Willie Mitchell – Ooh Baby, You Turn Me On (Hi Records HL 12039)

 

 

 

 

 

 Willie Mitchell – Ooh Baby, You Turn Me On (Hi HL 12039) Review

 

 

 

Hi Records  1967 ‎– HL 12039

Notes:

First pressing with original title
Few producers left a greater mark on Memphis soul than Willie Mitchell.
 Best known for producing the legendary recordings of Al Green, Mitchell 
also enjoyed a successful career as a saxophonist, composer, arranger and 
recording artist. Released on Hi Records as HL 12039, Ooh Baby, You Turn Me On
 perfectly captures the sophisticated Memphis soul sound that made 
Hi Records famous during the 1970s.
Unlike the hard-edged soul emerging from other Southern studios, Mitchell 
favored elegant horn arrangements, silky rhythm sections and understated 
grooves. Every track reflects his remarkable ability to blend soul, funk, jazz 
and rhythm & blues into a polished yet deeply emotional sound.
Recorded at the legendary Royal Recording Studio, the album showcases the
 unmistakable Hi Records house band. The musicians create a warm atmosphere
 filled with tasteful guitar work, subtle keyboards, deep bass lines and the
 relaxed drumming that became synonymous with Memphis soul.
Mitchell's saxophone remains the centerpiece throughout the album. 
Rather than overpowering the arrangements, his playing complements each
 song with melodic phrasing, expressive solos and refined musicianship. 
The result is an album equally appealing to soul enthusiasts, jazz listeners 
and collectors of vintage vinyl.
Today, Ooh Baby, You Turn Me On remains one of the overlooked gems in 
Willie Mitchell's extensive catalog. Original Hi Records pressings continue 
to attract collectors who appreciate classic Memphis productions and 
the timeless sound that helped define an era of American soul music.
Whether you're discovering Willie Mitchell for the first time or 
expanding a Hi Records collection, this LP

credits:

First pressing with original title.
Recording period: 1966–1967
Studio: Royal Recording Studios, Memphis, Tennessee 
(later known as Royal Studios)
Producer: Willie Mitchell
Arranger: Willie Mitchell
Recording Engineer: Ray Harris 
(Hi Records' principal engineer during this period)
Producer – Joe Cuoghi
Probable Personnel
Horns
Willie Mitchell – trumpet, bandleader, arrangements
James Mitchell – tenor saxophone
Additional Memphis horn players (uncredited)
Rhythm Section
Teenie Hodges – guitar (probable)
Bobby Emmons – Hammond organ
Joe Hall – piano
Al Jackson Jr. – drums (likely on many tracks)
Larry Finch – bass (possible on later sessions)
Additional musicians
Hand percussion and additional horns on selected tracks (uncredited).
Research indicates that Willie Mitchell used a stable Memphis studio band 
which gradually evolved into the famous Hi Rhythm Section heard on 
Al Green's recordings a few years later. Early Hi sessions commonly 
featured combinations of:

Willie Mitchell
James Mitchell
Bobby Emmons
Joe Hall
Al Jackson Jr.
Reggie Young (on earlier Hi sessions)
Teenie Hodges (increasingly after 1966)
Leroy Hodges
Charles Hodges (beginning around 1967–68)

tracklist:

A1        Ooh Baby, You Turn Me On
Written-By – Love*, Hodges*, Thomas*, Mitchell*
2:00
A2        Soul Finger
Written-By – Cauley*, Cunningham*, Alexander*, King*, Jones*, Caldwell*
2:15
A3        Cleo's Mood
Written-By – DeWalt*, Fuqua*, Woods*
2:21
A4        Slippin' & Sliddin'
Written-By – Collins*, Bocage*, Smith*, Penniman*
1:56
A5        Soul Serenade
Written-By – Ousley*, Dixon*
2:15
A6        Willie's Mood
Written-By – Hodges*, Mitchell*
2:17
B1        Sunny
Written-By – Hebb*
2:32
B2        Pearl Time
Written-By – Williams*
2:27
B3        Papa's Got A Brand New Bag
Written-By – Brown*
2:12
B4        Respect
Written-By – Redding*
2:05
B5        Have You Ever Had The Blues
Written-By – Jennings*, Logan*, Price*
2:10
B6        Toddlin'
Written-By – Love*, Miller*, Mitchell*
2:04

 

 

 

 

link 

 

 

 

King Curtis – Sweet Soul (ATCO Records SD 33-247)

King Curtis – Sweet Soul (ATCO SD 33-247) Review & Vinyl

ATCO Records ‎1967 – SD 33-247

notes:

Few saxophonists bridged the worlds of rhythm & blues, soul, jazz,
 and pop as successfully as King Curtis. Throughout the 1960s, 
Curtis became one of America's most sought-after session musicians 
while maintaining an impressive solo career. His unmistakable 
tenor saxophone sound can be heard on countless recordings by 
artists including Aretha Franklin, The Coasters, 
The Drifters, Wilson Pickett, and many others.
Released in 1967 on ATCO Records, Sweet Soul (SD 33-247) captures 
King Curtis at the height of the soul-jazz era. Combining blues feeling
 with sophisticated arrangements, the album delivers heartfelt ballads,
 groove-driven instrumentals, and Curtis' instantly recognizable saxophone style.
Today, Sweet Soul remains one of the finest examples of late-1960s 
soul-jazz and a rewarding addition for collectors of vintage ATCO vinyl.

credits:

Sweet Soul was recorded during several sessions in early 1968, 
combining the celebrated Memphis rhythm section 
with horn and string overdubs completed in New York.

Studios

American Recording Studio, Memphis, Tennessee
Atlantic Recording Studios, New York City

Recording Engineers

Tommy Cogbill (Memphis sessions)
Bruce Tergesen (New York overdubs)

Leader
King Curtis (Curtis Ousley) – tenor, alto & soprano saxophones
Rhythm Section (Memphis)
Bobby Emmons – organ
Spooner Oldham – piano, electric piano (on several sessions)
Reggie Young – guitar
Everett Barksdale – guitar (New York overdubs on some tracks)
Mike Leech – electric bass (Memphis session)
Jerry Jemmott – Fender bass (New York overdubs)
Gene Chrisman – drums
Horn Section
Joe Newman – trumpet
Benny Powell – trombone
Frank Wess – tenor saxophone
Haywood Henry – baritone saxophone
Vocals & Strings
The Sweet Inspirations – backing vocals
String section directed by Gene Orloff
Production
Arif Mardin – producer, arranger
Bruce Tergesen – recording engineer
Tommy Cogbill – recording engineer (Memphis)

Research from Atlantic session files indicates that the 
album was assembled from multiple recording dates during 
February–April 1968.

One documented session is:

February 1, 1968 – American Recording Studio, Memphis

King Curtis – tenor saxophone
Bobby Emmons – organ
Reggie Young – guitar
Mike Leech – bass
Gene Chrisman – drums
unidentified horns
female vocalists
Arif Mardin – arranger

Recorded:

"Spooky"

Subsequent New York overdub sessions added:

Joe Newman
Benny Powell
Frank Wess
Haywood Henry
Gene Orloff's string section
The Sweet Inspirations
Jerry Jemmott
Everett Barksdale
Spooner Oldham

tracklist:

A1        Theme From "Valley Of The Dolls"
Written-By – André Previn, Dory Previn
    2:40
A2        Soul Serenade
Written-By – Curtis Ousley, Luther Dixon
    2:53
A3        I Heard It Through The Grapevine
Written-By – Barrett Strong & Norman Whitfield*
    3:16
A4        Sweet Inspiration
Bass [Fender Bass] – Reggie Young
Written-By – Lindon Dewey Oldham*, Wallace Pennington
    2:51
A5        By The Time I Get To Phoenix
Written-By – Jim Webb*
    2:38
B1        Spooky
Written-By – Buddy Buie, Harry Middlebrooks, J. R. Cobb*, Mike Sharpe
    2:46
B2        Honey
Written-By – Bobby Russell
    2:27
B3        Up - Up And Away
Written-By – Jim Webb*
    2:48
B4        The Look Of Love
Written-By – Burt Bacharach & Hal David*
    2:30
B5        (Sittin' On) The Dock Of The Bay
Written-By – Otis Redding, Steve Cropper
    2:42

link

Sam and Dave – I Thank You (1968 Atlantic Records SD 8205)

Atlantic  records  1968 ‎– SD 8205

 

 notes:

Released in 1968 on Atlantic Records, I Thank You by Sam & Dave 
is a cornerstone of Southern soul. Featuring the hit title track and 
the duo's trademark gospel-infused energy, this classic album 
remains an essential addition to any soul music collection.

credits:

Recording Personnel (Line-Up)
Lead Vocals
Sam Moore – lead and backing vocals
Dave Prater – lead and backing vocals

House Band

The album used the famous Stax session musicians:

Booker T. & the M.G.'s
Steve Cropper – guitar
Booker T. Jones – organ, keyboards
Donald 'Duck' Dunn – bass
Al Jackson Jr. – drums
Horn Section
The Mar-Keys – horns

Arrangements

Isaac Hayes – arrangements (most tracks)
Isaac Hayes & Del Warren – arrangements on selected tracks including:
"Everybody Got To Believe In Somebody"
"If I Didn't Have A Girl Like You"
"Talk To The Man"

recorded at:

 
Memphis, TN, January 5, 1968, April 11, 1968,  April 25, 1968,  October 7, 1968
United Sound Systems, Detroit, MI, September 30, 1968 tracks: B1, B2, B3, B5

Engineer [Recording] – Ronnie Capone
Producer – David Porter
Producer, Arranged By – Isaac Hayes

tracklist:

A1     I Thank You
Written-By – David Porter, Isaac Hayes 2:53
A2     Everybody Got To Believe In Somebody
Arranged By – Del WarrenWritten-By – David Porter, Isaac Hayes 3:12
A3     These Arms Of Mine
Written-By – Otis Redding 3:08
A4     Wrap It Up
Written-By – David Porter, Isaac Hayes 2:30
A5     If I Didn't Have A Girl Like You
Arranged By – Del WarrenWritten-By – David Porter, Isaac Hayes 4:23
A6     You Don't Know What You Mean To Me
Written-By – Eddie Floyd, Steve Carpenter 2:41
B1     Don't Turn Your Heater On
Written-By – Alvertis Isbell, Steve Cropper 2:17
B2     Talk To The Man
Arranged By – Del WarrenWritten-By – David Porter, Isaac Hayes 3:02
B3     Love Is After Me
Written-By – David Porter, Isaac Hayes, Steve Cropper 2:20
B4     Ain't That A Lot Of Love
Written-By – Deanie Parker, Homer Banks 2:41
B5     Don't Waste That Love
Written-By – David Porter, Isaac Hayes 2:45
B6     That Lucky Old Sun
Written-By – Beasley Smith, Haven Gillespie 3:10

link

The Triumphs – Burnt Biscuits / Raw Dough 1961

 

 

 

 

 

 

 

 The Triumphs – Burnt Biscuits / Raw Dough (Song Review & Lyrics)

 

 

 

 

 

 

 Volt records 1961 ‎– 100

 

 notes:

The Triumphs weren’t a fixed band—they were a studio collective
 led by Chips Moman, drawing from the same pool that built the Stax sound.
Recorded at Stax in 1961, “Burnt Biscuits / Raw Dough” captures the birth
 of the Memphis instrumental soul groove, 
with a lineup that would soon define an entire era.

credits:

The group was essentially a studio ensemble assembled at
 Stax in Memphis rather than a fixed touring band.

Confirmed players
 Chips Moman – producer; guitar (notably on “Raw Dough”)
Booker T. Jones – organ
 Howard Grimes – drums
 Marvell Thomas – piano
 Lewie Steinberg – bass

Recorded at Stax Records studio, McLemore Avenue, Memphis
    Producer – Chips Moman
    Written-By – Moman*

Recorded at Stax in 1961, “Burnt Biscuits / Raw Dough” captures the
 birth of the Memphis instrumental soul groove, with a lineup that 
would soon define an entire era.

 Tracklisting:

A    1    Burnt Biscuits
written by     Moman    
B    1 TRaw Dough    
written by Moman    

 

 link

 

 

 

 

 

Judy Clay & William Bell – Private Number / Love-Eye-Tis 1968

 

Judy Clay & William Bell – Private Number / Love-Eye-Tis (Soul Classic Review & Story)

Stax records 1968– STA-0005

notes:

Few duets capture the raw emotion of classic soul like 

Judy Clay and William Bell on Private Number. Released 

during the golden era of Stax soul, this track blends longing, 

vulnerability, and irresistible groove.

Private Number tells the story of two former lovers reconnecting

 through a phone call—simple, but emotionally powerful.

The magic of Private Number lies in its conversational duet style.

 The chemistry between Clay and Bell feels natural, almost like 

eavesdropping on a real call. This authenticity helped 

define the sound of Southern soul.

Built on smooth instrumentation and heartfelt vocals, the track

 influenced generations of soul and R&B artists. It remains a 

staple on vintage playlists and vinyl collections.

credits:

Judy Clay – lead & backing vocals

William Bell – lead & backing vocals

Backing Musicians (Stax Session Players)

The recording features members of the legendary 

Booker T. & the M.G.'s and the Memphis Horns.

Core Band (likely line-up)

Booker T. Jones – organ / keyboards

Steve Cropper – guitar

Donald 'Duck' Dunn – bass

Al Jackson Jr. – drums

Horn Section

Wayne Jackson – trumpet

Andrew Love – tenor saxophone

Recorded at Stax Studios in 1968

 Producer – Booker T. Jones

 Written-By – B. T. Jones, William Bell

tracklist:

A Private Number 2:40

B Love-Eye-Tis 2:35

link

 

Martini's – Hung Over - Late late Party

 

Martini’s – Hung Over (Late Late Party)   Single Review

Bar Records 1967 – 101

notes:

Martini’s is back with a fresh party anthem, “Hung Over – Late Late Party,” 

a track that perfectly captures the chaos and energy of late-night celebrations.

 If you're into high-energy vibes and post-party moods, 

this single is worth adding to your playlist.

 Track Overview

“Hung Over – Late Late Party” blends catchy hooks with a vibrant beat,

 creating the perfect soundtrack for after-hours fun. Martini’s leans into

 a sound that feels both modern and addictive, making it ideal for clubs, 

road trips, and late-night sessions.

 Vibe & Style

The song delivers a mix of upbeat rhythms and relatable lyrics about 

nightlife, hangovers, and unforgettable nights. It sits comfortably 

among trending party tracks in 2026.

“‘Hung Over / Late Late Party’ by Martini’s was recorded in Memphis 

during the mid-1960s using top-tier session musicians linked to Stax

 and Hi Records. Led by saxophonist Charles ‘Packy’ Axton, the track 

likely features members of the Hodges family and other legendary 

studio players, blending organ, guitar, and sax into a 

smoky late-night instrumental groove.”

Final Thoughts

Whether you're recovering from a wild night or getting ready for one, 

Martini’s “Hung Over – Late Late Party” hits the right note. 

It’s energetic, catchy, and built for replay.

credits:

Charles “Packy” Axton

Tenor sax player

Bandleader behind many of these recordings

Linked to Stax and The Mar-Key

Likely Memphis session players involved:

Mabon “Teenie” Hodges – guitar (signature Hi Records style)

Leroy Hodges – bass groove foundation

Possible additional Stax/Hi session musicians:

Steve Cropper – rhythm guitar influence

Booker T. Jones – organ-style sound (or similar player)

These musicians are confirmed collaborators in Axton-related 

sessions of the same era.

Recording Details

 Location: Memphis, Tennessee

Recorded in Royal / Ardent studios

Producer – Keyton Production

Written By – A. Mitchell (tracks: A)

Written-By – C. Axton*, J. Keyes*, L. Hodges*, M. Hodges

tracklist:

A    Martini's    Hung Over   
     J. Keyes, C. Axton, A. Mitchell, M. Hodges, L. Hodges
    Keyton Productions   

B    Martini's    Late Late Party   
    J. Keyes, C. Axton, A. Mitchell, M. Hodges, L. Hodges   
    Keyton Productions    

 

 link

 

The Bo-Keys Writing On The Wall

The Bo-Keys – “Writing on the Wall” Review  Memphis Soul Revival Masterpiece

Electraphonic Recording ‎– ER-108

 notes:

If you’re searching for authentic Memphis soul, few modern bands 

capture the spirit better than The Bo-Keys. Their track “Writing on the Wall”, 

featuring legendary vocalist Percy Wiggins, is a perfect example of 

how classic soul continues to thrive in the modern era.

A True Memphis Soul Sound

Formed in the late 1990s by producer and bassist Scott Bomar, 

The Bo-Keys were built to preserve the legacy of Memphis labels

 like Stax and Hi Records. Their music blends veteran session 

musicians with younger talent, keeping the groove alive while staying authentic.

“Writing on the Wall” reflects this mission perfectly, delivering a warm, 

analog-style production with tight horns, deep grooves, and emotional vocals.

The Song: “Writing on the Wall”

Originally released as part of the Electraphonic Singles series,

the track stands out as a mid-tempo southern soul gem.

credits:

Percy Wiggins – lead vocals

Scott Bomar – bass, bandleader

Skip Pitts – guitar (famed for the “Shaft” wah-wah sound)

Charles “Skip” Pitts – often credited interchangeably with Skip Pitts

Charles Hodges – organ

Archie “Hubbie” Turner – piano / keyboards

Howard Grimes – drums

Ben Cauley – trumpet

Art Edmaiston – saxophone

Kirk Smothers – saxophone

tracklist:

A Writing On The Wall 3:30

written by Bomar, Franklin, Grimes

B I'm Still In Need 3:30

written by Franklin, Bomar, Grimes, Wiggins

 

link

 

 

 

Otis Redding Live at the Whisky a Go Go (1966)

Otis Redding Live at the Whisky a Go Go (1966): The Soul Performance That Changed Music History

ATCO Records 1968  ‎– SD 33-265

notes:

In April 1966, Otis Redding took the stage at the Whisky a Go Go 

on the Sunset Strip—and delivered a series of performances that 

would change the trajectory of soul music forever.

Over three electrifying nights, Redding introduced his raw Southern 

sound to a predominantly white rock audience, helping bridge 

a cultural divide and laying the groundwork for his crossover success. 

These historic shows would later form the basis of the iconic live album 

In Person at the Whisky a Go Go.

At the time, the Whisky a Go Go was known for hosting rock acts and 

attracting a young, countercultural crowd. Soul artists rarely performed 

there, making Redding’s booking both unusual and risky., Redding delivered 

high-energy sets that captivated audiences unfamiliar with Southern soul. 

His emotional delivery, commanding stage presence, and ability to 

connect with the crowd quickly turned skepticism into admiration.

These performances marked a turning point—not just for Redding, 

but for the wider acceptance of soul music in mainstream (and largely white) venues.

The shows, held from April 8 to 10, 1966, were recorded live, capturing the

 intensity and spontaneity of Redding’s performances. However, the album 

In Person at the Whisky a Go Go wasn’t released until 1968, after his tragic death.

The recording stands out for its raw authenticity. Unlike polished studio albums, 

it immerses listeners in the atmosphere of the venue—complete with crowd 

reactions, improvisation, and extended grooves.

credits:

Recorded over three nights in April 1966, the band was a ten-piece revue 

led by saxophonist Robert Holloway. 

The lineup included:

Guitar: James Young

Bass: Ralph Stewart

Drums: Elbert Woodson

Keyboards: Katie Webster

Horns: A full section including Robert Holloway, Sammy Coleman, and John Farris.

Otis Redding – vocals

Released Oct 1968

Recorded Whisky a Go Go, Sunset Strip, 

Los Angeles, CA, April 8, 9 & 10, 1966

Wally Heider: Recording Engineer (Heider was a pioneer of 

remote recording and operated the mobile truck used for these sessions).

Bill Halverson: Assistant Engineer

Supervised By – Nesuhi Ertegun

Track listing:

A1 I Can't Turn You Loose

Written-By – Redding 4:43

A2 Pain In My Heart

Written-By – Neville 2:11

A3 Just One More Day

Written-By – McEvoy/Robinson*, Redding*, Cropper* 5:07

A4 Mr. Pitiful

Written-By – Redding*, Cropper*

2:07

A5 (I Can't Get No) Satisfaction

Written-By – Jagger/Richards*

4:36

B1 I'm Depending On You

Written-By – Redding*

3:01

B2 Any Ole Way

Written-By – Redding*, Cropper*

2:34

B3 These Arms Of Mine

Written-By – Redding*

3:54

B4 Papa's Got A Brand New Bag

Written-By – Brown*

4:38

B5 Respect

Written-By – Redding*

Link

Brook Benton – Home Style (1970)

Brook Benton – Home Style (1970) |Soul Album Review & Tracklist

Cotillion records 1970 ‎– SD 9028

notes:

Brook Benton’s “Home Style” (1970) is a beautifully crafted 

country-soul album released on Cotillion Records and produced

 by Arif Mardin. Recorded shortly after Benton’s hit 

“Rainy Night in Georgia”, the album blends southern soul,

 gospel feeling and country influences, showcasing 

the singer’s deep baritone and storytelling style.

  

credits:

Arranged, conducted and produced By

Arif Mardin

Rhythm Section: The Dixie Flyers

Jim Dickinson : Guitar, Keyboards

Charlie Freeman : lead Guitar

Mike Utley: Organ,Electric Piano

Tommy Mclure: Bass

Sammy Creason : drums, percussions

George Dorsey : alto sax

King Curtis : tenor sax

pepper Adams : Baritone Sax

Joe Newman : trompet

Benny Powell : trombone

string section: Direction Gene Orloff

Background vocal: The Sweet Inpirations

vocal obligatos : Cissy Houston

recorded at: Atlantic south criteria studio Miami and

Atlantic recording studio New York

Engineers:Ron Albert,Chuck Kirkpatric, Mack Emerman,

Lewis Hahn & Gene Paul

tracklist:

A1 Whoever Finds This I Love You

Written-By – Mac Davis

4:26

A2 For Lee Ann

Written-By – Tony Joe White

3:48

A3 Willie And Laura Mae Jones

Written-By – Tony Joe White

4:08

A4 It's All In The Game

Written-By – Carl Sigman, Charles G. Dawes*

3:38

A5 Don't It Make You Wanta Go Home

Written-By – Joe South

3:20

B1 Aspen Colorado

Written-By – Tony Joe White

3:31

B2 Don't Think Twice It's All Right

Written-By – Bob Dylan

3:28

B3 Born Under A Bad Sign

Written-By – Booker T. Jones, William Bell

3:02

B4 Are You Sincere

Written-By – Wayne Walker

3:34

B5 Let Me Fix It

Written-By – Brook Benton

4:28

link

Booker T. & The MG's Doin' Our Thing

 

 

 

 Booker T. & The MG's 

 Doin' Our Thing 1968

 

 

 

Stax records 1967  S 724

 

 

 notes:

Released in 1968 on the renowned Stax Records label,

 'Doin' Our Thing' is the sixth studio album 
by Booker T. & The MG's. This iconic instrumental album captures 

the essence of Memphis soul
 with unforgettable grooves and refined arrangements.

credits:

    Booker T. Jones – Hammond organ, guitar, clavinet, piano
    Steve Cropper – guitar
    Donald Dunn – bass guitar
    Al Jackson Jr. – drums, percussion

Recorded    November 24, 1967 and February 2, 1968
Studio    Stax, Memphis
Producer, Supervised By – Booker T. & The MG's

tracklist:

A1        I Can Dig It
Written-By – Jackson, Jr.*, Jones*, Dunn*, Cropper*
2:44
A2        Expressway (To Your Heart)
Written-By – Kenny Gamble-Leon Huff*
3:00
A3        Doin' Our Thing
Written-By – Jackson, Jr.*, Jones*, Dunn*, Cropper*
3:55
A4        You Don't Love Me
Written-By – Willie Cobb*
2:52
A5        Never My Love
Written-By – Dick Addrisi, Don Addrisi
2:45
A6        The Exodus Song
Written-By – Ernest Gold
2:35
B1        The Beat Goes On
Written-By – Sonny Bono
2:32
B2        Ode To Billie Joe
Written-By – Bobbie Gentry
3:56
B3        Blue On Green
Written-By – Jackson, Jr.*, Jones*, Dunn*, Cropper*
2:29
B4        You Keep Me Hanging On
Written-By – Holland-Dozier-Holland
4:47
B5        Let's Go Get Stoned
Written-By – Armstead*, Ashford*, Simpson*
2:51

 

 

link

 

 

 

Rosie Grier & The Fearsome Foursome

 

 

Rosie Grier & The Fearsome Foursome – Who’s Got The Ball (Y’all) 45rpm | R&B / Rare Vinyl 

 

 

Amy  records 1967‎– 11.004

 

credits:

Producer – Chips Moman
Written by American Sound Studio Staff

Performer – David "Deacon" Jones, Lamar Lundy, Merlin Olsen, Roger Brown
recorded at American Group Studios, Memphis

 

link 

 

 

Ollie and The Nightingales

 

 I Got A Sure Thing

 

 

Stax records 1968 ‎– 45-245

credits:

 Producer – Booker T. Jones

 

tracklist:

A    Ollie And The Nightingales    I Got A Sure Thing   
Booker T. Jones, William Bell, Ollie Hoskins   

B    Ollie And The Nightingales    Girl, You Have My Heart Singing   
Booker T. Jones, William Bell    

 

 

 

link 

Little Sonny

 

 

 Black & Blue

 

 

 

Enterprise  records 1971– ENS-1018

 

     notes:

By late 1969, Little Sonny recorded his debut album, the predominantly 
instrumental New King of Blues Harmonica, which he cut in less than six hours.
It was released by Enterprise, a subsidiary of Stax Records.Despite their reputation 
for soul music productions, Little Sonny released three albums for the label in the 
early 1970s. He also briefly appeared in the Stax stadium concert film, Wattstax.
this finds Detroit harp man Aaron "Little Sonny" Willis backed by 
Memphis players working in an early-'70s blues-rock groove. 
The Bar-Kays provide the horn blasts, 



credits:


 Arranged By [Horns], Horns [Played By] – The Bar-Kays
    Art Direction – Lee Lebowitz

    Little Sonny Composer, Harmonica,  Vocals
    Drums – Willie Hall
    Guitar – Bobby Manuel, Eddie Wallis
    Organ – Ron Gorden
   Rhythm Section – The Bar-Kays*
     Supervised By [Art Supervision] – Larry Shaw
    Saxophone – Tommy Williams 


Engineer – Henry Bush
Producer – Al Bell (tracks: A1, A2, A4, A5, B2, B4, B5),

 Zorn Productions (tracks: A3, A4, B1, B3)


tracklist:

A1        Hung Up
Producer – Zorn Productions
Written-By – Aaron Willis (2)
3:34
A2        Sonny's Fever (Instrumental)
Producer – Zorn Productions
Written-By – Aaron Willis (2)
3:35
A3        You Got A Good Thing
Producer – Al Bell
Written-By – Bettye Crutcher, Bobby Manuel
3:10
A4        A Woman Named Trouble
Producer – Al Bell
Written-By – Bettye Crutcher, Bobby Manuel
4:25
A5        Honest I Do
Producer – Zorn Productions
Written-By – E. G. Abner, Jr.*, J. Reed*
2:58
A6        Wade In The Water (Instrumental)
Arranged By – Staff*
Producer – Zorn Productions
Written-By [Uncredited] – Ramsey Lewis
3:16
B1        Paying Through The Nose
Producer – Al Bell
Written-By – Bettye Crutcher, Bobby Manuel
3:40
B2        Memphis B-K (Instrumental)
Producer – Zorn Productions
Written-By – Aaron Willis (2)
3:30
B3        Where Women Got Meat On Their Bones
Producer – Al Bell
Written-By – Bettye Crutcher, Bobby Manuel
3:30
B4        I Found Love
Producer – Zorn Productions
Written-By – Arzell Hill*
2:37
B5        They Want Money
Producer – Zorn Productions
Written-By – Aaron Willis (2)
4:36

 

 

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