War – All Day Music 1971

 

 

 

 

 

War – All Day Music (1971 LP) | Review & Tracklist

 

 

 

 

 

 

 

 United Artists Records ‎1971 – UAS5546

notes:

Few albums capture the spirit of early ’70s funk and soul as 
effortlessly as All Day Music by War. Released in 1971 on 
United Artists Records, this record marked a turning point
 for the band, establishing their signature blend of funk, soul,
 Latin grooves, and socially conscious themes.
If you’re exploring classic vinyl or diving into the roots of funk, 
All Day Music is an essential listen.
Following their collaboration with Eric Burdon, War stepped 
into their own identity with All Day Music. This album is smoother
 and more melodic than their earlier work, yet it still carries the
 rhythmic depth and cultural fusion that defines their sound.
The record balances uplifting grooves with introspective moments,
 reflecting both joy and tension in early 1970s America. It’s this duality 
that makes the album feel timeless.
All Day Music is more than just a funk album—it’s a cultural statement 
wrapped in smooth grooves and thoughtful songwriting. Whether
you’re a vinyl collector or a casual listener, this record offers something special.


Crédits

    Bass, Percussion, Vocals – B.B. Dickerson
    Congas, Bongos, Percussion, Vocals – Papa Dee Allen
    Drums, Percussion, Vocals – Harold Brown
    Flute, Alto Saxophone, Tenor Saxophone, Baritone Saxophone,
     Percussion, Vocals – Charles Miller
    Guitar, Percussion, Vocals – Howard Scott
    Harmonica, Percussion, Vocals – Lee Oskar
    Organ, Piano, Percussion, Vocals – Lonnie Jordan

    Recorded At – Wally Heider Recording Studio, Los Angeles
    Recorded At – Crystal Sound
    Recorded At – Hollywood Bowl
    Producer – Chris Huston, Jerry Goldstein, War
    Recorded By – Far Out Remote Unit (tracks: B3)
   Engineer – Chris Huston, Richard Moore

  Design – Howard Miller, Lee Oskar
    Design Concept – Lee Oskar



 Tracklist

A1     All Day Music 4:04
Written-By – B. Dickerson*, C. Miller*, H. Brown*, H. Scott*, 
J. Goldstein*, L. Oskar*, L. Jordan*, D. Allen*
A2     Get Down 4:29
Written-By – B. Dickerson*, C. Miller*, H. Brown*, H. Scott*, 
J. Goldstein*, L. Oskar*, L. Jordan*, D. Allen*
A3     That's What Love Will Do 7:17
Written-By – B. Dickerson*, C. Miller*, H. Brown*, H. Scott*, 
L. Oskar*, L. Jordan*, M. James*, D. Allen*
A4     There Must Be A Reason 3:50
Written-By – B. Dickerson*, C. Miller*, H. Brown*, H. Scott*, 
L. Oskar*, L. Jordan*, D. Allen*
B1     Nappy Head (Theme From "Ghetto Man") 6:05
Written-By – B. Dickerson*, C. Miller*, H. Brown*, H. Scott*,
 L. Oskar*, L. Jordan*, D. Allen*
B2     Slippin' Into Darkness 7:00
Written-By – B. Dickerson*, C. Miller*, H., Brown*, H. Scott*, 
L. Oskar*, L. Jordan*, D. Allen*
B3     Baby Brother 7:38
Written-By – B. Dickerson*, C. Miller*, H. Brown*, H. Scott*,
 L. Oskar*, L. Jordan*, D. Allen*

link

 

War ‎– The World Is A Ghetto 1972

 

 

 

 

 War – The World Is A Ghetto (1972 LP) | Review & Tracklist

 

 

 

 

United Artists Records 1972 ‎– UAS-5652

 

 notes:

The World Is a Ghetto is the fifth album by American band
War, released in late 1972 on United Artists Records.
The World Is A Ghetto by War is one of the most iconic funk 
and soul albums of the 1970s. Released in 1972, this record 
blends jazz, funk, soul, and social commentary into a
 timeless sound that still resonates today.
In this article, we explore the original vinyl edition released 
by United Artists Records under catalog number UAS-5652, 
including tracklist, sound review, and why this album remains
 essential for collectors and music lovers.
The album The World Is a Ghetto marked a major breakthrough 
for War, becoming one of the best-selling records of its time. It 
perfectly captures the band’s signature fusion of funk grooves, 
Latin rhythms, jazz improvisation, and socially conscious themes.
Its laid-back yet deeply expressive atmosphere reflects urban life 
in the early 1970s, touching on inequality, street culture,
 and resilience through music.
The World Is A Ghetto stands out for its smooth grooves, extended
 instrumental sections, and cohesive atmosphere. The album flows
 effortlessly between vocal tracks and long-form jams.
“City, Country, City” showcases the band’s jazz-funk mastery with 
extended improvisation, while “The Cisco Kid” delivers a more
 accessible and catchy groove.
The production is warm and organic, with deep basslines, crisp percussion,
 and layered instrumentation that truly shine on vinyl.

credits:

    Alto Saxophone, Baritone Saxophone, Tenor Saxophone – Charles Miller
    Bass, Percussion, Vocals – B.B. Dickerson
    Bongos, Congas, Percussion, Vocals – Papa Dee Allen
    Clarinet, Percussion, Vocals – Charles Miller
    Composed By – War
    Drums, Percussion, Vocals – Harold Brown
    Guitar, Percussion, Vocals – Howard Scott
    Harmonica, Percussion, Vocals – Lee Oskar
    Organ, Percussion, Piano, Timbales, Vocals – Lonnie Jordan
    All tracks composed by War (Papa Dee Allen, Harold Brown, B. B. Dickerson,
     Lonnie Jordan, Charles Miller, Lee Oskar, Howard E. Scott).

Engineer – Chris Huston
Producer – Jerry Goldstein
Producer [Associate] – Howard Scott, Lonnie Jordan
Recorded at Crystal Industries, Los Angeles, CA

tracklist:

A1 The Cisco Kid 4:35
A2 Where Was You At 3:25
A3 City, Country, City 13:18
B1 Four Cornered Room 8:30
B2 The World Is A Ghetto 10:10
B3 Beetles In The Bog     

 

link

 

 

Al Brisco Clark & His Orchestra – Soul Food 1964

 

 

 

 

 

 

 

 Al Brisco Clark & His Orchestra – Soul Food (Fontana S-1909) Review

 

 

 

 

 

 Fontana Records 1964 – S-1909

 

 notes:

Soul Food by Al Brisco Clark & His Orchestra is a standout release from
 Fontana Records (S-1909), blending jazz, funk, and orchestral groove
 into a distinctive sound. This rare vinyl single has become a favorite 
among collectors and rare groove enthusiasts.
Al Brisco Clark led an orchestra known for rich arrangements and soulful 
instrumentation, capturing the evolving sound of 
late 1960s jazz and funk fusion.
The track delivers deep grooves, brass-driven melodies, and a rhythm
 section that reflects the growing influence of funk in jazz at the time.
 It’s a perfect example of the transition from traditional 
big band to modern soul-infused orchestration.
Released by Fontana Records, catalog number S-1909, this single is 
increasingly sought after by vinyl collectors, especially those 
interested in rare groove and jazz-funk records.

credits:

Main artist credit
Al Brisco Clark – nominal leader
Baritone saxophonist in the James Brown revue band (early–mid 1960s)
James Brown – very likely organist and de facto producer
Identified as the organ player on the track (typical of his “Smash/Fontana” instrumental productions)
Released under his production umbrella (“James Brown Productions”)
Composer credit
Ted Wright – credited songwriter
Widely recognized as a James Brown pseudonym for publishing/control purposes
Performing credit (label / later comps)
James Brown – co-performer (credited on later reissues)
Al Brisco Clark & His Orchestra – ensemble credit

 Likely session musicians (inferred, not documented)
Because this is a James Brown production from mid-1964, the backing band almost
 certainly consists of members of his touring/studio unit of the time
 (proto-J.B.’s / early revue band). Typical personnel pool included:

Maceo Parker – alto/tenor sax (intermittently present in 1964)
St. Clair Pinckney – tenor/baritone sax
Jimmy Nolen – guitar
Bernard Odum – bass
Melvin Parker – drums

Producer – James Brown

tracklist:

A        Soul Food Pt.1    2:03
written by Ted Wright

B        Soul Food Pt.2    2:04
written by Ted Wright

 

 

link