – Holland, Dozier, Holland* 
A5 Introduction Of The Temptations: Get Ready
    Written-By – Wm. Robinson* 
A6 Introduction Of Diana Ross: The Way You Do The Things You Do
    Written-By – Wm. Robinson 
Medley     5:15
A7-1 A Taste Of Honey
    Written-By – B. Scott*, R. Marlow* 
A7-2 Eleanor Rigby
    Written-By – J. Lennon, P. McCartney* 
A7-3 Do You Know The Way To San Jose
    Written-By – H. David, B. Bacharach* 
A7-4 Mrs. Robinson
    Written-By – P. Simon* -
A8 Respect
    Written-By – O. Redding* 
A9 Somewhere
    Written-By – L. Bernstein*, S. Sondheim* 
B1 Ain't Too Proud To Beg
    Written-By – E. Holland*, N. Whitefield* 
B2 Introduction Of The Temptations     0:45
B3 Hello, Young Lovers
    Written-By – R. Rodgers, O. Hammerstein, II* 
B4 For Once In My Life
    Written-By – O. Murden*, Ron Miller* 
B5 (I Know) I'm Losing You
    Written-By – C. Grant*, E. Holland*, N. Whitfield* 
Medley     3:00
B6-1 With A Song In My Heart
    Written-By – Rodgers & Hart 
B6-2 Without A Song
    Written-By – W. Rose*, E. Eliscu*, V. Youmans* 
Medley     2:20
B7-1 Come See About Me
    Written-By – Holland, Dozier, Holland* 
B7-2 My World Is Empty Without You
    Written-By – Holland, Dozier, Holland*     
B7-3 Baby Love
    Written-By – Holland, Dozier, Holland* 
B8 I Hear A Symphony
    Written-By – Holland, Dozier, Holland* 
B9 The Impossible Dream
    Written-By – S. Darion*, M. Leigh* 

Link available upon request

Wes Montgomery – Movin’ Wes (1965)

Wes Montgomery – Movin’ Wes  Verve Jazz Vinyl LP

updated 11/03/2026

Verve Records 1964  V6-8610

Album description:

Released in 1965 on Verve Records, Movin’ Wes is a fascinating 
chapter in the discography of jazz guitar legend Wes Montgomery.
Combining Montgomery’s unmistakable guitar sound with the 
sophisticated orchestral arrangements of Johnny Pate, this album 
brings together swinging jazz, soulful melodies, Broadway 
standards and Brazilian influences in a polished, accessible setting.

Recorded at A&R Studios in New York City in November 1964, the album 
features an expanded ensemble of outstanding jazz musicians. 
Montgomery’s warm, thumb-picked guitar remains at the centre of the music, 
surrounded by brass, woodwinds, piano, bass, drums and 
Latin-flavoured percussion.

The result is a rich blend of hard bop, soul jazz and orchestral jazz, 
reflecting the musical direction that Montgomery explored during his years 
with Verve. Producer Creed Taylor was instrumental in presenting jazz artists 
to a broader audience, while arranger and conductor Johnny Pate gave t
his session its distinctive big-band colour and rhythmic momentum.

The programme moves effortlessly between familiar standards and original 
compositions. Duke Ellington’s Caravan becomes a lively showcase for 
Montgomery’s rhythmic precision, while People, from the Broadway musical 
Funny Girl, receives a sophisticated instrumental treatment. Matchmaker, 
from Fiddler on the Roof, demonstrates how Broadway material could be 
transformed into swinging jazz.

The two-part title track, Movin’ Wes, highlights Montgomery’s own 
compositional voice, while Moca Flor introduces a Brazilian flavour. 
The album also includes Senza Fine, Theodora, In and Out, Born to
 Be Blue and Montgomery’s celebrated composition West Coast Blues.

For collectors of vintage jazz vinyl, soul-jazz enthusiasts and admirers 
of Wes Montgomery, Movin’ Wes offers an excellent example of the 
meeting point between small-group jazz improvisation and carefully
 arranged orchestral sound. The original Verve LP, catalog number V6-8610, 
is a particularly interesting addition to a collection devoted to 1960s jazz, 
guitar masters and the evolution of sophisticated, groove-oriented instrumental music.

Line-up and musicians:

Wes Montgomery    Guitar, leader
Bobby Scott    Piano
Bob Cranshaw    Double bass
Grady Tate    Drums
Willie Bobo    Percussion
Ernie Royal    Trumpet
Clark Terry    Trumpet
Snooky Young    Trumpet
Jimmy Cleveland    Trombone
Urbie Green    Trombone
Quentin Jackson    Trombone
Chauncey Welsch    Trombone
Jerome Richardson    Woodwinds, saxophones and flute
Don Butterfield    Tuba, credited alternative
Harvey Phillips    Tuba, credited alternative

Arrangements and conducting: Johnny Pate
Producer: Creed Taylor
Recording studio: A&R Studios, New York City
Recording dates: November 11 and 16, 1964,
Engineer  Phil Ramone
Engineering For Verve Val Valentin
Re-recording Engineer Rudy Van Gelder
 

tracklist:

 A1        Caravan
Written By – Mills-Ellington-Tizol
Written-By – Ellington*, Mills*, Tizol*
    2:35
A2        People
Written By – Styne-Merrill
Written-By – Merrill*, Styne*
    4:15
A3        Movin' Wes (Part I)
Written-By – Wes Montgomery
    3:15
A4        Moca Flor
Written By – Luiz Freire-Durval Ferreira
Written-By – Durval Ferreira, Luiz Freire*
    3:10
A5        Matchmaker
Written By – Sheldon Harnick-Jerry Bock
Written-By – Jerry Bock, Sheldon Harnick
    2:50
A6        Movin' Wes (Part II)
Written-By – Wes Montgomery
    2:37
B1        Senza Fine
Written-By – Gino Paoli
    3:20
B2        Theodora
Written-By – Billy Taylor
    3:55
B3        In And Out
Written-By – Wes Montgomery
    2:55
B4        Born To Be Blue
Written-By – Mel Torme*, Robert Wells (2)
    3:37
B5        West Coast Blues
Written-By – Wes Montgomery
    3:12   

Link available upon request

The Roy Meriwether Trio – Popcorn & Soul: Groovin' At The Movies

 

 

 

 

 

 

 

 The Roy Meriwether Trio – Popcorn & Soul  Columbia CS 9298

 

 

 

 

Columbia records 1966 – CS 9298

Album Description

Released in 1966 on Columbia Records, Popcorn & Soul: 
Groovin' at the Movies captures jazz pianist Roy Meriwether 
and his trio exploring memorable themes from Hollywood 
films, popular cinema and contemporary entertainment. 
Issued in stereo as Columbia CS 9298, with a mono 
counterpart numbered CL 2498, this album brings together 
jazz piano, swinging rhythms and 
soulful interpretations of familiar melodies.

Rather than reproducing the original soundtrack 
arrangements, the trio gives these well-known 
compositions an intimate jazz treatment. From the 
uplifting Disney classic “Zip-A-Dee-Doo-Dah” to the 
elegant “The Shadow of Your Smile,” the programme moves 
between film music, Broadway-associated 
standards and popular songs of the era.

Meriwether's piano leads the performances, 
supported by Philip Paul's drumming and Lester Bass's double bass.
 The stripped-down trio format places the emphasis on melody, 
rhythmic interplay and the musicians' interpretations, offering
a distinctive perspective on music originally written for the screen.

Line-Up and Musicians

Roy Meriwether: Piano
Lester Bass: Bass
Philip Paul: Drums

Producer – Teo Macero
Recording date: Exact session date not independently confirmed.
Recording studio: Exact studio not independently confirmed.

trackslist:

A1        Zip-A-Dee-Doo-Dah    2:33
Written by: Ray Gilbert (lyrics), Allie Wrubel (music)
A2        The Shadow Of Your Smile    3:20
Written by: Paul Francis Webster (lyrics), Johnny Mandel (music)
A3        When You Wish Upon A Star    3:25
Written by: Ned Washington (lyrics), Leigh Harline (music)
A4        Cincinnati Kid    3:07
Written by: Lalo Schifrin (music); Don Cochran is 
credited in published song listings
A5        Moon River    2:37
Written by: Johnny Mercer (lyrics), Henry Mancini (music)
A6        Never On Sunday    3:05
Written by: Manos Hadjidakis (music); Billy Towne 
wrote the English lyrics
B1        Help!    2:33
Written by: John Lennon and Paul McCartney
B2        Call Me Irresponsible    2:48
Written by: Sammy Cahn (lyrics), Jimmy Van Heusen (music)
B3        Over The Rainbow    3:26
Written by: E. Y. Harburg (lyrics), Harold Arlen (music)
B4        Secret Love    3:37
Written by: Paul Francis Webster (lyrics), Sammy Fain (music)
B5        What's New Pussycat?    2:10
Written by: Hal David (lyrics), Burt Bacharach (music) 

 

 

Link available upon request

 

 

 

 

 

The Roy Meriwether Trio – Soul Invader (1967/1968)

 

 

 

 

 

 

 

 The Roy Meriwether Trio – Soul Invader  Columbia CS 9544

 

 

 

Columbia records 1968 – CS 9544

 

 Description :

Released by Columbia Records, Soul Invader captures pianist 
Roy Meriwether and his trio exploring the meeting point of jazz, 
rhythm and blues, and soul. This vintage album combines 
swinging piano improvisations, blues-inflected phrasing and 
accessible melodies, reflecting the vibrant 
soul-jazz sound of the late 1960s.

Issued in the United States under catalog number CS 9544, 
the LP features 11 tracks, ranging from jazz standards and 
familiar popular songs to groove-oriented selections. 
The result is an engaging record for collectors of 1960s jazz, 
soul-jazz, Hammond-era groove culture and 
classic Columbia vinyl.

Meriwether's expressive piano style brings warmth and 
rhythmic drive to the programme, making Soul Invader 
a worthwhile discovery for listeners interested in the 
connections between jazz, blues and soul.

Line-up and Musicians

The credited trio personnel are:
Roy Meriwether — Piano
Lester Bass — Double bass
Phillip Paul — Drums

Production Credits:

Engineer – Edward T. Graham, Murray Zimney
Producer – Teo Macero

trackslist:

A1        It's A Mean World To Live In
written by Roy Meriwether
A2        Soul Invader
written by Roy Meriwether
A3        Lonely Man
written by Roy Meriwether, B. Logan
A4        On Green Dolphin Street
written by N. Washington, B Kaper
A5        My Funny Valentine
written by L. Harts, R. Rodgers
A6        Little Lousy Jane
arranged by  Roy Meriwether
B1        Comin' Home Baby
written by B. Tucker, R. Dorough
B2        Lullaby Of Birdland
written by G.shearing
B3        Sweet Sixteen Bars
written by R Charles
B4        Cottonfields
arranged & adapted by Roy Meriwether
B5        After Hours
written by A. Parrish

 

 

Link available upon request

 

 

 

The Roy Meriwether Trio – The Stone Truth (1966)

 

 

 

 

 

 

 

The Roy Meriwether Trio – The Stone Truth   Columbia CS 9384

 

 

 

Columbia records 1966 – CS 9384

 

 Album Description

Released on Columbia Records in 1966, The Stone Truth 
showcases the soulful piano jazz of American pianist and 
bandleader Roy Meriwether. Blending swinging rhythms, 
blues feeling, gospel influences and Latin-tinged arrangements, 
the album brings together jazz standards, contemporary 
popular songs and groove-oriented instrumental performances.

Meriwether's piano playing combines rhythmic drive with 
melodic sensitivity, moving comfortably between 
straight-ahead jazz, bluesy passages and danceable soul jazz. 
The programme includes interpretations of Duke Ellington's 
classic “Things Ain't What They Used to Be,
” Herbie Hancock's “Watermelon Man,” and 
the Broadway favourite “Feeling Good.”

Produced by the legendary jazz producer Teo Macero, 
The Stone Truth is an appealing example of mid-1960s 
Columbia jazz, when piano trios were exploring the 
meeting point between traditional jazz, popular 
music and the emerging soul-jazz sound.

Musicians and Line-up:

Roy Meriwether — Piano
Lester Bass — Double bass
Philip Paul — Drums

Record producer: Teo Macero
Recording date: Exact session date not confirmed
Recording studio: Not reliably documented in the available references
Original release: 1966

tracklist:

A1        East Of Nowhere
Written-By – R. Meriwether*
    2:55
A2        Things Ain't What They Used To Be
Written-By – M. Ellington*
    5:30
A3        Sabya
Written By – B. Logan
    4:00
A4        But Not For Me
Written-By – I. Gershwin - G. Gershwin*
    3:25
A5        Watermelon Man
Written-By – H. Hancock*
    2:32
B1        It Had Better Be Tonight
Written-By – H. Mancini*
    4:01
B2        Climb Ev'ry Mountain
Written-By – O. Hammerstein II*, R. Rodgers*
    3:15
B3        Feeling Good
Written-By – A. Newley*, L. Bricusse*
    3:30
B4        Night Mist Blues
Written-By – A. Jamal*
    3:20
B5        Loose Walk
Written-By – J. Richards*, S. Stitt*
    4:00

 

 

 

Link available upon request

 

 

The Roy Meriwether Trio – The Seventh Son / Blue Rondo A La Turk

 

 

 

 

 

 

 

The Roy Meriwether Trio – The Seventh Son / Blue Rondo A La Turk (1967 Columbia 45)

 

 

 Columbia records 1967 – single 4-44211

Single Description:

Released in 1967 on Columbia Records, “The Seventh Son” - 

“Blue Rondo A La Turk” 
is a 7-inch, 45 rpm single by The Roy Meriwether Trio, catalog number 4-44211. 
This release brings together two distinctive compositions, connecting 
blues-rooted popular music with the adventurous spirit of modern jazz.

The A-side, “The Seventh Son,” draws on the blues and rhythm and blues tradition. 
The song became widely known through versions by artists including Willie Mabon
and Johnny Rivers. In the hands of a jazz trio, it offers an opportunity to explore 
the tune through instrumental phrasing, rhythmic interplay and improvisation.

On the flip side, “Blue Rondo A La Turk” takes its name from the celebrated 
composition by Dave Brubeck, originally recorded by the Dave Brubeck Quartet 
for the 1959 album Time Out. Its distinctive rhythmic structure made it one of 
the best-known examples of Brubeck's experimentation with unusual time signatures.

Together, these two selections illustrate the musical versatility associated 
with Roy Meriwether's work, where jazz interpretation meets familiar 
melodies and groove-oriented arrangements.

Record Details

Artist: The Roy Meriwether Trio
A-side: The Seventh Son
B-side: Blue Rondo A La Turk
Label: Columbia Records
Catalog number: 4-44211
Format: 7-inch vinyl single
Speed: 45 rpm

Producer – Teo Macero

The individual recording date, studio location, recording engineer 
and complete personnel for this specific single 
have not been independently confirmed.

Trackslist:

A        The Seventh Son
Composed By – W. Dixon*
    2:50
B        Blue Rondo A La Turk
Composed By – D. Brubeck*
    2:55 

 

 

Link available upon request

 

 

The Roy Meriwether Trio – Soul Knight (1968)

 

 

 

 

 

 

 The Roy Meriwether Trio – Soul Knight (1968)   Capitol Records ST-102

 

 

 

 

 

Capitol Records 1968 – ST-102

 description:

Released in 1968 on Capitol Records, Soul Knight is a soulful jazz 
album by American pianist Roy Meriwether and his trio. Blending
 jazz improvisation, gospel-inspired piano, blues feeling and 
funky rhythms, the album captures the spirit of late-1960s soul jazz.

Roy Meriwether leads the trio on piano, backed by Lester Bass on
 bass and Mike Ward on drums. Together, the musicians deliver
 an energetic instrumental sound that brings jazz sophistication 
and deep soul feeling to a selection of popular songs and 
groove-oriented material.

The album features jazz-funk highlights such as “Cow Cow Boogaloo,”
 “Mission Impossible” and “Mean Greens,” alongside soulful 
interpretations of “Think” and “Chain of Fools,” associated with 
Aretha Franklin, and the Beatles classic “Norwegian Wood.” 
Simon & Garfunkel's “Mrs. Robinson” 
also receives the trio's instrumental treatment.

Throughout Soul Knight, Meriwether's piano playing combines 
rhythmic drive, blues expression and gospel-influenced intensity. 
The result is a compelling example of the crossover between jazz,
 R&B and soul that made the late 1960s such a rewarding 
period for groove-focused jazz recordings.

For collectors of rare groove, vintage jazz-funk, funky piano jazz 
and soul-jazz LPs, the original Capitol stereo pressing, catalog 
number ST-102, is an interesting addition to a collection 
of 1960s American jazz recordings.

Musicians

Roy Meriwether – Piano
Lester Bass – Bass
Mike Ward – Drums

Production and Recording Credits
Producers: Alfred Quade and Tom Morgan
Engineers: Bob Arnold, Frank Abbey and John Cue

Recording date: The exact studio recording date has 
not been reliably established in the available 
discographical references.

Recorded At – Capitol Studios, New York City

tracklist:

A1        Cow Cow Boogaloo    2:05
written by C.Davenport
A2        For Your Precious Love    2:05
written by A.brooks,R brooks, J.butler
A3        Think    2:43
written by Ted White,A.Franklin
A4        Mrs. Robinson    3:02
written by  Paul Simon
A5        If You Gotta Make A Fool Of Somebody    3:00
written by Rudy Clark
A6        Walk With Me    3:24
written by Roy Meriwether
B1        Mission Impossible    2:25
written by Lalo Shifrin
B2        Soul Serenade    2:47
written by Curtis Ousley, Luther Dixon 
B3        Mean Greens    2:42
written by Eddie Harris
B4        Chain Of Fools    2:50
written by Don Coway
B5        Satisfy My Soul    3:00
written by Roy Meriwether
B6        Norwegian Wood    3:55
written by John Lennon, paul McCartney

 

 

 

Link available upon request

 

 

 

 

 

Dionne Warwick – Very Dionne (1970)

 

 

 

 

Dionne Warwick – Very Dionne | Scepter Records SPS 587 (1970)

 

 

updated 10/27/2026

 

 

Scepter Records 1970 – SPS 587

 

 

 Album Description

Released in 1970 on Scepter Records, Very Dionne is 
a sophisticated blend of soul, pop and orchestral easy listening 
featuring the unmistakable voice of Dionne Warwick.
Produced by the legendary songwriting and production 
team of Burt Bacharach and Hal David, this album showcases
 Warwick’s elegant phrasing, emotional subtlety 
and remarkable ability to bring depth to a song.

The album combines original Bacharach–David compositions 
with carefully selected interpretations of songs by other contemporary 
songwriters. Highlights include “Check Out Time,”
 “The Green Grass Starts to Grow,” “Yesterday,” “We’ve Only Just Begun”
 and “Going Out of My Head.” Warwick moves effortlessly between
 reflective ballads, polished pop arrangements and 
sophisticated vocal performances.

The arrangements, conducted by Burt Bacharach, Marty Paich and Larry Wilcox,
 give the record its distinctive late-1960s and early-1970s sound. 
The combination of lush orchestration, carefully balanced instrumentation 
and Warwick’s expressive vocals makes Very Dionne an essential 
album for collectors of classic soul, vintage pop and the Scepter Records catalogue.

credits:

Dionne Warwick - vocals
Burt Bacharach, Marty Paich, Larry Wilcox - arrangements, conducting
Armin Steiner, Larry Levine, Michael Wright, Phil Ramone - engineer
Dick Smith - art direction

Studio    A&R Studios, New York City; 
United Recording Studios, Hollywood; 
A&M Studios, Los Angeles;
 Garden State Art Center, Holmdel, New Jersey

tracklist:

A1        Check Out Time
Arranged By, Conductor – B. Bacharach*
Written-By – Bacharach/David*
4:06
A2        Yesterday
Arranged By, Conductor – M. Paich*
Written-By – John Lennon/Paul McCartney*
2:36
A3        We've Only Just Begun
Arranged By, Conductor – M. Paich*
Written-By – Williams*, Nicholas*
3:07
A4        Here's That Rainy Day
Arranged By, Conductor – L. Wilcox*
Written-By – Van Heusen/Burke*
3:35
A5        The Green Grass Starts To Grow
Arranged By, Conductor – B. Bacharach*
Written-By – Bacharach/David*
3:00
B1        They Don't Give Medals To Yesterday's Heroes
Arranged By, Conductor – B. Bacharach*
Written-By – Bacharach/David*
2:55
B2        Walk The Way You Talk
Arranged By, Conductor – B. Bacharach*
Written-By – Bacharach/David*
2:50
B3        Make It Easy On Yourself
Arranged By – L. Wilcox*
Written-By – Bacharach/David*
3:34
B4        Going Out Of My Head
Arranged By, Conductor – L. Wilcox*
Written-By – Weinstein*, Randazzo*
3:08
B5        I Got Love
Arranged By, Conductor – M. Paich*
Written-By – Geld*, Udell*
2:26

 

 

 

Link available upon request

 

 

 

Dionne Warwick – Make Way for Dionne Warwick (1964)

 

 

 Dionne Warwick – Make Way for Dionne Warwick (1964) | Scepter Vinyl

 

 

updated 10/27/2026

 

 

 

Scepter Records 1964 ‎– SPS 523 

 

Album Description:

Released in 1964 on Scepter Records, Make Way for Dionne Warwick 
is an essential album from the early career of one of American 
popular music's most distinctive voices. Combining sophisticated 
pop arrangements, elegant vocal performances and the emotional 
depth of classic soul, this LP captures Dionne Warwick at a 
defining moment in her musical journey.

Working closely with the celebrated songwriting and production
partnership of Burt Bacharach and Hal David, Warwick delivers 
a collection of beautifully crafted songs distinguished by subtle 
melodies, sophisticated harmonies and expressive interpretations.

The album includes several memorable recordings, notably “Walk On By,”
“Reach Out for Me,” “You'll Never Get to Heaven,” and “A House Is Not a Home.” 
These songs demonstrate the remarkable chemistry between 
Warwick's refined vocal style and Bacharach and David's distinctive songwriting.

Alongside these classics, the album explores romantic ballads and melodic 
pop-soul compositions, creating a listening experience 
that reflects the sophisticated sound of the 1960s.

Musicians and Production

Lead vocals: Dionne Warwick
Producers: Burt Bacharach and Hal David
Songwriting: Burt Bacharach, Hal David, and other credited composers
Recording location: Bell Sound Studios, New York Cit
Recorded 
1963–1964, Bell Sound Studios, New York City

tracklist:

All tracks are written by Burt Bacharach and Hal David, except where noted.

A1 A House Is Not A Home 3:00
A2 People 3:22
Written by :Jule StyneBob Merrill
A3 They Long To Be Close To You 2:23
A4 The Last One To Be Loved 3:20
A5 Land Of Make Believe 3:03
A6 Reach Out For Me 2:52
B1 You'll Never Get To Heaven 3:10
B2 Walk On By 2:58
B3 Wishin' And Hopin' 2:55
B4 I Smiled Yesterday 2:43
B5 Get Rid Of Him 2:34
written by: Helen MillerHoward Greenfield
B6 Make The Night A Little Longer 2:31
written by:  Gerry Goffin Carole King

Link available upon request