The Ramsey Lewis Trio – Another Voyage (Cadet Records LPS-827, 1969

The Ramsey Lewis Trio – Another Voyage (1969 Cadet LPS-827) Review & Vinyl Guide

Cadet Records 1969 ‎– LPS-827

 

 notes:

Released in 1969 on Cadet Records (LPS-827), Another Voyage captures 
The Ramsey Lewis Trio during one of its most adventurous musical 
periods. Blending soul jazz, jazz-funk, gospel influences and contemporary
 grooves, the album reflects the trio's transition toward a more electric
 sound while maintaining the sophisticated piano style that made 
Ramsey Lewis one of jazz's most popular artists.

Recorded for Chess Records' Cadet label, the album features imaginative 
arrangements, strong rhythmic interplay and the elegant melodic touch 
that became Ramsey Lewis' trademark throughout the late 1960s.

Following the enormous success of The In Crowd and several 
best-selling Cadet releases, Another Voyage continued Lewis' exploration
 of modern jazz fused with soul and R&B influences, 
anticipating the jazz-funk movement of the early 1970s.

Crédits

    Bass – Cleveland Eaton
    Guitar – Phil Upchurch (tracks: A2, A5, B1)
    Kalimba – Maurice White (tracks: B3)
    Percussion – Maurice White
    Producer, Piano – Ramsey Lewis
   
Recorded 1969 at Ter-Mar Studios, Chicago:   10,12,13 and May 14

Engineer – Stu Black

tracklist:

A1 If You've Got It, Flaunt It (Part I)
Written-By – Eaton*, White*, Lewis*
A2 Wanderin' Rose
Written-By – Neal Creque
A3 How Beautiful Is Spring
Written-By – E. Harris*
A4 Do What You Wanna
Written-By – Ramsey Lewis
A5 My Cherie Amour
Written-By – Cosby*, Wonder*, Moy*
B1 Bold And Black
Written-By – E. Harris*
B2 Opus V
Written-By – Charles Stepney
B3 Uhuru
Written-By – Eaton*, White*
B4 Cecile
Written-By – Cleveland Eaton
B5 If You've Got It, Flaunt It (Part II)
Written-By – Eaton*, White*, Lewis*

 

 

 link

 

 

 

Jackie Ivory – Soul Discovery (ATCO SD 33-178)

Jackie Ivory – Soul Discovery (ATCO SD 33-178)  Rare 1965 Soul LP Review

Atco Records ‎1965 – SD 33 178

notes:

Released by ATCO Records in 1965, Jackie Ivory – Soul Discovery
 is one of the lesser-known but highly desirable soul LPs of 
the mid-1960s. Combining deep Southern soul, rhythm & blues, 
and gospel-infused vocals, the album showcases Ivory's powerful
 voice and emotional delivery during the golden age of American soul music.
Although overshadowed by larger ATCO stars, Soul Discovery has 
become a favorite among collectors seeking overlooked gems from 
the classic soul era. Original mono and stereo pressings 
remain scarce and increasingly sought after.

credits:

Drums – Bill Nicks
Organ – Jackie Ivory
Tenor Saxophone – Paul Renfro

Recorded in Chicago at Univerdal Recording Corporation
Engineer Murray R. Allen

tracklist:

A1        High Heel Sneakers
Written-By – Robert Higginbotham
A2        Freddy The Freeloader
Written-By – Miles Davis
A3        So What
Written-By – Miles Davis
A4        I Left My Heart In San Francisco
Written-By – Douglass Cross, George Corey*
A5        The Monkey Woman
Written-By – Grant Ivory
B1        Lonely Avenue
Written-By – Doc Pomus
B2        Do It To Death
Written-By – Grant Ivory
B3        Sister Sadie
Written-By – Horace Silver
B4        Thank Heaven
Written-By – Grant Ivory

link

The Joe Cuba Sextet – Wanted Dead Or Alive (Bang! Bang! Push, Push, Push) Tico Records TRSLP-1146

Joe Cuba Sextet Wanted Dead Or Alive  Tico TRSLP-1146

Tico Records 1966 ‎– TRSLP-1146

notes:

The Joe Cuba Sextet's Wanted Dead Or Alive 
(Bang! Bang! Push, Push, Push) is one of the defining 
recordings of the Latin boogaloo movement. Released 
on Tico Records, the album captures the infectious
fusion of Afro-Cuban rhythms, soul, jazz, and R&B that
dominated New York City's dance clubs during the late 1960s.

Following the international success of Bang Bang, Joe Cuba
 continued to bridge Latin music and American soul with 
irresistible dance grooves, lively percussion, and unforgettable 
vocal chants. This LP perfectly reflects the vibrant sound 
of Spanish Harlem during the golden age of Latin soul.
Driven by energetic timbales, congas, vibraphone, piano, 
and catchy choruses, the album remains an essential 
recording for collectors of Latin jazz, salsa, and rare groove vinyl.

credits:

Joe Cuba (Gilberto Miguel Calderón)    Congas, leader
Jimmy Sabater    Timbales, vocals
Nick Jiménez    Piano, arrangements
Tommy Berríos    Vibraphone
Jules Cordero    Bass
Willie Torres    Lead vocals, coro
Recording date: Not officially documented (probably summer–autumn 1966)
Recording location: New York City, New York, USA
Recording studio: Unknown / uncredited
Producer: Pancho Cristal

tracklist:

A1 Bang! Bang!
Written-By – Jaime Sabater, Joe Cuba 4:04
A2 Mujer Divina
Written-By – Hector Rivera 4:32
A3 Oh Yeah
Written-By – Jaime Sabater 3:20
A4 La Malanga Brava
Written-By – Jaime Sabater 3:05
A5 Que Son Uno
Written-By – Jaime Sabater*, Joe Cuba 4:15
A6 Sock It To Me
Written-By – Hector Rivera, Jaime Sabater 2:20
B1 Asi Soy
Written-By – Jaime Sabater*, Joe Cuba 3:04
B2 Triste
Written-By – Nick Jimenez 2:27
B3 Alafia
Written-By – Jaime Sabater 3:25
B4 Push, Push, Push
Written-By – Jaime Sabater*, Joe Cuba 2:15
B5 Cocinando
Written-By – Hector Rivera, Henry Alvarez*, Joe Cuba 9:00

link

 

The Larks – The Jerk (Money Records LP 1102)

The Larks – The Jerk (Money Records LP 1102) | Rare Soul LP

Money Records  1965 ‎– LP 1102

notes:

Released during the height of America's mid-1960s dance craze,  
The Jerk by The Larks captures the infectious energy of classic 
soul and rhythm & blues. Issued on Money Records as LP 1102,
 this scarce album combines upbeat dance numbers, smooth vocal 
harmonies and energetic performances that made dance
 records an essential part of the era's soul music scene.

Although primarily remembered for the title dance hit, 
the album offers an enjoyable blend of uptempo soul, 
R&B and early funk influences. Today, original Money 
Records pressings are sought after by collectors of 
rare soul vinyl, dance craze records and independent label releases.

For enthusiasts of vintage American soul, The Jerk remains 
an entertaining snapshot of the exciting dance-floor 
culture that flourished before the arrival of late-1960s funk.

Don Julian  was an American rhythm and blues,funk 
and soul singer, guitarist and songwriter. Most 
famous for his work as an R&B singer in the 1950's 
and 1960's, he's also known for composing the soundtrack 
and songs to the (so-called) blacksploitation film, Savage!
Born Donald R. Julian in Houston, Texas, United States, 
in his teens he moved to Los Angeles, California, where 
he began performing with local bands.He performed both 
solo and with backing bands. His most famous backing group 
was "The Meadowlarks" (later named The Larks (Los Angeles Band)), 
although most of his film music was performed with instrumental 
funk bands.The Meadowlarks is considered the first integrated 
doo-wop group.In 1954, Don Julian and the Meadowlarks' debut 
single "Heaven and Paradise", became popular with R&B fans. 
In 1964, the single, "The Jerk" was released under the band 
name, The Larks. 

credits:

Although Money Records did not publish detailed LP credits,
 the principal members include:

Don Julian – lead vocals, songwriter
Ted Walters – vocals
Charles Morrison – vocals

Session musicians were Los Angeles studio players
 whose complete personnel remain undocumented.

Recorded: Late 1964–Early 1965
Studio: Los Angeles, California (exact studio undocumented)
Producer: Don Julian
Engineer – Doc Siegel

tracklist:

A1        The Jerk
Written-By – Don Julian
    2:30
A2        Keep Jerkin'
Written By [On back cover] – T. Walters-D. Julian
Written By [On label] – T. Walter-D. Julian
Written-By – D. Julian*, T. Walters*
    1:50
A3        Mickey's East Coast Jerk
Written-By – Don Julian
    2:40
A4        Do The Jerk
Written-By – Don Julian
    2:45
A5        Jerkin' U.S.A.
Written-By – Don Julian
    2:45
B1        Soul Jerk
Written-By – Don Julian
    2:25
B2        You Must Believe Me
Written-By – Curtis Mayfield
    2:40
B3        Jerk Once More
Written-By – Don Julian
    2:30
B4        Slauson Shuffle #1
Written-By – Don Julian
    2:30
B5        Slauson Shuffle #2
Written-By – Don Julian
    2:30

link

 

Etta James – Tell Mama (Cadet LPS 802)

Etta James – Tell Mama (Cadet LPS 802) Review

Cadet Records 1967 – LPS 802

 

notes:

Tell Mama is the seventh studio album by American singer 
Etta James. Her second album release for Cadet Records, 
Released in 1968 on Cadet Records (LPS 802), Tell Mama marked 
one of the greatest comebacks in soul music history. Recorded
 primarily at the legendary FAME Studios in Muscle Shoals, 
Alabama, the album revitalized Etta James' career by 
combining Southern soul, blues, gospel, 
and R&B into one unforgettable recording.
Backed by the celebrated Muscle Shoals Rhythm Section, 
Etta delivered some of the most emotionally charged performances 
of her career. Her powerful voice perfectly matched producer
 Rick Hall's raw Southern sound, resulting in timeless classics 
such as Tell Mama, I'd Rather Go Blind, and Security.
Today, Tell Mama remains one of the finest soul albums ever 
recorded and an essential LP for collectors of vintage soul and blues vinyl.


credits:

Etta James – lead vocals
Jimmy Johnson – guitar
Albert Lowe Jr. – guitar
David Hood – bass
Roger Hawkins – drums
Keyboards

The keyboard personnel varied slightly between sessions:

August 1967 sessions

Dewey "Spooner" Oldham – piano, organ
Carl Banks – organ

November–December 1967 sessions

Barry Beckett – organ
George Davis – piano
Marvell Thomas – piano (selected tracks)
Carl Banks – organ (selected tracks)
Horn Section
Charles Chalmers – tenor saxophone
Floyd Newman – baritone saxophone
Aaron Varnell – tenor saxophone
James Mitchell – saxophone (later sessions)
Gene "Bowlegs" Miller – trumpet
Recording Sessions by Date
August 22, 1967

Recorded:

Steal Away
Don't Lose Your Good Thing
Just a Little Bit

Personnel:

Etta James
Jimmy Johnson
Albert Lowe Jr.
David Hood
Roger Hawkins
Dewey Oldham
Carl Banks
Charles Chalmers
Floyd Newman
Aaron Varnell
Gene "Bowlegs" Miller
August 23, 1967

Recorded:

I'd Rather Go Blind
Watch Dog
I'm Gonna Take What He's Got

Same core Muscle Shoals band as above.

August 24, 1967

Recorded:

Tell Mama
The Love of My Man
It Hurts Me So Much

Same personnel as the August sessions.

November 30 – December 6, 1967

Recorded:

The Same Rope
Security
My Mother-in-Law
Do Right Woman, Do Right Man

Personnel changes:

Barry Beckett replaced Dewey Oldham on many organ parts.
George Davis and Marvell Thomas shared piano duties.
James Mitchell joined the horn section on several tracks.

Recording studio: FAME Studios
Location: Muscle Shoals, Alabama
Recording dates:
August 22–24, 1967
November 30 – December 6, 1967
Producer: Rick Hall
Recording engineer: Rick Hall
Arranger: Rick Hall

trackslist:

A1 Tell Mama
Written-By – Carter*
A2 I'd Rather Go Blind
Written By – Foster
Written-By – Jordan*
A3 Watch DogWritten-By – Rosco Gordon
Written-By – Covay*
A4 The Love Of My Man
Written-By – Townsend*
A5 I'm Gonna Take What He's Got
Written-By – Covay*
A6 The Same Rope
Written-By – Caston*, Webber*
B1 Security
Written-By – Redding*
B2 Steal Away
Written-By – Hughes*
B3 My Mother-In-Law
Written-By – George David*, Lee Diamond
B4 Don't Lose Your Good Thing
Written By – Robert Killen
Written-By – Hall*, Oldham*
B5It Hurts Me So Much
Written-By – Chalmers*
B6 Just A Little Bit
Written-By – Rosco Gordon

link

Sonny Boy Williamson II – King Biscuit Time (Arhoolie)

 

 

 

 

 

 Sonny Boy Williamson II – King Biscuit Time (Arhoolie) | Classic Blues Album

 

 

 

 

 

 

Arhoolie records 1970    lp 2020

 

 

notes:

Sonny Boy Williamson II – King Biscuit Time (Arhoolie)
Few blues musicians left a legacy as influential as 
Sonny Boy Williamson II (Aleck "Rice" Miller). 
His distinctive harmonica style, expressive vocals, and 
unforgettable radio performances helped shape 
modern electric blues. King Biscuit Time, released by 
Arhoolie Records, preserves some of the finest broadcasts
 from the legendary King Biscuit Time radio show, 
offering listeners an authentic glimpse into 
Arkansas blues during its golden era.
Originally broadcast on KFFA Radio in Helena, Arkansas, 
King Biscuit Time introduced countless listeners to 
Delta blues legends. Sonny Boy Williamson became the 
program's best-known performer, blending traditional 
country blues with a modern, amplified sound that would
 inspire generations of musicians, including Eric Clapton, 
The Rolling Stones, The Yardbirds, Paul Butterfield, 
and countless blues harmonica players.
The Arhoolie collection captures Williamson at his most relaxed
 and spontaneous. Unlike polished studio recordings, these
 performances reveal the raw energy of live radio, complete
 with his witty introductions, conversational singing style, 
and extraordinary harmonica improvisations.
Musically, King Biscuit Time is rooted in classic Delta blues
 while hinting at the emerging Chicago electric sound. Williamson's
expressive harmonica phrases, rhythmic accompaniment, 
and charismatic vocals make every performance feel intimate and immediate.
For blues collectors, this Arhoolie release is far more than a historical 
document. It preserves performances that might otherwise have 
been lost and remains one of the essential recordings for 
anyone interested in the development of post-war blues.
Today, King Biscuit Time stands as one of the finest collections 
documenting Sonny Boy Williamson II's remarkable talent and the
 enduring influence of the King Biscuit radio broadcasts 
on American blues history.

credits:

Line-up / Musicians

Because King Biscuit Time is a compilation drawn from 
several recording sessions, the personnel varies by session.

Trumpet Records sessions – August 5, 1951

Tracks:

Do It If You Wanna
Cool, Cool Blues
Come On Back Home
Stop Crying
West Memphis Blues
I Cross My Heart
Sonny Boy's Christmas Blues
Pontiac Blues

Personnel

Sonny Boy Williamson II (Aleck "Rice" Miller) – vocals, harmonica
Willie Love – piano
Elmore James – guitar
Joe Willie Wilkins – guitar
Leonard Ware – bass
Unknown – drums

Trumpet Records session – March 12, 1951

Tracks

Eyesight to the Blind
Crazy About You Baby

Personnel

Sonny Boy Williamson II – vocals, harmonica
Willie Love (probably) – piano
Henry Reed – bass
Unknown – guitar
Joe Dison – drums
Trumpet Records session – December 4, 1951

Tracks

Nine Below Zero
Mighty Long Time
She Brought Life Back to the Dead
Stop Now Baby
Mr. Downchild
Too Close Together

Personnel

Sonny Boy Williamson II – vocals, harmonica
Willie Love – piano
Joe Willie Wilkins – guitar
Cliff Bivens (Givens) – bass
broom percussion & bass vocal on "Mighty Long Time"
Unknown – drums
KFFA "King Biscuit Time" radio broadcast – May 1965

Tracks

V-8 Ford
Stormy Monday
Right Now
Come Go With Me

Personnel

Sonny Boy Williamson II – vocals, harmonica
Houston Stackhouse – guitar
James "Peck" Curtis – drums
Sonny Payne – announcer (heard during the broadcast)

Bonus track

Dust My Broom (Elmore James)

Personnel

Elmore James – vocals, guitar
Sonny Boy Williamson II – harmonica
Leonard Ware – bass

Recording Studios
Trumpet Records Sessions (1951)
Trumpet Records Studio
Jackson, Mississippi
Producer: Lillian McMurry
Recorded for Trumpet Records using the original ACA/DRC masters.
KFFA Broadcast (1965)
KFFA Radio Studio
Helena, Arkansas
Recorded live during the daily King Biscuit Time program by Chris Strachwitz, 
preserving one of the last surviving broadcasts featuring Sonny Boy Williamson II.

 tracklist:

A1    Sonny Boy Williamson [II]    Do It If You Wanna    
A2    Sonny Boy Williamson [II]    Cool, Cool Blues    
A3    Sonny Boy Williamson [II]    Come On Back Home    
A4    Sonny Boy Williamson [II]    Stop Crying    
A5    Sonny Boy Williamson [II]    Eyesight To The Blind    
A6    Sonny Boy Williamson [II]    West Memphis Blues    
A7    Sonny Boy Williamson [II]    I Cross My Heart    
A8    Sonny Boy Williamson [II]    Crazy About You Baby    
B1    Sonny Boy Williamson [II]    Nine Below Zero    
B2    Sonny Boy Williamson [II]    Mighty Long Time
B3    Sonny Boy Williamson [II]    She Brought Life Back To The Dead    
B4    Sonny Boy Williamson [II]    Stop Now Baby    
B5    Sonny Boy Williamson [II]    Mr. Downchild    
B6    Sonny Boy Williamson [II]    Sonny Boy's Christmas Blues    
B7    Sonny Boy Williamson [II]    Pontiac Blues    
B8    Sonny Boy Williamson [II]    Too Close Together 

 

 

 

 

 link

 

 

 

 

 

Willie Mitchell – The Hit Sound Of Hi SHL 12034 LP

 

 

 

 

 

 

 

 

Willie Mitchell – The Hit Sound Of (Hi Records SHL 12034)  Rare Soul Instrumental LP Review 

 

 

 

 

 

Hi Records 1967 ‎– SHL 12034

 

 

 notes:

Willie Mitchell – The Hit Sound Of (Hi Records SHL 12034)
Few musicians shaped the unmistakable Memphis soul 
sound like Willie Mitchell. Long before becoming the 
celebrated producer behind Al Green's greatest recordings,
Mitchell established himself as one of the finest trumpeters, 
bandleaders, arrangers and producers of the 1960s.
Released by Hi Records as SHL 12034, The Hit Sound Of captures 
Mitchell and his accomplished orchestra performing a collection 
of soulful instrumental interpretations of contemporary hits.
 Blending southern soul, rhythm & blues, jazz and pop 
influences, the album showcases the polished horn 
arrangements and tight rhythm section that would
 soon define the legendary Hi Records sound.
Recorded in Memphis, the LP demonstrates Mitchell's remarkable
talent for transforming familiar melodies into sophisticated
 instrumental performances. Rich brass sections, crisp guitar
 work and deep grooves make this album a favorite among
 collectors of classic instrumental soul.
For collectors of rare soul LPs, early Hi Records releases and
instrumental R&B, this album is an excellent addition to any vinyl collection.

credits:

Recording sessions

The Hit Sound Of Willie Mitchell is not a single-session album.
 It compiles instrumental recordings made between approximately 
1966 and early 1968, including several previously 
released Hi singles and newer studio recordings.
Nearly all tracks were recorded at Hi Recording Studio (Royal Studios) 
in Memphis under Willie Mitchell's supervision while he was 
simultaneously becoming Hi Records' principal producer.

Probable session personnel
Hi Records rarely printed complete musician credits on LP jackets 
during this era, and no surviving AFM sheets have been published 
for this album. Based on Hi Records documentation and the
 musicians regularly employed by Willie Mitchell during 
1966–1968, the lineup is believed to have been:

Leader
Willie Mitchell – trumpet, bandleader, arranger
Rhythm section
Teenie Hodges – guitar
Leroy Hodges – bass
Charles Hodges – organ, piano
Howard Grimes – drums
Additional or earlier personnel (depending on recording date)
Reggie Young – guitar (appears on some earlier 1966 sessions)
Bobby Emmons – organ
Tommy Cogbill – bass
Al Jackson Jr. – drums on some earlier Hi recordings
Horn section
James Mitchell – tenor saxophone, horn arrangements
 Fred Ford - Tenor Saxophone 
Andrew Love – tenor saxophone
Charles Chalmers – baritone/tenor saxophone
Gene "Bowlegs" Miller – trumpet
Wayne Jackson – trumpet
Ben Cauley – trumpet
These musicians formed the evolving Hi Rhythm Section and 
Memphis horn unit that became the signature
 Hi Records sound during the late 1960s.

Recording studio
Hi Recording Studio (Royal Studios)
Memphis, Tennessee
Recording engineer: Ray Harris
Custom tube recording equipment
Famous for its warm drum sound and close-miked
 horn arrangements developed by Willie Mitchell.

tracklist:

A1 Mercy
Written-By – Ray Harris (3)
A2 Treat Her Right
Written-By – R. Head*
A3 When A Man Loves A Woman
Written-By – Wright*, Lewis*
A4 Land Of 1000 Dances
Written-By – C. Kenner*
A5 So Rare
Written-By – J. Sharpe*, J. Herst*
A6 Cherry Pink And Apple Blossom White
Written-By – Louiguy
B1 Searching For My Love
Written-By – Robert Moore
B2 Barefootin'
Written-By – R. Parker*
B3 Winchester Cathedral
Written-By – G. Stephens*
B4 Shotgun
Written-By – DeWalt*
B5 Misty
Written-By – E. Garner*, Burke*
B6     Sticks And Stones
Written-By – T. Turner*

 

 link

 

 

 

 

Willie Mitchell – Soul Bag (Hi Records SHL 32050)

 

 

 

 

 

 

Willie Mitchell Soul Bag – Hi Records SHL 32050 Review 

 

 

 

 

Hi Records 1968/69   SHL 32050

 

 

 notes:

Willie Mitchell – Soul Bag: Memphis Soul Jazz at Its Finest

Few instrumental albums capture the unmistakable sound 
of Memphis quite like Willie Mitchell's Soul Bag. Released 
on Hi Records SHL 32050, this outstanding LP finds the
celebrated saxophonist, arranger, producer, and future 
architect of the legendary Hi Records sound delivering a
n irresistible blend of soul, jazz, blues, and rhythm & blues.

Long before producing Al Green's greatest recordings, 
Willie Mitchell had already established himself as one of 
Memphis' most sophisticated bandleaders. Soul Bag perfectly
 demonstrates his gift for combining polished horn arrangements, 
infectious grooves, and tasteful improvisation.

Supported by some of Memphis' finest studio musicians, 
Mitchell creates a warm, elegant instrumental album that 
bridges the worlds of jazz clubs and soul dance floors.

credits:

Recording studio:
Although Hi Records did not print recording details on 
the original LP, Soul Bag was almost certainly recorded at:
Royal Recording Studios (Hi Recording Studio)
1320 South Lauderdale Street, Memphis, Tennessee

By 1969, Willie Mitchell was producing virtually all of 
his own Hi Records sessions there, and Royal Studios 
had become the home of the distinctive Hi instrumental sound.

Recording period: Most likely late 1968 to early 1969
Engineer: Probably Willie Mitchell (no engineer is credited on the original LP)
Arrangements: Willie Mitchell
Producer: Willie Mitchell
Supervised by: Joe Cuoghi

Leader

Willie Mitchell – trumpet, bandleader, arrangements

Rhythm Section

Teenie Hodges – guitar
Leroy Hodges – bass
Charles Hodges – organ, piano
Howard Grimes – drums

Additional musicians (possible)

Archie Turner – piano on selected tracks
James Mitchell – saxophone
Memphis Horns members on selected horn overdubs:
Andrew Love – tenor saxophone
Wayne Jackson – trumpet

tracklist:

A1  Apollo X
    Songwriter Love*, Jackson* 
A2 One Mint Julep
    Songwriter  Toombs*      
A3 I'm A Midnight Mover
    Songwriter  Womack*, Picket*     
A4 Cherry Tree
    Songwriter  Love*, Jackson* 
A5 Young People
    Songwriter  Love*, Jackson* 
A6 Blue Blue Light
    Songwriter  Chalmers 
B1 Everyday People
    Songwriter  Stewart*     
B2 Knock On Wood
    Songwriter  Floyd*, Cropper*     
B3 Grand Slam
    Songwriter  Hodges*, Mitchell*      
B4 Honey Pot
    Songwriter  Jackson*, Love*, Dunn*, Newman*, Hayes*, Cropper*      
B5 Hawaii Five-O
    Composed By  Stevens* 
B6 Set Free
    Songwriter  Love*, Hodges*, Jackson* 

link

 

 

 

 

 

 

 

Roomful Of Blues – Roomful Of Blues (Island Records ILPS 9474)

Roomful Of Blues – Roomful Of Blues (Island ILPS 9474) | Rare Blues LP

Island Records ‎1977 – ILPS 9474

notes:

Released on Island Records (ILPS 9474), Roomful Of Blues 
introduced one of America's finest modern blues ensembles 
to an international audience. Combining the raw power of Chicago blues, 
the sophistication of swing-era jazz, jump blues, rhythm & blues, 
and fiery horn arrangements, this debut album established 
Roomful Of Blues as one of the most exciting live blues bands of the 1970s.

Founded in Rhode Island during the late 1960s, the group quickly earned
 a reputation for recreating the sound of classic blues orchestras while 
adding youthful energy and exceptional musicianship. Their tight 
rhythm section, punchy saxophones, and authentic blues 
vocals made them favorites on both sides of the Atlantic.

Unlike many contemporary blues-rock bands, Roomful Of Blues 
remained deeply rooted in the traditions of artists such as T-Bone Walker,
 Big Joe Turner, Louis Jordan, and Count Basie. Their debut album 
captures that spirit perfectly, delivering a powerful 
mix of blues shuffles, slow blues, swing, and classic R&B.

credits:

Alto Saxophone – Rich Lataille
Baritone Saxophone – Doug James 
Bass [Bass Fiddle] – Preston Hubbard
Drums – John Rossi
Piano – Al Copley
Tenor Saxophone – Greg Piccolo
Tenor Saxophone [Featured] – Scott Hamilton (tracks: B4)
Vocals, Guitar – Duke Robillard

Recorded At – Regent Sound Studios
Producer – Doc Pomus, Joel Dorn
Engineer – Vince McGarry

tracklist:

A1        Red, Hot & Blue
Written-By – Tab Smith
    2:14
A2        Love Struck    4:20
A3        That's My Life
Written-By – Chuck Willis
    3:45
A4        Duke's Blues
Written-By – Duke Robillard
    4:21
A5        Texas Flood
Written-By – Don Robey, Joe Scott*
    2:53
B1        Give It Up
Written-By – Noble Watts
    3:16
B2        Stormy Monday
Written-By – Aaron Walker*
    4:32
B3        Take It Like A Man
Written-By – Chuck Willis
    2:09
B4        Still In Love With You
Written-By – Aaron Walker*
    4:18
B5        Honey Hush
Written-By – Lou Willie Turner
    4:52

link

 

 

 

 

Willie Mitchell – Ooh Baby, You Turn Me On (Hi Records HL 12039)

 

 

 

 

 

 Willie Mitchell – Ooh Baby, You Turn Me On (Hi HL 12039) Review

 

 

 

Hi Records  1967 ‎– HL 12039

Notes:

First pressing with original title
Few producers left a greater mark on Memphis soul than Willie Mitchell.
 Best known for producing the legendary recordings of Al Green, Mitchell 
also enjoyed a successful career as a saxophonist, composer, arranger and 
recording artist. Released on Hi Records as HL 12039, Ooh Baby, You Turn Me On
 perfectly captures the sophisticated Memphis soul sound that made 
Hi Records famous during the 1970s.
Unlike the hard-edged soul emerging from other Southern studios, Mitchell 
favored elegant horn arrangements, silky rhythm sections and understated 
grooves. Every track reflects his remarkable ability to blend soul, funk, jazz 
and rhythm & blues into a polished yet deeply emotional sound.
Recorded at the legendary Royal Recording Studio, the album showcases the
 unmistakable Hi Records house band. The musicians create a warm atmosphere
 filled with tasteful guitar work, subtle keyboards, deep bass lines and the
 relaxed drumming that became synonymous with Memphis soul.
Mitchell's saxophone remains the centerpiece throughout the album. 
Rather than overpowering the arrangements, his playing complements each
 song with melodic phrasing, expressive solos and refined musicianship. 
The result is an album equally appealing to soul enthusiasts, jazz listeners 
and collectors of vintage vinyl.
Today, Ooh Baby, You Turn Me On remains one of the overlooked gems in 
Willie Mitchell's extensive catalog. Original Hi Records pressings continue 
to attract collectors who appreciate classic Memphis productions and 
the timeless sound that helped define an era of American soul music.
Whether you're discovering Willie Mitchell for the first time or 
expanding a Hi Records collection, this LP

credits:

First pressing with original title.
Recording period: 1966–1967
Studio: Royal Recording Studios, Memphis, Tennessee 
(later known as Royal Studios)
Producer: Willie Mitchell
Arranger: Willie Mitchell
Recording Engineer: Ray Harris 
(Hi Records' principal engineer during this period)
Producer – Joe Cuoghi
Probable Personnel
Horns
Willie Mitchell – trumpet, bandleader, arrangements
James Mitchell – tenor saxophone
Additional Memphis horn players (uncredited)
Rhythm Section
Teenie Hodges – guitar (probable)
Bobby Emmons – Hammond organ
Joe Hall – piano
Al Jackson Jr. – drums (likely on many tracks)
Larry Finch – bass (possible on later sessions)
Additional musicians
Hand percussion and additional horns on selected tracks (uncredited).
Research indicates that Willie Mitchell used a stable Memphis studio band 
which gradually evolved into the famous Hi Rhythm Section heard on 
Al Green's recordings a few years later. Early Hi sessions commonly 
featured combinations of:

Willie Mitchell
James Mitchell
Bobby Emmons
Joe Hall
Al Jackson Jr.
Reggie Young (on earlier Hi sessions)
Teenie Hodges (increasingly after 1966)
Leroy Hodges
Charles Hodges (beginning around 1967–68)

tracklist:

A1        Ooh Baby, You Turn Me On
Written-By – Love*, Hodges*, Thomas*, Mitchell*
2:00
A2        Soul Finger
Written-By – Cauley*, Cunningham*, Alexander*, King*, Jones*, Caldwell*
2:15
A3        Cleo's Mood
Written-By – DeWalt*, Fuqua*, Woods*
2:21
A4        Slippin' & Sliddin'
Written-By – Collins*, Bocage*, Smith*, Penniman*
1:56
A5        Soul Serenade
Written-By – Ousley*, Dixon*
2:15
A6        Willie's Mood
Written-By – Hodges*, Mitchell*
2:17
B1        Sunny
Written-By – Hebb*
2:32
B2        Pearl Time
Written-By – Williams*
2:27
B3        Papa's Got A Brand New Bag
Written-By – Brown*
2:12
B4        Respect
Written-By – Redding*
2:05
B5        Have You Ever Had The Blues
Written-By – Jennings*, Logan*, Price*
2:10
B6        Toddlin'
Written-By – Love*, Miller*, Mitchell*
2:04

 

 

 

 

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King Curtis – Sweet Soul (ATCO Records SD 33-247)

King Curtis – Sweet Soul (ATCO SD 33-247) Review & Vinyl

ATCO Records ‎1967 – SD 33-247

notes:

Few saxophonists bridged the worlds of rhythm & blues, soul, jazz,
 and pop as successfully as King Curtis. Throughout the 1960s, 
Curtis became one of America's most sought-after session musicians 
while maintaining an impressive solo career. His unmistakable 
tenor saxophone sound can be heard on countless recordings by 
artists including Aretha Franklin, The Coasters, 
The Drifters, Wilson Pickett, and many others.
Released in 1967 on ATCO Records, Sweet Soul (SD 33-247) captures 
King Curtis at the height of the soul-jazz era. Combining blues feeling
 with sophisticated arrangements, the album delivers heartfelt ballads,
 groove-driven instrumentals, and Curtis' instantly recognizable saxophone style.
Today, Sweet Soul remains one of the finest examples of late-1960s 
soul-jazz and a rewarding addition for collectors of vintage ATCO vinyl.

credits:

Sweet Soul was recorded during several sessions in early 1968, 
combining the celebrated Memphis rhythm section 
with horn and string overdubs completed in New York.

Studios

American Recording Studio, Memphis, Tennessee
Atlantic Recording Studios, New York City

Recording Engineers

Tommy Cogbill (Memphis sessions)
Bruce Tergesen (New York overdubs)

Leader
King Curtis (Curtis Ousley) – tenor, alto & soprano saxophones
Rhythm Section (Memphis)
Bobby Emmons – organ
Spooner Oldham – piano, electric piano (on several sessions)
Reggie Young – guitar
Everett Barksdale – guitar (New York overdubs on some tracks)
Mike Leech – electric bass (Memphis session)
Jerry Jemmott – Fender bass (New York overdubs)
Gene Chrisman – drums
Horn Section
Joe Newman – trumpet
Benny Powell – trombone
Frank Wess – tenor saxophone
Haywood Henry – baritone saxophone
Vocals & Strings
The Sweet Inspirations – backing vocals
String section directed by Gene Orloff
Production
Arif Mardin – producer, arranger
Bruce Tergesen – recording engineer
Tommy Cogbill – recording engineer (Memphis)

Research from Atlantic session files indicates that the 
album was assembled from multiple recording dates during 
February–April 1968.

One documented session is:

February 1, 1968 – American Recording Studio, Memphis

King Curtis – tenor saxophone
Bobby Emmons – organ
Reggie Young – guitar
Mike Leech – bass
Gene Chrisman – drums
unidentified horns
female vocalists
Arif Mardin – arranger

Recorded:

"Spooky"

Subsequent New York overdub sessions added:

Joe Newman
Benny Powell
Frank Wess
Haywood Henry
Gene Orloff's string section
The Sweet Inspirations
Jerry Jemmott
Everett Barksdale
Spooner Oldham

tracklist:

A1        Theme From "Valley Of The Dolls"
Written-By – André Previn, Dory Previn
    2:40
A2        Soul Serenade
Written-By – Curtis Ousley, Luther Dixon
    2:53
A3        I Heard It Through The Grapevine
Written-By – Barrett Strong & Norman Whitfield*
    3:16
A4        Sweet Inspiration
Bass [Fender Bass] – Reggie Young
Written-By – Lindon Dewey Oldham*, Wallace Pennington
    2:51
A5        By The Time I Get To Phoenix
Written-By – Jim Webb*
    2:38
B1        Spooky
Written-By – Buddy Buie, Harry Middlebrooks, J. R. Cobb*, Mike Sharpe
    2:46
B2        Honey
Written-By – Bobby Russell
    2:27
B3        Up - Up And Away
Written-By – Jim Webb*
    2:48
B4        The Look Of Love
Written-By – Burt Bacharach & Hal David*
    2:30
B5        (Sittin' On) The Dock Of The Bay
Written-By – Otis Redding, Steve Cropper
    2:42

link

King Curtis – Soul Serenade (Capitol ST-2095)

 

 

 

 

 

 

 

 

 King Curtis – Soul Serenade (Capitol Records ST-2095): The Classic Soul Jazz Saxophone Masterpiece

 

 

 

 

Capitol Records 1964 ‎– ST 2095

 

notes:

Released in 1964 on Capitol Records, Soul Serenade 
is one of the finest albums by legendary saxophonist 
King Curtis, blending soul, rhythm & blues, jazz, and pop
into a polished instrumental collection. By the early 1960s
, Curtis had already established himself as one of 
America's most in-demand session musicians, r
ecording with artists ranging from Aretha Franklin and 
The Coasters to Buddy Holly and countless Atlantic Records stars.
Built around his warm, expressive tenor saxophone tone, 
Soul Serenade showcases Curtis' remarkable ability to transform
 contemporary pop songs, blues standards, and soulful ballads 
into memorable instrumental performances. The title track became
 one of his signature recordings, combining gospel-inspired phrasing
 with sophisticated jazz arrangements that
 appealed to both R&B and mainstream audiences.

credits:

King Curtis – tenor saxophone, saxello (featured on "Soul Serenade"),
 musical director, arranger on several tracks.

Possible participants include:

Guitar – possibly Everett Barksdale or Al Caiola
Piano/Organ – unidentified
Bass – unidentified
Drums – unidentified
Additional brass and rhythm section – unidentified
Recording period: Late 1963 to early 1964
Release: 1964
Producer: Capitol Records production staff 
(individual producer not consistently credited)
Arrangements: King Curtis with Capitol staf
f arrangers on selected titles.

Producer – Dave Cavanaugh

tracklist:

A1 Tequila
Written-By – Chuck Rio
2:00    
A2 Night Train
Written-By – Jimmy Forrest
2:31    
A3 Java
Written By – Friday, Toussaint, Tyler
2:15    
A4 Harlem Nocturne
Written-By – Earle Hagen
2:26    
A5 Honky Tonk
Written By – Butler, Doggett, Scott, Shepard
2:49    
A6 Soul Twist
Written-By – Curtis Ousley
2:35    
B1 Memphis
Written-By – Chuck Berry
2:52    
B2 Watermelon Man
Written-By – Herbie Hancock
2:34    
B3 Soul Serenade
Written-By – Curtis Ousley, Luther Dixon
2:58    
B4 Swingin' Shepherd Blues
Written By – Jacobson, Koffman, Roberts
2:00    
B5 My Last Date (With You)
Written By – Bryant, Cramer, Davis
2:34    
B6 Wiggle Wobble
Written-By – Les Cooper
2:17 

 

 

 

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Little Walter – Hate To See You Go (Chess LP-1535)

 

 

 

 

 

 

 

 

 

Little Walter – Hate To See You Go | Chess LP-1535 Review

 

 

 

 

Chess records 1969  –  LP-1535

 

 

 Notes:

Few blues musicians transformed their instrument as dramatically 
as Little Walter. By amplifying his harmonica and treating it like a 
lead electric guitar, he created a completely new sound that 
forever changed Chicago blues.

Released by Chess Records in 1969, Hate To See You Go (LP-1535)
gathers some of Walter's greatest recordings from the golden era 
of Chicago blues. Although it is a compilation rather than a contemporary 
studio album, it perfectly showcases his remarkable artistry, 
emotional vocals, and revolutionary harmonica playing.
For blues collectors, this LP remains one of the finest introductions 
to one of the most influential musicians in blues history.


The tracks were recorded between approximately 1955 and 1959.

Recording Studios
Chess Studios
2120 South Michigan Avenue
Chicago, Illinois
Producers
Leonard Chess
Phil Chess

Musicians

Personnel varied between recording sessions but commonly included:

Little Walter – vocals, amplified harmonica
Robert Lockwood Jr. – guitar
Luther Tucker – guitar
Jimmy Rogers – guitar
Willie Dixon – bass
Otis Spann – piano
Lafayette Leake – piano
Fred Below – drums
Odie Payne – drums
Earl Phillips – drums

tracklist:

A1        Nobody But You
Written-By – W. Spriggs*
    2:02
A2        My Baby’s Sweeter
Written-By – W. Dixon*
    2:28
A3        Roller Coaster
Written-By – E. McDaniels*
    2:51
A4        As Long As I Have You
Written-By – W. Dixon*
    2:36
A5        Oh Baby
Written-By – W. Jacobs*
    2:47
A6        Take Me Back
Written-By – W. Jacobs*
    3:04
A7        Everything’s Going To Be Alright
Written-By – W. Jacobs*
    2:48
A8        Mellow Down Easy
Written-By – W. Dixon*
    2:40
B1        Hate To See You Go
Written-By – W. Jacobs*
    2:16
B2        I Got To Find My Baby
Written-By – W. Jacobs*
    2:43
B3        Everybody Needs Somebody
Written-By – W. Jacobs*
    2:50
B4        Blue Midnight
Written-By – W. Jacobs*
    2:30
B5        I Had My Fun
Written-By – J. Oden*
    2:18
B6        Key To The Highway
Written-By – W. Broonzy*, C. Segar*
    2:43
B7        Blue And Lonesome
Written-By – W. Jacobs*
    2:55

 

 

 

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