Showing posts sorted by relevance for query Rudy Van Gelder. Sort by date Show all posts
Showing posts sorted by relevance for query Rudy Van Gelder. Sort by date Show all posts

9/28/2026

Funk Inc. – Hangin’ Out | Prestige PR 10059




 Funk Inc. – Hangin’ Out (Prestige Records, 1972)

 

updated 09/28/2027



Funk Inc. Hangin’ Out Prestige Records PR 10059 jazz funk vinyl album

Prestige records 1972  PRST10031


Album Description:


Released by Prestige Records in 1973, *Hangin’ Out* is the third studio album by Funk, Inc., blending jazz-funk, soul-jazz, organ groove and deep funk. The album was recorded on December 1, 1972, at Van Gelder Studio in Englewood Cliffs, New Jersey, with Rudy Van Gelder engineering and Ozzie Cadena producing.

The group features Gene Barr on tenor saxophone, Bobby Watley on organ, Steve Weakley on guitar, Jimmy Munford on drums, Cecil Hunt on congas, and Gordon Edwards on electric bass on selected tracks. Watley and Munford also 
provide vocals on “We Can Be Friends.”

The six-track album opens with “Smokin’ At Tiffany’s” and includes Funk, Inc.’s versions of Curtis Mayfield’s “Give Me Your Love,” Johnny Nash’s “I Can See Clearly Now,” and the Bell/Hurtt composition “I’ll Be Around.” “We Can Be Friends” was written by Cecil Hunt, Jimmy Munford and Bobby Watley, while “Dirty Red” 
is credited to Robert Watley.

With its combination of Hammond organ, tenor saxophone, guitar, percussion and powerful drums, *Hangin’ Out* is an important example of early-1970s jazz-funk and soul-jazz on the Prestige label. The original US LP is highly relevant to collectors interested in rare groove, jazz-funk and vintage soul-jazz vinyl.


Released by Prestige Records in 1973, Hangin’ Out 
is the third studio album by Funk, Inc., blending jazz-funk,
 soul-jazz, organ groove and deep funk. The album was
recorded on December 1, 1972, at Van Gelder Studio in
Englewood Cliffs, New Jersey, with Rudy Van Gelder
 engineering and Ozzie Cadena producing.

The group features Gene Barr on tenor saxophone, 
Bobby Watley on organ, Steve Weakley on guitar,
Jimmy Munford on drums, Cecil Hunt on congas, and 
Gordon Edwards on electric bass on selected tracks. 
Watley and Munford also provide vocals on “We Can Be Friends.”

The six-track album opens with “Smokin’ At Tiffany’s” 
and includes Funk, Inc.’s versions of Curtis Mayfield’s 
“Give Me Your Love,” Johnny Nash’s “I Can See Clearly Now,” 
and the Bell/Hurtt composition “I’ll Be Around.” 
“We Can Be Friends” was written by Cecil Hunt, 
Jimmy Munford and Bobby Watley, while “Dirty Red” 
is credited to Robert Watley.

With its combination of Hammond organ, tenor saxophone,
 guitar, percussion and powerful drums, Hangin’ Out is an
 important example of early-1970s jazz-funk and soul-jazz 
on the Prestige label. The original US LP is highly relevant 
to collectors interested in rare groove, jazz-funk and vintage soul-jazz vinyl.


Line-up :


Gene Barr — tenor saxophone
Bobby Watley — organ, vocals on “We Can Be Friends”
Steve Weakley — guitar
Jimmy Munford (Jimmy Mumford) — drums, vocals on “We Can Be Friends”
Cecil Hunt — congas
Gordon Edwards — electric bass on “Smokin’ At Tiffany’s,” “Dirty Red” and “I’ll Be Around”


  Recorded:

December 1, 1972 at Van Gelder Studio, Englewood Cliffs, New Jersey
 Producer  Ozzie Cadena
 Engineer  Rudy Van Gelder

     

Trackslist:


A1        Smokin' At Tiffany's
Electric Bass – Gordon Edwards
5:30
A2        Give Me Your Love    5:35
A3        We Can Be Friends
Vocals – Bobby Watley, Jimmy Mumford*
5:15
B1        Dirty Red
Electric Bass – Gordon Edwards
6:05
B2        I Can See Clearly Now    6:00
B3        I'll Be Around
Electric Bass – Gordon Edwards
4:55
 
 






5/18/2020

Herbie Hancock – Takin’ Off (1962)





Herbie Hancock – Takin’ Off (1962)  Blue Note Hard Bop Classic





Herbie Hancock Takin' Off 1962 album cover Blue Note Records

Blue Note records 1962 ‎– BST 84109


notes:


Herbie Hancock’s debut album, Takin’ Off, released in 1962 
on Blue Note Records, marked the arrival of a new jazz talent
 whose influence would soon reshape modern jazz. Recorded at
 the famed Rudy Van Gelder Studio, the album is a hard bop 
classic that showcases Hancock’s remarkable compositional
 skill and virtuosic piano playing.
The album is most famous for the hit single “Watermelon Man,
” which quickly became a jazz standard and remains a staple in jazz
 repertoires today. Takin’ Off combines catchy melodies, 
sophisticated harmonies, and the energetic interplay of a top-tier
 ensemble, making it essential listening for jazz enthusiasts

credits:


    Herbie Hancock – piano
Freddie Hubbard – trumpet
Dexter Gordon – tenor saxophone
Butch Warren – bass
Billy Higgins – drums
    

recorded at:


Rudy Van Gelder Studio, Englewood Cliffs, 
NJ, May 28, 1962
Producer – Alfred Lion
Recorded By [Recording By] – Rudy Van Gelder

 tracklist:


All compositions by Herbie Hancock.

A1 Watermelon Man
A3 Empty Pockets
B1 The Maze
B2 Driftin'
B3 Alone And I



  






4/16/2024

Buddy Terry ‎– Electric Soul

 

Prestige ‎Records – Vinyl, LP

Prestige Records 1967 ‎– PR 7525

Notes:

Electric Soul! is the debut album by American saxophonist Buddy Terry
recorded in 1967 and released on the Prestige label


credits:

    Bass – Ron Carter
    Drums – Freddie Waits
    Electric Piano – Harols Maber Jr.*
    Flugelhorn – Jimmy Owens
    Producer – Cal Lampley
    Recorded By – Rudy Van Gelder
    Tenor Saxophone – Edlin "Buddy" Terry*
    Trumpet – Jimmy Owens


    Producer – Cal Lampley
    Recorded By – Rudy Van Gelder at:
Rudy Van Gelder Studio, Englewood Cliffs, NJ,
February 23, 1967
    
tracklist:

A1        Electric Soul
Written-By – Buddy Terry
6:50
A2        Alfie
Written-By – Bacharach And David
4:45
A3        Hey, Nellie
Written-By – Buddy Terry
4:35
A4        Everything Is Everything
Written By – Whitaker
4:35
B1        The Ubangi That Got Away
Written-By – Buddy Terry
7:15
B2        Jimmy
Written-By – Jay Thompson (2)
5:15
B3        The Band Bandit
Written-By – Buddy Terry
6:40






11/25/2025

Jimmy Smith ‎

 
 

The Sermon!

 
 
Jimmy Smith ‎– The Sermon!, soul jazz

Blue Note records 1958 ‎– Blp 4011

notes:

The Sermon! is the eleventh studio album by jazz organist Jimmy Smith, 
recorded on August 25, 1957 and February 25, 1958 and released on
 Blue Note in 1959—Smith's fifteenth album for the label.
The Sermon! was the second of two albums recorded on two dates at 
The Manhattan Towers Hotel Ballroom; the first was Smith's previous album, 
House Party (1958). Rudy Van Gelder used the ballroom as a 
recording studio for recording sessions in 1957–1958

credits:

Tracks 1, 3

    Jimmy Smith – organ
    Lee Morgan – trumpet
    Lou Donaldson – alto saxophone
    Tina Brooks – tenor saxophone
    Kenny Burrell – guitar
    Art Blakey – drums

recorded :Rudy Van Gelder  
Manhattan Towers, NYC, February 25, 1958

Track 2

    Jimmy Smith – organ
    Lee Morgan – trumpet
    George Coleman – alto saxophone
    Eddie McFadden – guitar
    Donald Bailey – drums

 recorded :Rudy Van Gelder 
Manhattan Towers, NYC, August 25, 1957


tracks list:

A1     The Sermon
Alto Saxophone – Lou Donaldson
Drums – Donald Bailey
Guitar – Kenny Burrell
Tenor Saxophone – Tina Brooks
Written-By – Jimmy Smith

    20:10
B1     Flamingo
 Drums – Art Blakey
Guitar – Kenny Burrell
Written-By – E. Anderson, T. Grouya*

    8:00
B2     J.O.S.
Alto Saxophone – George Coleman 
Drums – Donald Bailey
Guitar – Eddie McFadden
Written-By – Jimmy Smith




9/27/2026

Sonny Stitt – Black Vibrations | Prestige PR 10032





Sonny Stitt – Black Vibrations | Prestige PR 10032


updated 9/27/2026


Sonny Stitt Black Vibrations Prestige Records PR 10032 jazz vinyl LP

Sonny Stitt - Black Vibrations Prestige Records PR 10032


notes:


Black Vibrations captures Sonny Stitt in a hard-driving early-1970s 
soul-jazz setting, combining his alto and tenor saxophones with 
trumpet, organ, guitar and drums. Recorded at Rudy Van Gelder's 
famous Englewood Cliffs studio on July 9, 1971, the Prestige 
session features a powerful rhythm section led by organists
 Leon Spencer and Don Patterson, guitarist Melvin Sparks 
and drummer Idris Muhammad.

The album contains six tracks, including the groove-oriented 
originals “Goin' To D.C.,” “Black Vibrations,” “Calling Card” and 
“Them Funky Changes,” alongside “Aires” and Lionel Bart's “Where Is Love?”. 
The organists alternate by track: Leon Spencer appears on
 tracks 1, 3, 5 and 6, while Don Patterson plays on tracks 2 and 4


Line-up / Musicians


Sonny Stitt – alto saxophone, tenor saxophone
Virgil Jones – trumpet
Leon Spencer Jr. – organ, tracks 1, 3, 5 & 6
Don Patterson – organ, tracks 2 & 4
Melvin Sparks – guitar
Idris Muhammad – drums

Recorded 9th July, 1971 at Rudy Van Gelder Studio,
 Englewood Cliffs, New Jersey
Producer  Bob Porter
Recording Engineer  Rudy Van Gelder


Tracklist:


A1. Goin' To D.C. {Leon Spencer Jr.} (7:23)
A2. Aires {Don Patterson, Sonny Stitt} (5:33)
A3. Black Vibrations {Leon Spencer Jr.} (6:41)
B1. Calling Card {Sonny Stitt} (6:26)
B2. Where Is Love? {Lionel Bart} (2:22)
B3. Them Funky Changes {Leon Spencer Jr.} (7:55)










9/20/2025

Juan Amalbert Quintet

 
 
 

Hot Sauce 

 
Juan Amalbert's Latin Jazz Quintet ‎– Hot Sauce

Tru-Sound records 1960 ‎– 15003

 credits:

    Alto Saxophone – Bobby Capers (tracks: A3, B3)
    Bass – Bill Ellington
    Congas [Conga Drum] – Juan Amalbert
    Drums, Timbales – Phil Newsum
    Piano – Artie Jenkins* (tracks: A3, B2, B3), Jose Ricci
    Recorded By – Rudy Van Gelder
    Supervised By [Supervision] – Esmond Edwards
    Vibraphone [Vibes] – Willie Coleman

   recorded:
    Rudy Van Gelder Studio, 
   Englewood Cliffs, NJ, December 6, 1960, May 23, 1961
    Recorded By – Rudy Van Gelder
    Supervised By [Supervision] – Esmond Edwards

tracklist:

A1        Summertime
Written-By – George Gershwin
7:00
A2        'Round Midnight
Written-By – Hanighen*, Williams*, Monk*
5:40
A3        Out Of This World
Written-By – Arlen & Mercer*
5:20
B1        Blue Moon
Written-By – Richard Rodgers
4:31
B2        April Afternoon
Written-By – Sherm Feller*
5:15
B3        Ain't Dat Right
Written-By – Bill Ellington
3:15
B4        Polly's Delight
Written-By – Bill Ellington
5:30
 
 
 
 

 

 

11/24/2023

Sonny Phillips ‎– Black Magic!

 Sonny Phillips ‎– Black Magic!

Sonny Phillips ‎– Black Magic!, Vinyl LP

Prestige records 1970 ‎              PR 7799


credits:

Congas – Buddy Caldwell
Drums – Ben Dixon
Electric Bass [Fender] – Jimmy Lewis 
Electric Piano [Fender Rhodes] – Sonny Phillips (tracks: A3, B1)
Guitar – Melvin Sparks
Organ – Sonny Phillips
Recorded By – Rudy Van Gelder
Supervised By – Bob Porter
Tenor Saxophone – Eddie Pazant


Recorded By – Rudy Van Gelder
at: Rudy Van Gelder Studio, 
Englewood Cliffs, NJ, March 18, 1970
Supervised By – Bob Porter

tracklist:

A1 Make A Plain
 written by Phillips
A2 Wakin' Up
 written by Phillips
A3 Over The Rainbow
 written by Arlen
B1 Bean Pie
 written by Phillips
B2 I'm An Old Cowhand
 written by Mercer
B3The Brotherhood
 written by Phillips








9/20/2026

Etta Jones – Hollar!

 
 
 
 

Etta Jones – Hollar! | Prestige Records PR 7284

 
 
  
 
Etta Jones Hollar Prestige Records PR 7284 vinyl album cover

Prestige records 1962    ‎– PR 7284

 

 notes:


Etta Jones – Hollar! is a soulful jazz and blues album released on 
Prestige Records as PR 7284. Jones delivers her distinctive, 
expressive vocal style across a set that blends jazz, blues, 
soul and standards. A strong example of the intimate, 
emotionally direct vocal jazz associated with Prestige Records.


credits:


Etta Jones – vocals

September 16, 1960 session

Oliver Nelson – tenor saxophone
Lem Winchester – vibraphone
Richard Wyands – piano
George Duvivier – bass
Roy Haynes – drums

March 30, 1961 session

Jimmy Neeley – piano
Wally Richardson – guitar
Michael Mulia – bass
Rudy Lawless – drums

November 28, 1962 session

Jerome Richardson – flute and tenor saxophone
Sam Bruno – organ and piano
Kenny Burrell – guitar
John “Bucky” Pizzarelli – guitar
Ernest Hayes – bass
Bobby Donaldson – drums

 Recording Dates

The album was recorded during three separate 
sessions at Rudy Van Gelder's studio:

September 16, 1960 – “I Got It Bad,” “The More I See You,”
 “Love Is Here to Stay,” “They Can't Take That Away from Me”
March 30, 1961 – “And the Angels Sing,” “Give Me the Simple Life,”
 “Reverse the Charges,” “Answer Me, My Love,” “Looking Back”
November 28, 1962 – “Nature Boy”

All three sessions were recorded at Van Gelder Studio, 
Englewood Cliffs, New Jersey, the renowned recording 
facility operated by engineer Rudy Van Gelder.


    

tracklist:


A1        And The Angels Sing
Written-By – Mercer*, Elman*
A2        I Got It Bad
Written-By – Ellington*, Webster*
A3        Give Me The Simple Life
Written-By – Ruby*, Bloom*
A4        The More I See You
Written-By – Warren*, Gordon*
A5        Our Love Is Here To Stay
Written-By – G. & I. Gershwin*
B1        Reverse The Charges
Written By – Feyne, Wright
Written-By – Webster*, Williams*
B2        They Can't Take That Away From Me
Written-By – G. & I. Gershwin*
B3        Answer Me My Love
Written-By – Sigman*, Winkler*
B4        Looking Back
Written-By – Hendricks*, Benton*
B5        Nature Boy
Written-By – Eden Ahbez
 
 
 



 

7/04/2024

Lee Morgan ‎– The Sidewinder










Blue Note ‎records 1963 – BLP 4157

notes:

The Sidewinder is a 1964 album by the jazz trumpeter
Lee Morgan, recorded at the Van Gelder Studio in
 Englewood Cliffs, New Jersey, U.S.

credits:

    Lee Morgan – trumpet
    Joe Henderson – tenor saxophone
    Barry Harris – piano
    Bob Cranshaw – double bass
    Billy Higgins – drums


Liner Notes – Leonard Feather
Photography By  – Francis Wolff
Recorded By – Rudy Van Gelder
Producer – Alfred Lion
Rudy Van Gelder Studio, Englewood Cliffs, NJ, December 21, 1963

tracklist:

All songs composed by Lee Morgan.
A1        The Sidewinder       
A2        Totem Pole       
B1        Gary's Notebook       
B2        Boy, What A Night       
B3        Hocus-Pocus









6/28/2026

The Ramsey Lewis Trio – Barefoot Sunday Blues (Argo Records LPS-723)





The Ramsey Lewis Trio – Barefoot Sunday Blues (Argo Records LPS-723) | Classic Jazz Album Review 




Original vinyl album cover of The Ramsey Lewis Trio Barefoot Sunday Blues released by Argo Records as LPS-723, a classic soul jazz piano trio LP.

Argo Records ‎1963 – LPS-723


notes:


The Ramsey Lewis Trio – Barefoot Sunday Blues (Argo Records LPS-723)
Few jazz pianists have blended soulful blues, gospel warmth, and sophisticated 
swing as naturally as The Ramsey Lewis Trio. Released on the legendary
 Argo Records label as LPS-723, Barefoot Sunday Blues captures the trio
 during one of its most creative periods, delivering a collection 
of expressive performances that remain fresh decades later.
This album showcases the unmistakable piano style of Ramsey Lewis, whose
 melodic touch and rhythmic feel helped introduce jazz to wider audiences. 
Supported by a tight rhythm section, the trio effortlessly moves between blues,
 gospel-inspired grooves, and swinging jazz standards.
Whether you're an experienced jazz collector or discovering vintage vinyl for 
the first time, Barefoot Sunday Blues is an essential recording that highlights
 the elegance and accessibility of classic piano trio jazz.

credits!


Ramsey Lewis - piano
Eldee Young - bass, cello
Christopher White - bass (tracks 1 & 7)
Issac "Red" Holt - drums

Supervised By – Esmond Edwards

Recorded     
August 20, 1963 Van Gelder Studio, 
Englewood Cliffs, New Jersey
Engineer – Rudy Van Gelder

This album marks one of the Ramsey Lewis Trio's early sessions at 
Rudy Van Gelder's famous Englewood Cliffs studio after recording 
previous albums in Chicago, New York, and Los Angeles.
The only personnel variation from the working trio is bassist 
Christopher White, who substitutes for Eldee Young on tracks 1 and 7.
The repertoire mixes originals by Ramsey Lewis and Eldee Young 
with compositions by Cannonball Adderley, Charles Lloyd, 
Dave Grusin, and Doc Pomus.
  

tracklist:


A1        Lonely Avenue
Written-By – Doc Pomus
    2:56
A2        Don't Even Kick It Around
Written-By – R. Lewis*
    4:26
A3        Salute To Ray Charles
Written-By – R. Lewis*
    5:51
A4        Barefoot Sunday Blues
Written-By – Julian Adderly*
    3:35
A5        Island Blues
Written-By – Charles Lloyd
    2:47
B1        I Spend My Life
Written-By – Eldee Young
    3:42
B2        Act Like You Mean It
Written-By – Eldee Young
    2:23
B3        Sarah Jane
Written-By – Dave Grusin
    5:20
B4        The Train Won't Wait
Written-By – Ramsey Lewis
    3:02
B5        Come On Baby
Written-By – Lewis*, Holt*
    2:30




  

6/14/2026

Hank Mobley – A Caddy For Daddy (Blue Note BST 84230)










Hank Mobley A Caddy For Daddy Blue Note BST 84230 album cover

Blue Note ‎records 1965 – BST 84230


notes:


Released in 1966 on the legendary Blue Note label,
A Caddy For Daddy stands as one of tenor saxophonist 
Hank Mobley's most engaging hard bop recordings. 
Featuring an all-star lineup and sophisticated arrangements,
this album captures the essence 
of mid-1960s Blue Note jazz at its finest.
Recorded at Rudy Van Gelder's famous Englewood Cliffs studio, 
the album showcases Mobley's warm tenor tone, memorable
 compositions, and exceptional interplay 
among some of the era's greatest jazz musicians.
For fans of Blue Note Records, hard bop, and classic jazz vinyl,
 A Caddy For Daddy is a must-hear album. Its exceptional musicianship, 
timeless compositions, and superb recording quality 
ensure its place among the most rewarding jazz LPs of the 1960s.


credits:


Hank Mobley – tenor saxophone
Lee Morgan – trumpet
Curtis Fuller – trombone
McCoy Tyner – piano
Bob Cranshaw – bass
Billy Higgins – drums  

Recording date: December 18, 1965
Studio: Van Gelder Studio
Recording engineer: Rudy Van Gelder
Producer: Alfred Lion

tracklist:


A1 A Caddy For Daddy
Written-By – Hank Mobley     
A2 The Morning After
Written-By – Hank Mobley     
B1 Venus Di Mildew
Written-By – Wayne Shorter     
B2 Ace Deuce Trey
Written-By – Hank Mobley 
B3 3rd Time Around
Written-By – Hank Mobley 




 

 


10/29/2025

Horace Silver Quintet Sextet

 
 

 The Jody Grind

 
 
Horace Silver Quintet  Sextet The Jody Grind

Blue Note records 1967 ‎– BST 84250

 
notes:

The Jody Grind is a 1966 recording by Horace Silver featuring both a quintet 
and a sextet. Released the following year on his longtime label Blue Note

Crédits

    Alto Saxophone, Flute – James Spaulding (tracks: A2, B1, B2)
    Bass – Larry Ridley
    Drums – Roger Humphries
    Piano, Composed By – Horace Silver
    Producer – Alfred Lion
    Recorded By – Rudy Van Gelder
    Tenor Saxophone – Tyrone Washington
    Trumpet – Woody Shaw

Producer – Alfred Lion
Recorded By – Rudy Van Gelder
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on 
November 2, 1966 (quintet) and November 23, 1966 (sextet)
 
tracklist:

All tracks composed by Horace Silver 

A1 The Jody Grind 5:45     
A2 Mary Lou 7:10     
A3 Mexican Hip Dance 5:55     
B1 Blue Silver 7:00     
B2 Grease Piece 7:30     
B3 Dimples 7:20     
 
 
 
 
 

 
 

7/02/2025

Herbie Mann ‎

Glory Of Love

Herbie Mann ‎– Glory Of Love, A&M Records ‎– SP-3003 Vinyl, LP, Album, Gatefold

A&M Records 1967  ‎– SP-3003

notes:
Glory of Love is an album by flautist Herbie Mann released 
on the CTI label featuring performances recorded at
 Rudy Van Gelder's studio in 1967


credits:

Arranged By, Conductor – Herb Bernstein
Bass – Ron Carter
Drums – Grady Tate, Herb Lovelle
Flute, Arranged By, Conductor – Herbie Mann
Flute, Piccolo Flute – Hubert Laws
Guitar – Eric Gale, Jay Berliner
Organ – Roland Hanna
Percussion – Johnny Pacheco, Ray Barretto
Piano – Paul Griffin
Piano, Organ, Arranged By, Conductor – Roy Glover
Producer – Creed Taylor
Saxophone – Joe Grimaldi
Trombone – Benny Powell
Trumpet, Flugelhorn – Burt Collins, Ernie Royal
Vibraphone, Percussion – Ted Sommer*

Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey
 on July 26, 27; September 19; October 6, 1967
Engineer – Rudy Van Gelder

tracklist:

A1 No Use Crying
Written-By – Kober*, Daniels*, Gaines*
3:03
A2 Hold On, I'm Coming
Written-By – Hayes-Porter*
3:12
A3 Glory Of Love
Written-By – Billy Hill
2:42
A4 Unchain My Heart
Written-By – A. Jones*, F. James*
3:12
A5 House Of The Rising Sun 3:10
A6 The Letter
Written-By – Wayne Carson*
3:25
B1 Upa, Neguinho
Written-By – E. Lobo*, G. Guarnieri*
2:39
B2 Love Is Stronger Far Than We
Written-By – Lai*, Keller*, Barouh*
3:11
B3 Oh, How I Want To Love You
Written-By – Herbie Mann
5:32
B4 In And Out
Written-By – Herbie Mann
4:34











10/07/2026

Dodo Greene – My Hour of Need Blue Note BLP 9001






Dodo Greene – My Hour of Need   Blue Note BLP 9001



updated 10/07/2026



Dodo Greene My Hour of Need Blue Note BLP 9001 rare jazz vinyl album

Blue Note records 1962 ‎– BLP 9001


Description


My Hour Of Need is Dodo Greene's sole album as 
a Blue Note leader and one of the label's more 
obscure early-1960s vocal releases. Recorded in 
April 1962 at the legendary Van Gelder Studio in 
Englewood Cliffs, New Jersey, the album combines 
Greene's soulful, blues-inflected voice with a superb
 small group featuring tenor saxophonist Ike Quebec,
 guitarist Grant Green, organist Sir Charles Thompson,
 bassist Herbie Lewis or Milt Hinton, 
and drummers Billy Higgins or Al Harewood.

The music sits comfortably between jazz, blues, 
soul and R&B, with Quebec's warm tenor and 
Thompson's organ providing an understated,
 gospel-tinged backdrop for Greene's expressive vocals. 
The program mixes standards, blues material
 and popular songs, including “Trouble In Mind,”
 “You Are My Sunshine,” “Lonesome Road,”
 “Down By The Riverside” 
and the title track “My Hour Of Need.”

Line-up & Musicians


Dodo Greene – vocals
Ike Quebec – tenor saxophone
Grant Green – guitar
Sir Charles Thompson – organ
Herbie Lewis – bass
Milt Hinton – bass
Billy Higgins – drums
Al Harewood – drums

The personnel changes between the two April sessions. 
On April 2, Milt Hinton and Al Harewood played
bass and drums; on April 17, Herbie Lewis and 
Billy Higgins replaced them.

Recording Dates & Studio

April 2, 1962
Van Gelder Studio
Englewood Cliffs, New Jersey, USA

Tracks recorded:

“Trouble In Mind”
“Let There Be Love”
“Down By The Riverside”
“Little Things Mean A Lot”

April 17, 1962
Van Gelder Studio
Englewood Cliffs, New Jersey, USA

Tracks recorded:

“My Hour Of Need”
“You Are My Sunshine”
“I'll Never Stop Loving You”
“I Won't Cry Anymore”
“Lonesome Road”
“There Must Be A Way”

Recording engineer: Rudy Van Gelder
Producer: Alfred Lion

tracklist:


A1        My Hour Of Need
Written-By – Ira Kosloff
A2        Trouble In Mind
Written-By – R. M. Jones*
A3        You Are My Sunshine
Written-By – Mitchell*, Davis*
A4        I'll Never Stop Loving You
Written-By – Brodszky*, Cahn*
A5        I Won't Cry Anymore
Written-By – Frisch*, Wise*
B1        Lonesome Road
Written-By – Austin*, Shilkret*
B2        Let There Be Love
Written-By – Grant*, Rand*
B3        There Must Be A Way
Written-By – Saxon*, Gallop*
B4        Down By The Riverside
Written-By – D. Jordan*
B5        Little Things Mean A Lot
Written-By – Strutz*, Lindeman*







10/03/2026

The 3 Sounds – Feelin’ Good | Blue Note BST 84072






The 3 Sounds Feelin’ Good | Blue Note BST 84072




updated 10/03/2026



The 3 Sounds – Feelin' Good Blue Note BST 84072 rare jazz vinyl LP

Blue Note Records 1960 ‎– BST 84072


Description:


The 3 Sounds
– Feelin' Good is a classic Blue Note jazz album featuring
 the soulful piano trio of Gene Harris, Andrew Simpkins, and Bill Dowdy.
 Originally released in 1961 as Blue Note BLP 4072 and BST 84072, 
the album was recorded on June 28, 1960, at the Van Gelder Studio
 in Englewood Cliffs, New Jersey.

With Gene Harris on piano and celeste, Andrew Simpkins on bass,
 and Bill Dowdy on drums, the trio combines hard bop, blues, swing,
 and soul-jazz with a warm, highly rhythmic sound. The program includes
 standards such as “When I Fall in Love,” “I Let a Song Go Out of My Heart,”
 “It Could Happen to You,” and Thelonious Monk's “Straight, No Chaser,” 
alongside Gene Harris's “Parker's Pad” and the trio's interpretations
 of “Blues After Dark,” “I Got It Bad,” and “Two Bass Hit.”

Line-up:


Gene Harris – piano, celeste
Andrew “Andy” Simpkins – bass
Bill Dowdy – drums

Recorded    : June 28, 1960
Studio    Van Gelder Studio, Englewood Cliffs, New Jersey
Engineer    Rudy Van Gelder
Producer    Alfred Lion



tracklist:


A1        When I Fall In Love
Written By [Miscredited] – Seldon Albert
Written-By [Uncredited] – Edward Heyman, Victor Young
A2        Parker's Pad
Written-By – Gene Harris
A3        Blues After Dark
Written-By – Benny Golson
A4        I Got It Bad And That Ain't Good
Written-By – Ellington*, Webster*
B1        Straight No Chaser
Written-By – Monk*
B2        I Let A Song Go Out Of My Heart
Written-By – Ellington*, Nemo*, Mills*, Redmond*
B3        It Could Happen To You
Written-By – Burke-Van Heusen*
B4        Two Bass Hit
Written-By – Gillespie*, Lewis*










2/07/2026

Lee Morgan ‎– The Rumproller




Lee Morgan – The Rumproller (1965, Blue Note Records)


Lee Morgan ‎– The Rumproller lp cover

Blue Note ‎records 1965 – BST 84199


notes:


Lee Morgan’s The Rumproller is a classic hard-bop jazz album originally 
recorded in April 1965 and released on the legendary Blue Note label.
Originally released as Blue Note BLP 4199, this album followed the success
 of The Sidewinder, showcasing Morgan’s fiery trumpet 
work backed by an exceptional quintet.


credits:


Lee Morgan - trumpet
Joe Henderson - tenor saxophone
Ronnie Mathews - piano
Victor Sproles - bass
Billy Higgins - drums


Producer – Alfred Lion
Recorded By – Rudy Van Gelder at:
Rudy Van Gelder Studio, Englewood Cliffs, NJ, 
April 9 & 21, 1965

tracklist:


A1 The Rumproller 10:26
Written-By – Andrew Hill
A2 Desert Moonlight 9:22
Written-By – Lee Morgan
B1 Eclipso 6:53
Written-By – Lee Morgan
B2 Edda 7:20
Written-By – Wayne Shorter
B3 The Lady 7:30
Written-By – Rudy Stevenson