Showing posts with label cadet records. Show all posts
Showing posts with label cadet records. Show all posts

7/29/2026

Ramsey Lewis – Dancing In The Street (Cadet LPS 794)






Ramsey Lewis – Dancing In The Street (Cadet Records LPS 794)








Front cover of Ramsey Lewis – Dancing In The Street, Cadet Records LPS 794 original jazz vinyl LP.

Cadet Records 1967 – LPS 794


 notes:


Released by Cadet Records as LPS 794, Dancing In The Street
 finds Ramsey Lewis and his celebrated trio transforming 
contemporary soul and pop hits into sophisticated soul jazz. 
Featuring elegant piano work, infectious grooves, and 
memorable melodies, the album captures the crossover 
sound that made Ramsey Lewis one of 
the most successful jazz artists of the 1960s.

Following the commercial success of The "In" Crowd, Lewis 
continued to bridge jazz and popular music with inventive 
arrangements that appealed to both jazz enthusiasts and 
mainstream audiences. The trio's dynamic interplay, subtle 
improvisation, and rhythmic precision make
 Dancing In The Street an essential entry in the Cadet catalog.
The album includes jazz interpretations of contemporary classics,
 blending soulful rhythms, blues influences, and polished production.
 It remains highly regarded by collectors of vintage jazz and soul LPs.


credits:



Ramsey Lewis – piano
Cleveland Eaton – bass
Maurice White – drums
Esmond Edwards – producer

Recorded :

July 3-9, 1967    Live At Basin Street West, San Flancisco, CA
Engineer – Wally Heider


tracklist:


A1        Dancing In The Street
Written-By – Marvin Gaye, William Stevenson
5:03
A2        Mood For Mendes
Written-By – Bill Taylor*
2:57
A3        Struttin' Lightly
Written-By – Cleveland Eaton
4:45
A4        You Don't Know Me
Written-By – Walker*, Arnold*
4:37
A5        Django
Written-By – John Lewis (2)
4:40
        "Black Orpheus" Medley    (8:23)
B1a        Felicidade
Written-By – Antonio Carlos Jobim, Vinicius DeMoraes*
B1b        Manha De Carnaval
Written-By – Luiz Bonfa*
B1c        Samba De Orpheus
Written-By – Luiz Bonfa*, A. Maria*
B2        What Now My Love
Written-By – Carl Sigman, Gilbert Becaud*
5:18
B3        Quiet Nights (Corcovado)
Written-By – Antonio Carlos Jobim, Gene Lees
3:22
 
 
 link 






7/28/2026

Ramsey Lewis Trio – Hang On Ramsey! (Cadet Records LPS 761)









Ramsey Lewis Trio – Hang On Ramsey! (Cadet LPS 761)






Front cover of Ramsey Lewis Trio Hang On Ramsey! released on Cadet Records LPS 761 in 1965.

Cadet Records 1965 – LPS 761



notes:


Released in 1965 on Cadet Records, Hang On Ramsey! 
captures the Ramsey Lewis Trio at the height of its 
popularity. Following the international success of 
The "In" Crowd, the trio continued blending sophisticated
 jazz with infectious soul grooves, gospel influences,
 and accessible pop melodies.
Featuring Ramsey Lewis' expressive piano, Eldee Young's 
melodic bass, and Red Holt's dynamic drumming, the album 
offers energetic interpretations of contemporary hits 
alongside tasteful originals. It remains one of the finest 
examples of mid-1960s soul jazz and an 
essential collectible for jazz and vinyl enthusiasts.

credits:


Line-up / Musicians
Ramsey Lewis – piano
Eldee Young – bass
Isaac "Redd" Holt – drums
Recording Date
October 14–17, 1965
Recording Venue / Studio

Unlike a studio album, Hang On Ramsey! was recorded live in concert at:

The Lighthouse Café
Hermosa Beach, California, USA
Production Credits
Producer: Esmond Edwards
Recording Engineer: Reice Hamel


tracklist:


A1 A Hard Day's Night
Written-By – John Lennon & Paul McCartney*    
A2 All My Love Belong To You
Written-By – Sol Winkler, Teddy Powell    
A3 He's A Real Gone Guy
Written-By – Nellie Lutcher    
A4 And I Love Her
Written-By – John Lennon & Paul McCartney*
A5 Movin' Easy
Written-By – Ramsey Lewis    
B1 Billy Boy / Hi-Heel Sneakers
Arranged By [Billy Boy] – Ramsey Lewis
Written-by [Hi-heel Sneakers] – Robert Higgenbotham*    
B2 The More I See You
Written-By – Harry Warren (2), Mack Gordon    
B3 Satin Doll
Written-By – Duke Ellington    
B4 Hang On Sloopy
Written-By – Bert Russell, Wes Farrell







 








7/26/2026

Ramsey Lewis – Goin' Latin (Cadet Records LPS-790, 1967)






Ramsey Lewis – Goin' Latin (Cadet LPS-790) | Rare Soul Jazz Vinyl Guide





Original cover of Ramsey Lewis Goin' Latin on Cadet Records LPS-790, classic 1967 soul jazz and Latin jazz vinyl LP

Cadet Records 1966 ‎– LPS 790


Notes:


Released in 1967 on Cadet Records, Goin' Latin finds 
Ramsey Lewis exploring Afro-Cuban and Brazilian influences 
while maintaining the soulful piano style that made him one 
of the most successful jazz artists of the 1960s. Following 
the crossover success of The In Crowd and Wade in the Water, 
Lewis blended infectious Latin grooves with sophisticated 
jazz improvisation, creating an album equally suited for
 jazz listeners and fans of danceable instrumental music.

Produced by the legendary Esmond Edwards for Cadet Records, 
the album features polished arrangements, memorable melodies,
 and rhythmic percussion that reflect the growing influence 
of Latin music on American jazz during the decade. The result
 is an engaging fusion of 
soul jazz, bossa nova, mambo, and hard-swinging Chicago jazz.

credits:


Arranged By, Conductor – Richard Evans 
Bass – Cleveland Eaton
Drums – Maurice White
Piano – Ramsey Lewis
augmented by Percussion, 
Bass, and strings
The album was expanded beyond the trio with an orchestra 
arranged by Richard Evans, featuring:
Unidentified brass section
Unidentified string section
Unidentified Latin percussionists
Unfortunately, Cadet Records did not credit the individual orchestral 
or percussion musicians on the original LP, and no verified 
AFM session sheets identifying these players have been published.
Producer – Esmond Edwards


Recorded: December 21–23, 1966
Recording Studio: RCA Studios, Chicago, Illinois
Producer – Esmond Edwards
Engineer [Recording] – Brian Christian
Engineer [Supervising] – Doug Brand
 

tracklist:


A1 Hey, Mrs. Jones
 Written-By – Miller*, Reagan 
A2 Summer Samba
Written By – Gimble, Marcus & Valle 
A3 One, Two, Three
 Written-By – White*, Madara*, Borisoff*     
A4 Free Again
 Written-By – Canfora*, Baselli*, Jourdan*, Colby* 
A5 Down By The Riverside
Adapted By – E. Edwards* 
B1 Blue Bongo
Written-By – Richard Evans  
B2 I'll Wait For You
Written-By – Evans 
B3 Function At The Junction
Written-By – Long*, Holland & Dozier 
B4 Spanish Grease
Written-By – Lastie, Bobo
B5 Lara's Theme (Somewhere My Love) 
(From The MGM Film "Dr. Zhivago")
Written-By – Garre*, Webster* 
B6 Cast Your Fate To The Wind
 Written-By – Guaraldi* 

    

link
 


 
 
 

 



7/25/2026

The Ramsey Lewis Trio – Another Voyage (Cadet Records LPS-827, 1969







The Ramsey Lewis Trio – Another Voyage (1969 Cadet LPS-827) Review & Vinyl Guide





Original cover of The Ramsey Lewis Trio Another Voyage, Cadet Records LPS-827 (1969), featuring Ramsey Lewis, Cleveland Eaton and Maurice White.

Cadet Records 1969 ‎– LPS-827

 

 notes:


Released in 1969 on Cadet Records (LPS-827), Another Voyage captures 
The Ramsey Lewis Trio during one of its most adventurous musical 
periods. Blending soul jazz, jazz-funk, gospel influences and contemporary
 grooves, the album reflects the trio's transition toward a more electric
 sound while maintaining the sophisticated piano style that made 
Ramsey Lewis one of jazz's most popular artists.

Recorded for Chess Records' Cadet label, the album features imaginative 
arrangements, strong rhythmic interplay and the elegant melodic touch 
that became Ramsey Lewis' trademark throughout the late 1960s.

Following the enormous success of The In Crowd and several 
best-selling Cadet releases, Another Voyage continued Lewis' exploration
 of modern jazz fused with soul and R&B influences, 
anticipating the jazz-funk movement of the early 1970s.

Crédits


    Bass – Cleveland Eaton
    Guitar – Phil Upchurch (tracks: A2, A5, B1)
    Kalimba – Maurice White (tracks: B3)
    Percussion – Maurice White
    Producer, Piano – Ramsey Lewis
   
Recorded 1969 at Ter-Mar Studios, Chicago:   10,12,13 and May 14

Engineer – Stu Black

tracklist:


A1 If You've Got It, Flaunt It (Part I)
Written-By – Eaton*, White*, Lewis*
A2 Wanderin' Rose
Written-By – Neal Creque
A3 How Beautiful Is Spring
Written-By – E. Harris*
A4 Do What You Wanna
Written-By – Ramsey Lewis
A5 My Cherie Amour
Written-By – Cosby*, Wonder*, Moy*
B1 Bold And Black
Written-By – E. Harris*
B2 Opus V
Written-By – Charles Stepney
B3 Uhuru
Written-By – Eaton*, White*
B4 Cecile
Written-By – Cleveland Eaton
B5 If You've Got It, Flaunt It (Part II)
Written-By – Eaton*, White*, Lewis*
 
 
 

 



 





7/20/2026

Etta James – Tell Mama (Cadet LPS 802)






Etta James – Tell Mama (Cadet LPS 802) Review




Original 1968 Etta James Tell Mama LP on Cadet Records LPS 802 featuring the classic Muscle Shoals soul recordings.

Cadet Records 1967 – LPS 802

 
notes:

Tell Mama is the seventh studio album by American singer 
Etta James. Her second album release for Cadet Records, 
Released in 1968 on Cadet Records (LPS 802), Tell Mama marked 
one of the greatest comebacks in soul music history. Recorded
 primarily at the legendary FAME Studios in Muscle Shoals, 
Alabama, the album revitalized Etta James' career by 
combining Southern soul, blues, gospel, 
and R&B into one unforgettable recording.
Backed by the celebrated Muscle Shoals Rhythm Section, 
Etta delivered some of the most emotionally charged performances 
of her career. Her powerful voice perfectly matched producer
 Rick Hall's raw Southern sound, resulting in timeless classics 
such as Tell Mama, I'd Rather Go Blind, and Security.
Today, Tell Mama remains one of the finest soul albums ever 
recorded and an essential LP for collectors of vintage soul and blues vinyl.


credits:

Etta James – lead vocals
Jimmy Johnson – guitar
Albert Lowe Jr. – guitar
David Hood – bass
Roger Hawkins – drums
Keyboards

The keyboard personnel varied slightly between sessions:

August 1967 sessions

Dewey "Spooner" Oldham – piano, organ
Carl Banks – organ

November–December 1967 sessions

Barry Beckett – organ
George Davis – piano
Marvell Thomas – piano (selected tracks)
Carl Banks – organ (selected tracks)
Horn Section
Charles Chalmers – tenor saxophone
Floyd Newman – baritone saxophone
Aaron Varnell – tenor saxophone
James Mitchell – saxophone (later sessions)
Gene "Bowlegs" Miller – trumpet
Recording Sessions by Date
August 22, 1967

Recorded:

Steal Away
Don't Lose Your Good Thing
Just a Little Bit

Personnel:

Etta James
Jimmy Johnson
Albert Lowe Jr.
David Hood
Roger Hawkins
Dewey Oldham
Carl Banks
Charles Chalmers
Floyd Newman
Aaron Varnell
Gene "Bowlegs" Miller
August 23, 1967

Recorded:

I'd Rather Go Blind
Watch Dog
I'm Gonna Take What He's Got

Same core Muscle Shoals band as above.

August 24, 1967

Recorded:

Tell Mama
The Love of My Man
It Hurts Me So Much

Same personnel as the August sessions.

November 30 – December 6, 1967

Recorded:

The Same Rope
Security
My Mother-in-Law
Do Right Woman, Do Right Man

Personnel changes:

Barry Beckett replaced Dewey Oldham on many organ parts.
George Davis and Marvell Thomas shared piano duties.
James Mitchell joined the horn section on several tracks.

Recording studio: FAME Studios
Location: Muscle Shoals, Alabama
Recording dates:
August 22–24, 1967
November 30 – December 6, 1967
Producer: Rick Hall
Recording engineer: Rick Hall
Arranger: Rick Hall

trackslist:

A1 Tell Mama
Written-By – Carter*
A2 I'd Rather Go Blind
Written By – Foster
Written-By – Jordan*
A3 Watch DogWritten-By – Rosco Gordon
Written-By – Covay*
A4 The Love Of My Man
Written-By – Townsend*
A5 I'm Gonna Take What He's Got
Written-By – Covay*
A6 The Same Rope
Written-By – Caston*, Webber*
B1 Security
Written-By – Redding*
B2 Steal Away
Written-By – Hughes*
B3 My Mother-In-Law
Written-By – George David*, Lee Diamond
B4 Don't Lose Your Good Thing
Written By – Robert Killen
Written-By – Hall*, Oldham*
B5It Hurts Me So Much
Written-By – Chalmers*
B6 Just A Little Bit
Written-By – Rosco Gordon











6/25/2026

Ramsey Lewis – Wade In The Water (Cadet Records LPS 774)





Ramsey Lewis – Wade In The Water (Cadet Records LPS 774): The Jazz Classic That Defined Soul Jazz



Front cover of Ramsey Lewis Wade In The Water vinyl LP released on Cadet Records LPS 774, a classic soul jazz album from 1966.

Cadet Records 1966  LPS 774


notes:


Few jazz recordings have crossed over into mainstream popularity
 as successfully as "Wade In The Water" by Ramsey Lewis. Released 
on Cadet Records as LPS 774, this landmark album captures the energy,
 groove, and accessibility that helped bring soul jazz to 
a wider audience during the 1960s.
The title track, a vibrant interpretation of the traditional spiritual 
"Wade In The Water," became one of Ramsey Lewis' biggest hits. 
Combining infectious rhythms, memorable piano lines, and the tight
 interplay of the Ramsey Lewis Trio, the recording resonated with 
both jazz enthusiasts and popular music listeners alike.


credits:


Musician    Instrument
Ramsey Lewis    piano, keyboards
Cleveland Eaton    bass
Maurice White    drums
Richard Evans    arranger, conductor
Additional Horn Personnel
Musician    Instrument
John Avant    trombone
    
Richard Evans - Director

Engineer – Bob Kidder, Bruce Swedeen
Recorded:May 26, 1966-Jun 29, 1966 at 
Universal Studios, Chicago, Ill. 
Augmented by Brass, Woodwind and Percussion.



tracklist: 


A1 Wade In The Water
Written-By – Lewis    
A2 Ain't That Peculiar
Written-By – Tarplin*, Rogers*, Robinson*, Moore    
A3 Tobacco Road
Written-By – Loudermilk*    
A4 Money In The Pocket
Written-By – Zawinul
A5 Message To Michael
Written-By – Bacharach & David
B1 Up Tight
Written-By – Cosby*, Judkins*, May    
B2 Hold It Right There
Written-By – Evans
B3 Day Tripper
Written-By – Lennon-McCartney
B4 Mi Compasion
Written-By – Edwards*
B5 Hurt So Bad
Written-By – Weinstein*, Harshman*, Randazzo*
 
 
 
 link
 




6/02/2026

Eldee Young & Red Holt – Feature Spot (1967 Cadet Records LPS 791)




Front cover of Eldee Young and Red Holt Feature Spot LP released by Cadet Records in 1967, catalog number LPS 791 

  Cadet Records 1967       LPS 791


notes:


Feature Spot by Eldee Young & Red Holt is a standout 1967
 soul jazz album released on Cadet Records LPS 791. Featuring
 soulful grooves, inventive arrangements, and exceptional 
musicianship, this classic vinyl release remains a prized collectible
among jazz and rare groove enthusiasts.


credits:


Line-up (personnel)

The album is generally credited to the trio:

Eldee Young – bass, cello
Redd Holt – drums
Ramsey Lewis – piano

Contemporary reviews specifically mention Young 
(bass and cello), Holt (drums), and Ramsey Lewis 
(piano) as the performing group on the LP.

Production

The original LP does not appear to have widely published
 session credits, but the trio was closely associated with
 producer/supervisor Ralph Bass and engineer Ron Malo 
during their Cadet/Argo years at Chess Records' Chicago operation.

Recording studio

While no surviving session sheet for Feature Spot is readily
 available online, the trio's Cadet-era recordings were typically 
made at Ter-Mar Recording Studios, Chicago, the principal 
Chess/Cadet recording facility used by Ramsey Lewis,
 Eldee Young, and Redd Holt throughout the 1960s.

Recording date

A precise recording date for Feature Spot has not been 
documented in the commonly available discographical
 sources. The album was issued in 1967, 
and was recorded sometime before its release that year.



tracklist:


A1        Travel On
Written-By – Young*
    3:44
A2        Softly, As In The Morning Sunrise
Written-By – Hammerstein*, Romberg*
    3:40
A3        Hello, Cello!
Written-By – Young*, Lewis*, Holt*
    3:17
A4        When The Spirit Moves You
Written-By – Young*, Lewis*, Holt*
    3:38
A5        Bei Mir Bist Du Schön
Written-By – Cahn*, Chaplin*, Secunda*
    3:51
A6        Dee's New Blues    2:58
B1        It Ain't Necessarily So
Written-By – Gershwin*
    2:44
B2        Swamp Girl
Written-By – Young*
    2:00
B3        Tennessee Waltz
Written-By – King*, Stewart*
    5:53
B4        The Shelter Of Your Arms
Written-By – Samuels*
    3:40
B5        Peace And Tranquility
Written-By – Young*
    5:36
 
 
 
link 
 






4/14/2026

Etta James – Call My Name 1966

 









Etta James – Call My Name LP (Cadet Records): Soul Classic Vinyl Review




Etta James Call My Name LP vinyl cover Cadet Records

Cadet Records 1966 ‎– LP 4055


notes:


Released in 1967, Call My Name captures Etta James at 
a turning point in her career, blending deep soul, gospel 
influences, and emotional storytelling. This album stands 
as a powerful example of late-60s rhythm and blues evolution.
Released January 27, 1967
Recorded December 1966
Studio Ter Mar Studios, Chicago

credits:


Producer Monk Higgins & Ralph Bass
Engineer – Doug Brand
While exact session credits for every track may vary or 
be partially undocumented, recordings from this period 
at Cadet/Chess studios commonly featured:

 Piano and Hammond organ players from Chicago’s soul scene
 Electric guitar session musicians specializing in blues-R&B fusion
 String orchestras arranged for emotional depth
Horn sections (trumpet, saxophone, trombone)
 Professional rhythm section drummers and bassists from studio pools

These musicians were not always credited individually, 
but they were essential to shaping the rich soul sound of the album.

tracklist:


A1 Happiness 2:48
written by Smith, Dollison
A2 That's All I Want From You 2:45
written by Rotha
A3 Have A Little Faith In Me 2:40
written by Higgins, Wrencher
A4 I'm So Glad (I Found Love In You) 3:12
written by Smith, Dollison
A5 You Are My Sunshine 2:37
written by Davis, Mitchell
A6 It Must Be Your Love 2:52
written by Bernard, Higgins, Dollison, Foster
B1 842-3089 (Call My Name) 2:57
written by Higgins, Dollison, Foster
B2 Don't Pick Me For Your Fool 2:31
written by Higgins, Dollison, Foster
B3 I Prefer You 2:50
written by Higgins, Dollison
B4 Nobody Loves Me 2:45
written by Higgins, Wrencher
B5 It's All Right 2:37
written by C. Mayfield
B6 Nobody Likes You 2:53
written by Higgins, Dollison






3/13/2026

Ray Bryant In The Cut 1974

 



Ray Bryant – In The Cut  1974 Soul Jazz Album



Ray Bryant album cover 'In The Cut', classic 1974 soul jazz piano album

Cadet Records 1974 CA 50052


notes:


Ray Bryant’s In The Cut stands as a soulful testament to the pianist’s
 unique blend of jazz, blues, and groove‑driven soul. Released in 1974 
on Cadet Records (catalog number CA‑50052), this record showcases 
Bryant’s deep feel for melody and rhythm across a set of tracks that 
balance mainstream accessibility with jazz credibility.
On In The Cut, Bryant reinterprets standards like Watermelon Man 
alongside originals and soulful jazz arrangements  crafting an album
 that’s as laid‑back and funky as its title suggests. The title track itself 
grooves with a relaxed swing, while selections like Cool Struttin’ and 
Land of Make Believe highlight the trio’s tight interplay 
and dynamic expressiveness.
Recorded for the legendary Cadet label, a subsidiary of Chess Records 
known for its quality jazz and soul releases in the 1960s and ’70s, In The Cut
 captures a period when Bryant was merging his blues roots with 
contemporary jazz sensibilities. It remains a favorite among collectors
 and fans of soulful jazz piano.


credits:


Arranged By [Strings & Horns]  Charles Stepney
Bass  Stanley Clarke (tracks: A3, B1 to B3)
Congas  Montego Joe
Drums  Jimmy Johnson (2)
Flute, Tenor Saxophone, Oboe  George Marge (tracks: A1, A3 to B3)
Guitar  John Tropea
Harp  Margaret Ross (tracks: A1, A3 to B3)
Piano, Electric Piano  Ray Bryant
Synthesizer [Moog]  Charles Stepney (tracks: A1 to A3, B1)
Trumpet  Joe Wilder (tracks: A1, A3 to B3), Marvin Stamm (tracks: A1, A3 to B3)
Viola  Alfred Brown (tracks: A1, A3 to B3), Emanuel Vardi (tracks: A1, A3 to B3), 
Julian Barber* (tracks: A1, A3 to B3), Selart Clarke* (tracks: A1, A3 to B3), 
Theodore Israel (tracks: A1, A3 to B3)
Violin  Diana Halprin (tracks: A1, A3 to B3), Emanuel Green (tracks: A1, A3 to B3),
 Harry Glickman (tracks: A1, A3 to B3), Max Polikoff* (tracks: A1, A3 to B3), 
Paul Gershman (tracks: A1, A3 to B3)

Recording Date Recorded Place
january 1974 1, 2-5, 6, 7 Sound Exchange Studios, New York City
Recording   Engineer Skip Juried;Don Hahn
Producer  Esmond Edwards


tracklist:


A1 I'll Be There
Bass – Richard Davis 
Written-By – B. Gordy, Jr.*, B. West*, H. Davis*, W. Hutch*
4:58
A2 Andalusan Nights
Acoustic Guitar – John Tropea
Bass – Ron Carter
Guitar, Soloist – Jimmy Ponder
Written-By – Esmond Edwards
5:08
A3 Stop, Look & Listen To Your Heart / You Are Everything
Written-By – Linda Creed, Thom Bell
6:40
A4 Cool Struttin'
Bass – Ron Carter
Written-By – Ray Bryant
4:47
B1 Land Of Make Believe
Written-By – Chuck Mangione
5:50
B2 In The Cut
Written-By – Ray Bryant
6:17
Written-By – Herbie Hancock
5:25











Ray Bryant – Lonesome Traveler 1966

 



Ray Bryant – Lonesome Traveler (1966 Cadet Records Album Review  Soul-Jazz Classic)





Ray Bryant Lonesome Traveler 1966 Cadet Records jazz album cover

CADET RECORDS 1966                               LPS 778

notes:

Lonesome Traveler is a classic 1966 album by American jazz 
pianist Ray Bryant, released on the Cadet label during the 
golden era of soul-jazz. Recorded at RCA Studios in New York,
 the album features a powerful rhythm section with Freddie 
Waits on drums and bassists Richard Davis and Jimmy Rowser, 
along with brass contributions from Clark Terry and Snooky Young.
Blending blues feeling, gospel phrasing and hard-bop swing, Bryant
 delivers a set that moves effortlessly from standards like “’Round Midnight”
 to contemporary pop reinterpretations such as “These Boots Are Made for Walkin’.”


credits:

    Ray Bryant – piano
    Snooky Young – trumpet
    Clark Terry – trumpet, flugelhorn
    Jimmy Rowser (tracks 2, 4, 5 & 8-9), 
    Richard Davis (tracks 1, 3 & 6) – bass
    Freddie Waits – drums

 Recorded September 1 & 8, 1966
Studio RCA Studios, New York City, NY
Engineer – Ray Hall
Producer, Supervised By – Esmond Edwards



tracklist:

A1 Lonesome Traveler
Written-By – Hays*
3:14
A2 'Round Midnight
Written-By – Hanighen*, Williams*, Monk*
6:03
A3 These Boots Were Made For Walkin'
Written-By – Hazlewood*
3:36
A4 Willow Weep For Me
Written-By – Ronell*
5:14
B1 The Blue Scimitar
Written-By – Edwards*
4:22
B2 Gettin' Loose
Written-By – Bryant*
3:42
B3 Wild Is The Wind
Written-By – Tiomkin*, Washington*
4:30
B4 Cubano Chant
Written-By – Ray Bryant
4:10
B5 Brother This 'N' Sister That
Written-By – Bryant*
4:43



 


 


3/12/2026

Ray Bryant – Up Above The Rock (1968 )

 






Ray Bryant – Up Above The Rock (1968 Jazz Album Review & Tracklist)








Ray Bryant Up Above The Rock 1968 Cadet Records jazz album cover

Cadet Records 1968  LPS 818


notes:


Released in 1968, Up Above The Rock is one of the most 
energetic recordings by American jazz pianist Ray Bryant,
 blending hard-bop piano with soulful grooves and strong
 rhythmic arrangements. The album was released on 
Cadet Records and recorded in New York with a powerful
 rhythm section 
including Ron Carter on bass and Grady Tate on drums.
Bryant’s playing on this album perfectly captures the
 transition between classic jazz piano and the 
emerging soul-jazz sound of the late 1960s.

credits:


Arranged By, Piano – Ray Bryant
Bass – Ron Carter
Drums – Grady Tate
Flugelhorn, Trumpet – Danny Moore, 
Dobbie Hiques, Snookie Young
Liner Notes – Bill Frangus
Supervised By – Dick LaPalm
  Recording 
September, 1968 RCA Recoring Studios, 
New York City
Recording Engineer Ray Hall


tracklist:


A1 Up Above The Rock
Written-By – Bryant*
2:59
A2 Dag Nab It
Written-By – Bryant*, Evans*
3:33
A3 Quizas, Quizas, Quizas
Written-By – Burke*, Farres*
3:18
Written-By – Tim Hardin
2:48
A5 Little Green Apples
Written-By – B. Russell*
3:21
B1 I Say A Little Prayer
Written-By – Bacharach & David*
4:45
B2 After Hours
Written-By – Parrish*, Feyne*, Bruce*
3:47
B3 Where The Wind Blows
Written-By – Bryant*
4:33
B4 Five, Six And Seven
Written-By – Howard Reynolds
3:20
Written-By – Paul Simon
2:53







3/01/2026

The Soulful Strings – String Fever 1969





The Soulful Strings – String Fever (Cadet Records, 1969)





The Soulful Strings String Fever 1969 Cadet Records vinyl album cover 

Cadet Records 1969  LPS 834


notes:


The Soulful StringsString Fever is a rare late-1960s instrumental 
soul and jazz album released on Cadet Records in 1969. Blending 
lush orchestral arrangements with funky rhythm sections, the group 
created a distinctive crossover sound that sits between soul, 
easy listening, and jazz-funk.
Often overlooked compared to their earlier hits, String Fever remains
 a sought-after LP among vinyl collectors and fans of cinematic soul grooves.


credits:


    Cello – Cleveland Eaton (tracks: A1, B2)
    Flute – Lenny Druss* (tracks: A1, A2, A3, B5), Richie Fudali* (tracks: A2, A4, B4)
    Guitar – Cash McCall (tracks: A4), Phil Upchurch (tracks: B2, B5), 
    Ron Steele (tracks: B3), Sam Thomas (tracks: B1)
    Harmonica – Jeff Carp (tracks: A3, A4, A5, B1, B4)
    Producer, Arranged By, Conductor – Richard Evans (2)
    Viola – Bruce Hayden (tracks: A4)

Record Company – Cadet Records
Recorded At – Ter Mar Studios
Engineer – Dave Purple


tracklist:


A1 Zambezi
written by Evans, Hathaway
A2 Wildwood
written by Upchurch
A3 Chocolate Candy
written by Upchurch
A4 High Rises Blues
written by Evans
A5 It's Cold Duck Time
written by  Harris
B1 The Voices Inside
written by Evans, Upchurch
B2 Valdez In The Country 
written by Hathaway
B3 A Love Song 
written by Evans
written by  Evans
B5 1974 Blues
written by Harris