Donny Hathaway – Live (ATCO SD 33-386)

ATCO Records 1972 ‎– SD 33-386

notes:

Released by ATCO Records as SD 33-386, Donny Hathaway Live
 is a landmark soul album celebrated for its emotional performances, 
audience interaction, and timeless musical brilliance. 
A must-have recording for fans of classic soul and vintage vinyl.

credits:

Musicians (Line-Up)
Musician    Instrument(s)
Donny Hathaway    Lead vocals, electric piano, piano, organ, arrangements
Phil Upchurch    Lead guitar (Side One)
Cornell Dupree    Lead guitar, backing vocals (Side Two)
Mike Howard    Guitar, backing vocals
Willie Weeks    Bass, backing vocals
Fred White    Drums, backing vocals
Earl DeRouen    Congas, backing vocals

Recording Dates & Venues
Side One    The Troubadour    Hollywood, California    August 24–30, 1971
Side Two    The Bitter End    New York City, New York    October 7, 1971

Production & Technical Credits
Producer (Side One)    Arif Mardin
Producer (Side Two)    Jerry Wexler & Arif Mardin
Recording Engineer (Troubadour recordings)    Ray Thompson
Recording Engineer (Bitter End recordings)    Tom Flye
Mixing    Arif Mardin

tracklist:

A1        What's Goin' On
Written-By – Al Cleveland, Marvin Gaye, Renaldo Benson
    5:17
A2        The Ghetto
Written-By – Donny Hathaway, Leroy Hutson
    12:18
A3        Hey Girl
Written-By – Earl DeRouen
    4:02
A4        You've Got A Friend
Written-By – Carole King
    4:33
B1        Little Ghetto Boy
Written-By – Earl DeRouen, Edward Howard
    4:32
B2        We're Still Friends
Written-By – Donny Hathaway, Glenn Watts
    5:15
B3        Jealous Guy
Written-By – John Lennon
    3:09
B4        Voices Inside (Everything Is Everything)
Written-By – Phil Upchurch, Ric Powell, Richard Evans 
    13:40

link

James Brown And His Famous Flames – Tour The U.S.A. (King Records 804)

King Records 1962  ‎– 804

 

 Notes:

 

The Famous Flames were an American rhythm and blues 
vocal group founded in Toccoa, Georgia, in 1953 by Bobby Byrd. 
James Brown began his career as a member of The Famous Flames,
 emerging as the lead singer by the time of their first professional 
recording, "Please, Please, Please", in 1956.

Tour The U.S.A. captures James Brown at the dawn of his legendary
 live reputation. Released on King Records in 1962, this historic LP
 showcases the unmatched stage energy of James Brown And His 
Famous Flames with electrifying performances blending soul, 
rhythm & blues, gospel, and early funk influences. 
A must-have album for collectors of classic R&B and vintage soul music.

Before becoming universally known as “The Godfather of Soul,” 
James Brown was already redefining live performance with unmatched 
intensity and passion. Released in 1962 on King Records, Tour The U.S.A. 
captures Brown and The Famous Flames during the formative
years of soul music, delivering a raw and electrifying concert experience.
Unlike polished studio productions of the era, this LP highlights the energy,
 spontaneity, and audience interaction that made James Brown one of the 
greatest live performers in music history. Backed by tight musicianship, 
fiery vocals, and relentless rhythm, the album stands as an essential 
document of early rhythm & blues transitioning into modern soul.
The record includes dynamic performances filled with gospel-inspired vocals, 
driving horn arrangements, and powerful stage charisma. Every track reflects 
the intensity that would later influence generations of funk, soul, and rock performers.

line up

Vocals

James Brown — lead vocals, organ on selected tracks
Bobby Byrd — backing vocals, organ, piano
Baby Lloyd Stallworth — backing vocals
Bobby Bennett — backing vocals
Horn section

Roscoe Patrick — trumpet
Teddy Washington — trumpet
Lewis Hamlin — trumpet
Clarence “Jay” Johnson — trombone
J.C. Davis — tenor saxophone
St. Clair Pinckney — tenor saxophone
Al “Brisco” Clark — tenor & baritone saxophone
Clifford “Ace” King MacMillan — tenor saxophone

Rhythm section

Les Buie — guitar
Hubert Lee Perry — bass
Nat Kendrick — drums
Clayton Fillyau — drums
James Brown — drums on “Choo-Choo Locomotion”
Keyboards
James Brown — organ on “Cross Firing” and “Every Beat of My Heart”
Bobby Byrd — organ / piano (“I Don’t Care”)

The album tracks were recorded between February 1961 and July 1962.

Studios used:

King Studios — most of the album
Dukoff Studios — “Cross Firing” and “Every Beat of My Heart”

Known session date:

“Mashed Potatoes U.S.A.” recorded May 22, 1962 at King Studios, Cincinnati.
Production
Producer: James Brown

Written-By – James Brown (tracks: A1, A2, A4 to A6) 


tracklist:


A1     Mashed Potatoes U.S.A.
written by James Brown         
A2     Choo-Choo (Loco-Motion) 
written by James Brown        
A3     Three Hearts In A Tangle 
Written By  R. S. Pennington, S. Thompson    
A4     Doin' The Limbo 
written by James Brown        
A5     I Don't Care 
written by James Brown
A6     Joggin' Along 
written by James Brown        
B1     I've Got Money 
written by James Brown        
B2     Sticky 
 Written By J. Brown, J.C. Davis
B3     Like A Baby  
Written By  Jessie Stone        
B4     Every Beat Of My Heart 
Written By  Johnny Otis    
B5     In The Wee Wee Hours (Of The Nite) 
written by James Brown        
B6     Cross Firing
written by James Brown

 

 

link

Pancho Villa & The Bandits – Ain’t That Bad / Progress

Pancho Villa & The Bandits – Ain’t That Bad / Progress (Rare Soul 45 Review)

Symbol Records 1964 ‎– 202

notes:

If you’re into deep cuts and obscure grooves, Pancho Villa & The Bandits 

 Ain’t That Bad / Progress is a must-hear for soul collectors and DJs alike. 

This rare 45 blends raw energy with classic late-60s soul textures.

“Ain’t That Bad” delivers punchy rhythms, tight brass sections, and a 

gritty vocal performance that fits perfectly into any Northern Soul or 

vintage DJ set. On the flip side, “Progress” leans into a more groove-

driven arrangement with subtle funk influences.

credits:

Uncredited studio session musicians

Local band members performing under a group name

Possible use of a house band from the recording studio or label

An earlier pressing exists under Pee Vee Records (Pee Vee 100)

Likely 1963 original issue

Small Philadelphia-area label release

Extremely limited distribution

tracklist:

A Ain't That Bad

Vocals – Winfield

Written-By – Villa*, Taylor 

B Progress

Written-By – Villa*, Witherspoon 

link

 

 

 

James Brown – Thinking About Little Willie John 1968

James Brown – Thinking About Little Willie John (1968 album review, tracklist & history)

 

KING RECORDS 1968                                  KS-1038 

notes:

In 1968, James Brown released one of the most unusual records 

of his career: Thinking About Little Willie John and a Few Nice Things.

Unlike his high-energy funk classics, this album is a deeply personal

 tribute to Little Willie John, an influential R&B singer whose 

life and career ended tragically.

Blending soul, instrumental arrangements, and reinterpretations, 

the record stands apart as one of the most emotional and 

reflective projects in James Brown’s discography.

credits:

James Brown – lead vocals

Johnny Grimes – trumpet

Waymon Reed – trumpet

Les Asch – tenor saxophone

David Parkinson – alto saxophone, baritone saxophone

Alfred "Pee Wee" Ellis – organ

Wallace Richardson – guitar

Al Lucas – bass

Bernard “Pretty” Purdie – drums

Recorded

June 27, 1968 (side one)[1]

August 17, 1967 – October 18, 1968 (side two)[2]

Studio

Bell Sound Studios (New York City, New York) (side one)[1]

King Studios (Cincinnati, Ohio) (side two)[2]

Design  – W. Hughes

Engineer – Ron Lenhoff

Photography – E. Speedy Brown

Producer – James Brown

Production Manager – Bud Hobgood

tracklist:

A1 Talk To Me, Talk To Me

Written-By – Joe Seneca

A2 Suffering With The Blues

Written-By – Pemberton*, Conyers*

A3 Cottage For Sale

Written-By – Larry Conley, Willard Robison

A4 Bill Bailey, Won't You Please Come Home

Written-By – Traditional

A5 Home At Last

Written-By – Toombs*

A6 Heart Break (It's Hurtin' Me)

Written By – J. Thomas - C. Hoyle

B1 What Kind Of Man

Written-By – B. Hobgood*, Eddie Setser, J. Brown*, Seals*

B2 A Note Or Two (Part 1)

B3 I'll Lose My Mind

Written-By – B. Byrd*, B. Hobgood*, J. Brown*

B4 Fat Eddie

Written-By – Hobgood*, Brown*, Lenhoff*

B5 You Gave My Heart A Song To Sing

Written-By – B. Byrd*, B. Hobgood*, J. Brown*

B6 A Note Or Two (Part 2)

link

Monty Alexander Meets Sly & Robbie

Monty Alexander Meets Sly & Robbie – Jazz & Reggae Fusion Album Review

 

  Telarc records 1999‎– CD-83494

notes:

Monty Alexander Meets Sly & Robbie is a unique and 

captivating studio album that blends jazz, soul, and

 reggae into a seamless listening experience. Originally

 released in 2000 on Telarc Records, this collaborative

 project brings together Jamaican jazz pianist Monty 

Alexander with reggae legends Sly Dunbar (drums) 

and Robbie Shakespeare (bass) – 

the illustrious rhythm duo known as Sly & Robbie.

Crédits

    Bass – Robbie Shakespeare

    Drums [Drum Fills] – Desmond Jones

    Drums [Rhythm And Programming] – Sly Dunbar

    Executive-Producer – Robert Woods 

    Keyboards – Handel Tucker

    Piano, Melodica – Monty Alexander

    Saxophone – Jay Davidson

    Trumpet – Steve Jankowski

Recorded at Bridge Sound Studios, Conshohocken, 

Pennsylvania between August and December 1999. 

Engineers: Mikey "Bones" Malak, Robert Friedrich.

Producers: Sly Dunbar, Robbie Shakespeare, Glen Browne.

tracklist:

1 Chameleon

Written-By – Bennie Maupin, Harvey Mason, Herbie Hancock, Paul Jackson 

5:05

2 Monty's Groove

Written-By – Monty Alexander

5:21

3 Soulful Strut

Written-By – Eugene Record, William Sanders*

5:05

4 The In Crowd

Written-By – William Page II*

5:13

5 Sidewinder

Written-By – Edward Lee Morgan*

4:58

6 People Make The World Go 'Round

Written-By – Linda Creed, Thomas Bell*

5:08

7 (Do The) Kool Step

Written-By – Monty Alexander

4:24

8 Moanin'

Written-By – Bobby Timmons

5:03

9 Mercy, Mercy, Mercy

Written-By – Josef Zawinul*

4:34

10 Hot Milk

Written-By – C. Dodd*, Jackie Mittoo

5:50

 link

 

Danelle Darris ‎– Let's Do The Shot Gun

 

 

 

 

Danelle Darris – Let's Do The Shot Gun (Commerce Records, 45 RPM)

 

 

Commerce Records ‎– C-5020

notes:

The record was issued as a 7-inch 45 RPM single, typical of soul singles 
of the 1960s-70s era. Collectors often seek copies in Excellent  condition .

tracklist:

 

 

A     Let's Do The Shot Gun 

Written By – Dixon, Fields

B     Don't Love Me And Leave Me
Written By – Chambers, Cross

link

 

 

Alvin Cash And Scott Bros. Orch. ‎– Keep On Dancing

 

 

 

Alvin Cash and Scott Bros. Orch. ‎– Keep On Dancing

 

 

Toddlin' Town Records 1968 ‎– TT 111

Credits

    Arranged By – Bill McFarland, John Jackson
    Written-By – H. Scott, W. Scott

tracklist:

A Keep On Dancing
Written-By – A. Cash, I. Gates
B Keep On Dancing (Instrumental) 

 

 

link

    

Birdie Green ‎

 

 Tremblin'

 

 

 

End records 1962 ‎– E-1117

notes:

Byrdie Green (occasionally credited as Birdie Green) (1936 – April 26, 2008) 
was a jazz and R&B singer from Michigan.
She began recording with End Records and 20th Century Fox Records,
 cutting singles "How Come" b/w "Tremblin'" and "Get a Hold of Yourself"
 b/w "Don't Take Your Love From Me" in the early 1960s. 

credits:

producer George Goldner
    Published By – Gil Music Corp.
    Mastered At – Bell Sound Studios

CB Sept 8, 1962
BB Sept 15, 1962



A How Come 
Barry, Powers    
B Tremblin'
J. Kennedy, F. Kennedy, L. Dowell

link

 

 

Leon Ferguson

Stokin' 

Galaxy ‎records 1965 – 737

notes:

 

Leon Ferguson was a drummer; unfortunately he died in 1969, age 39.
 The organist was Talmadge Grundy (from Oakland, California).
In 1971-1972 Talmadge Grundy's Triple Sounds (with Theodis Ealey & Sam Cox)
played in the San Francisco area. Grundy died in Los Angeles in 1997, age 80.
There were no Copyright filings for these two songs.

tracklist:

A     Stokin' 
written by L.Ferguson    
B     Miss Dolores Funk  
written by L.Ferguson    

Link

 

 

 

Chris Kenner ‎

 

 

Land Of 1000 Dances

 

 

Atlantic records 1966 ‎– LP 8117

notes:

Christophe Kenner (December 25, 1929 – January 25, 1976) 
was an American, New Orleans–based R&B singer and songwriter,
 best known for two hit singles in the early 1960s,
 "I Like It Like That" and "Land of 1000 Dances", 
which became staples in the repertoires of many other musicians
Compilation of Instant single sides issued 1961 - 1963.


credits:

    Arranged By – Allen Toussaint
    Written-By – Chris Kenner, A. Domino* (tracks: A6, B1)

recorded at: New Orleans LA May 17, 
September 30,1963 and December 1, 1965

tracklist:

A1        Land Of 1000 Dances    2:26
A2        Come Back And See    2:21
A3        How Far    2:11
A4        Time    2:45
A5        Come And See About Me    2:36
A6        Packing Up    2:31
B1        Something You Got    2:56
B2        I Like It Like That-Part 1    1:55
B3        I Like It Like That-Part 2    1:58
B4        Go Thru Life    2:10
B5        A Very True Story    2:27
B6        That's My Girl    2:34


 session recording :

Chris Kenner (vocals) and others
New Orleans, LA, May 17, 1963
7017    Land Of 1000 Dances
7018    That's My Girl
same personnel
New Orleans, LA, September 30, 1963
7238    Something You Got
7239    Gone And See About Me
same personnel
New Orleans, LA, December 1, 1965
9664    Come Back And See
9665    How Far
9666    Time
9667    Packing Up
9668    I Like It Like That, Part 1
9669    I Like It Like That, Part 2
9670    Go Thru Life
9671    A Very True Story 

 

 

link 

Ben E. King

 

 

 Supernatural

 

 

 Atlantic records 1975    SD 18132

 

Credits:

 Art Direction [Art Director] – Bob Defrin
    Backing Vocals [Background Singers] – Brenda White, Gwen Guthrie,
   Lani Groves, Yvonne Guthrie
    Bass – Bob Babbitt, Jerry Jemmott
    Congas – Carlos Martin
    Drums – Jimmy Young
     Guitar – Carlos Alomar, Jeff Mironov, Jerry Friedman
     Keyboards – Derek Smith, Ricky Williams
     Percussion – George Devens, Jack Jennings,
     Phil Kraus, Ted Sommers*
    Producer – Tony "Champagne" Silvester*
    Producer, Arranged By, Conductor, Musician, Keyboards –
 Bert "Super Charts" De Coteaux

     Engineer – Bob Clearmountain, Ron St. Germain, Tony "No. 1" Bongiovi*
    Engineer [Assistant] – Alec Head, Ellen Libman, Godfrey Diamond
    Engineer [Mastering] – Dennis King
     Recorded & mixed at Media Sound Studios, New York, New York
    Mastered at Atlantic Recording Studios, New York, N.Y.

track list

A1        Supernatural Thing - Part I
Written-By – Gwen Guthrie, Patrick Grant
4:11
A2        Supernatural Thing - Part II
Written-By – Gwen Guthrie, Patrick Grant
3:17
A3        Your Lovin' Ain't Good Enough
Written-By – Gwen Guthrie, Patrick Grant
4:59
A4        Drop My Heart Off
Written-By – Frederick Knight, Sam Dees
4:17
A5        Extra-Extra
Written-By – Sam Dees
3:50
B1        Do It In The Name Of Love
Written-By – Gwen Guthrie, Patrick Grant
4:23
B2        Happiness Is Where You Find It
Written-By – Bette Crutcher*, Frederick Knight, Sam Dees
3:36
B3        Do You Wanna Do A Thing
Written-By – Jesse Boyce, Richard Griffith, Sanchez Harley
4:30
B4        Imagination
Written-By – Ben E. King, Ben E. King, Jr.
3:38
B5        What Do You Want Me To Do
Written-By – Lou Courtney
3:18

link

 

 

The Gaturs Featuring Willie Tee ‎

 

Wasted

 

 

Funky Delicacies records 1994 ‎– DEL LP 0001

 Notes:
Rare & unreleased early 70's recordings by New Orleans legendary jazz funkateers.


Crédits:

    Bass – Irvin Charles
     Drums – Larry Pania
    Featuring, Keyboards, Vocals – Willie Tee
    Guitar – June Ray
    Producer, Mixed By – Willie Tee
    Reissue Producer – Aaron Fuchs



 Tracklist:

A1     Booger Man
Written by W. Turbinton, E. Charles, D. Charles, L. Clark, L. Pania     
A2     Cold Bear 
Written by W. Turbinton, E. Charles, D. Charles, L. Clark, L. Pania     
A3     Gatur Bait 
W. Turbinton    
A4     Nobody Can Be You     
A5     Hunk Of Funk 
M. M. Turbinton    
B1     Funky Funky Twist     
W. Turbinton
B2     Wasted 
W. Turbinton
B3     Yeah, You're Right 
M. M. Turbinton    
B4     Concentrate 
Wilson Turbinton    
B5     Get Up
Wilson Turbinton

link

 

 

Kool And The Gang

 

 Kool And The Gang

 

De-Lite Records 1969  ‎– DE-2003  first issue

notes:

Kool and the Gang is the debut studio album (and first issue) by funk band 
Kool & the Gang released in December 1969 on De-Lite Records

credits:

    Robert "Kool" Bell – bass, vocals
    Khalis Bayyan aka "Ronald Bell" – tenor and soprano saxophones,
    alto flute, vocals
    George "Funky" Brown – drums, percussion, vocals
    Robert "Spike" Mickens – trumpet, flugelhorn, vocals
    Claydes Smith – guitars
    Woody Sparrow – guitars
    Dennis "D.T." Thomas – alto saxophone, flute, percussion, vocals
    Ricky West – keyboards, piano, vocals


 Recorded At – Bell Sound Studios 
 Engineer – Malcom Addey
Producer, Arranged By, Conductor – Gene Redd

tracklist:

A1        Kool & The Gang
Written-By – Kool & The Gang
2:54
A2        Breeze & Soul
Written-By – Gene Redd*, Kool & The Gang
5:29
A3        Chocolate Buttermilk
Written-By – Gene Redd*, Kool & The Gang
2:14
A4        Sea Of Tranquility
Written-By – Gene Redd*, Kool & The Gang
3:34
B1        Give It Up
Written-By – Gene Redd*, Kool & The Gang
3:40
B2        Since I Lost My Baby
Written-By – W. Robinson*, W. Moore*
2:08
B3        Kools Back Again
Written-By – Gene Redd*, J. Crosby*, Kool & Gang*
2:48
B4        The Gangs Back Again
Written-By – Gene Redd*, J. Crosby*, Kool & Gang*
2:46
B5        Raw Hamburger
Written-By – Gene Redd*
3:36 

 

 

 

link

Ike & Tina Turner The Hunter

Blue Thumb Records 1969  BTS 11

notes:

 In 1969 the Ike & Tina Turner Revue recorded

two blues drenched long-players for Bob Krasnow's

Blue Thumb Records  “Outta Season and The Hunter.

 The Hunter is a studio album by Ike & Tina Turner
released on Blue Thumb Records in 1969. 
The Hunter is one of their most blues-oriented albums 
which came during the blues revival period of the late 1960s. 
The title track is an Albert King song, and the album was
 recorded with electric blues guitarist Albert Collins. 
Collins played on the track "Bold Soul Sister." Collins was
 not credited on the album to avoid a possible conflict 
of interest lawsuit because he was signed to Imperial Records

Producer  Bob Krasnow

tracklist:

A1        The Hunter
Written-By – Jackson Jr.*, Jones*, Wells*, Dunn*, Cropper*
6:33
A2        You Don't Love Me (Yes I Know)
Written-By – Cobbs*
2:54
A3        You Got Me Running
Written-By – Reed*
2:59
A4        Bold Soul Sister
Written-By – I. Turner*, T. Turner*
2:36
B1        I Smell Trouble
Written-By – Robey*
3:44
B2        The Things I Used To Do
Written-By – Jones*, Slim*
3:14
B3        Early In The Morning
Arranged By – Krasnow*, Turner*
Written-By – Traditional
3:01
B4        You're Still My Baby
Written-By – Willis*
2:47
B5        I Know
Written-By – George*
2:31

link

The Bar-Kays ‎– Gotta Groove

Volt records 1969  ‎– VOS-6004

notes:
The Bar-Kays began in Memphis, Tennessee as a studio session
musician group, backing major artists at Stax Records. They were
 chosen in 1967 by Otis Redding to play as his backing band.
 On December 10, 1967, Redding, his manager, and band members
 Jimmy King (born 1949; guitar),Ronnie Caldwell (born 1948; electric organ),
 Phalon Jones (born 1949; saxophone), and Carl Cunningham
 (born 1949; drums) died in a plane crash in Lake Monona
 while on their way to a performance in Madison, Wisconsin. Trumpeter
 Ben Cauley survived the crash and bassist James Alexander was
on another plane, since there were eight members in Redding's party
 and the chartered plane could only hold seven. Cauley and Alexander

 rebuilt the group.
The re-formed band consisted of Cauley; Alexander;
Harvey Henderson, saxophone; Michael Toles, guitar; Ronnie Gorden,
organ; Willie Hall, drums and later Larry Dodson
(formerly of fellow Stax act The Temprees), lead vocals. The group
backed dozens of major Stax artists on recordings afterwards,
 including Isaac Hayes's Hot Buttered Soul.



credits:

Ben Cauley - trumpet
Harvey Henderson - tenor sax
Joe Arnold - sax
Andrew Love - sax
Ronnie Gordon - keyboards
Bobby Manuel - keyboards
Michael Toles - guitar
James Alexander - bass
Roy Cunningham - drums
Willie Hall - drums
Larry Dodson - vocals

Arranged By – Allen Jones
Engineer – Bobby Manuel, Ron Capone
Producer – Allen Jones


tracklist:

A1 Don't Stop Dancing (To The Music) Part 1 2:53
 Ronnie Gordon , Allen Jones , Bobby Manuel , Michael Toles
A2 If This World Were Mine 3:10
Marvin Gaye
A3 In The Hole 2:54
 James Alexander , Allen Jones
A4 Funky Thang 3:09
 Allen Jones , Bobby Manuel , Robert Manuel
A5 Jiving Around 3:15
 Carl Cunningham , Roy Cunningham ,Robert Gordon ,
Ronnie Gordon , Willie Hall , Harvey "Joe" Henderson
A6 Grab This Thing 2:14
 William Bell , Steve Cropper
B1 Don't Stop Dancing (To The Music) Part 2 2:21
 Allen Jones , Bobby Manuel , Michael Toles
B2 Street Walker 3:20
 James Alexander , Allen Jones , Michael Toles
B3 Yesterday 3:19
 John Lennon , Paul McCartney
B4 Humpin' 2:44
 James Alexander , Ben Cauley , Allen Jones
B5 Hey Jude 6:04
 John Lennon , Paul McCartney

link

  

 

Sharon Cash ‎– He Lives Within My Soul

Mothers Records & The Snarf Company 1970 ‎– MRS 74

credits:

    Arranged By – H.B. Barnum
    Engineer – Ami Hadani
    Producer – H.B. Barnum

tracklist:

A1     Change Gonna Come    2:30
Sam cooke    
A2     Fa Fa Fa Fa    2:37
Cropper-Redding    
A3     Guess Who    2:40
Belvin-Belvin    
A4     Fever    2:35
davenport-cooley    
A5     Never Let Me Go    3:17
Livingston-Evans    
A6     Nature Boy    4:58
E.Albez    
B1     Shake    2:37    
Sam cooke
B2     Sitting On The Dock Of The Bay    3:00
Cropper-Redding    
B3     Pledging My Love    2:40
Washington-Robey    
B4     Suffering With The Blues    3:35
Conyers-Pemberston    
B5     What Am I Living For    2:48
Jay-Harris    

 

 

link