Welcome to my blog dedicated to blues albums, 45 rpm records, and soul, R&B, funk, blue beat and ska vinyl records from the 60s and 70s, with production details and rarities for collectors.
Blue John is an album by American organist John Patton recorded in 1963 but not released on the Blue Note label until 1986
credits:
John Patton - organ Tommy Turrentine - trumpet (track 5) George Braith - soprano saxophone, stritch Grant Green - guitar Ben Dixon - drums
Recorded at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey on July 11 (tracks 5 & 6) and August 6 (tracks 1–4), 1963. engineer: Rudy Van Gelder
tracklist:
A1 Hot Sauce Written-By – George Braith A2 Bermuda Clay House Written-By – George Braith A3 Dem Dirty Dues Written-By – Grant Green B1 Country Girl Written-By – John Patton B2 Nicety Written-By – Ben Dixon B3 Blue John Written-By – John Patton
Bring It On Home Sonny Boy Williamson's version of the song was recorded on January 11, 1963 in Chicago. Accompanying Williamson on vocals and harmonica were Matt "Guitar" Murphy on guitar, Milton Rector on bass guitar, Al Duncan on drums, and either Lafayette Leake or Billy Emerson on organ.
Williamson's version was not released until three years after its recording in early 1966 when it appeared on The Real Folk Blues and was released as a single (Checker 1134)
Edited By – Ron Malo Producer – Marshall Chess Written-By – Sonny Boy Williamson
tracklist:
A1 One Way Out 2:44 A2 Too Young To Die 2:55 A3 Trust My Baby 2:42 A4 Checkin' Up On My Baby 1:55 A5 Sad To Be Alone 2:55 A6 Got To Move 2:25 B1 Bring It On Home Written-By – Willie Dixon 2:35 B2 Down Child 2:32 B3 Peach Tree 2:34 B4 Dissatisfied 2:42 B5 That's All I Want Written-By – Willie Dixon 2:15 B6 Too Old To Think 2:10
Notes: Down and Out Blues is the first LP record by American blues musician Sonny Boy Williamson. The album was released in 1959 by Checker Records
The album was a compilation of Williamson's first singles for Checker, from "Don't Start Me to Talkin'" b/w "All My Love in Vain" through "Dissatisfied" b/w "Cross My Heart".
The album features many famous blues musicians backing Williamson, including Muddy Waters, Otis Spann, and Willie Dixon.
credits:
Sonny Boy Williamson – vocals, harmonica Muddy Waters – guitar on "Don't Start Me to Talkin'" and "All My Love in Vain" Jimmy Rogers – guitar on "Don't Start Me to Talkin'" and "All My Love in Vain" Otis Spann – piano Willie Dixon – bass Fred Below – drums Robert Lockwood, Jr. – guitar Luther Tucker – guitar Lafayette Leake – piano on "Wake Up Baby" and "Your Funeral and My Trial" Eugene Pierson – guitar on "Wake Up Baby" and "Your Funeral and My Trial"
Recorded August 12, 1955 – March 27, 1958 in Chicago Producer Leonard Chess, Phil Chess, Willie Dixon
tracklisting
A1 Don't Start Me To Talkin' 2:30 A2 I Don't Know 2:20 A3 All My Love In Vain 2:45 A4 The Key (To Your Door) 3:10 A5 Keep It To Yourself 2:45 A6 Dissatisfied 2:40 B1 Fattening Frogs For Snakes 2:16 B2 Wake Up Baby 2:21 B3 Your Funeral And My Trial 2:26 B4 "99" 2:35 B5 Cross My Heart 3:18 B6 Let Me Explain 2:50
Art Direction – David Krieger Creative Director – Larry Shaw, Ron Gorden Bass – Gordon Edwards, Ray Griffin, Ronald Hudson* Engineer – William Brown* Guitar – Cornell Dupree, Harold Beane Horns – The Memphis Horns Keyboards – Carl Hampton Percussion – Terry Johnson Producer – Al Bell Saxophone – Eli Fountain* Vocals – Charles Brown, Rufus Thomas Horns – The South Memphis Horns* (tracks: A1 to A2, A5 to B6), The Memphis Horns (tracks: A3 to A4) Piano, Organ – Carl Hampton (tracks: A1 to A2), Marvell Thomas (tracks: A3 to B6) Producer – Al Bell (tracks: A1 to A2), Marvell Thomas (tracks: A3 to A4), Rufus Thomas (tracks: A3 to A4), Tom Nixon (tracks: A1 to A2, A4 to B6) Rhythm Section – The Bar-Kays* (tracks: A1 to A4), The Movement* (tracks: A5 to B6)
Engineer – Daryl Williams, Eddie Marion, William Brown* Engineer [Re-Mix] – Dave Purple Executive-Producer, Engineer, Engineer [Re-Mix] – Tom Nixon
Arranged By – Andrew Love (tracks: 1 to 11), Jo Bridges (tracks: 16, 17), Rufus Thomas (tracks: 1 to 11), Tom Nixon (tracks: 16, 17), Wayne Jackson (tracks: 1 to 11) Backing Band – Booker T. & The MGs* (tracks: 12 to 15), The Malaco Rhythm Section (tracks: 16, 17) Backing Vocals – Ollie And The Nightingales* (tracks: 1 to 11) Baritone Saxophone – Tommy Lee Williams* (tracks: 18, 19) Bass – James Alexander (tracks: 1, 3, 9, 11) Drums – Willie Hall (tracks: 1, 9, 11) Engineer – Bobby Manuel (tracks: 1 to 11), Henry Bush (tracks: 1 to 11), Ronnie Capone* (tracks: 1 to 11) Guitar – Charles "Skip" Pitts (tracks: 16, 17) Horns – South Memphis Horns (tracks: 18, 19), The Memphis Horns (tracks: 1, 3, 11 to 15) Keyboards – Isaac Hayes (tracks: 9), Marvell Thomas (tracks: 1, 3, 11, 12), Michael Toles (tracks: 1, 3, 9, 11) Lead Vocals – Rufus Thomas Organ – Isaac Hayes (tracks: 14) Piano – Ronnie Williams (tracks: 1) Producer – Al Bell (tracks: 1 to 11), Al Jackson, Jr.* (tracks: 1 to 11), Steve Cropper (tracks: 12 to 15), Tom Nixon (tracks: 1 to 11, 16 to 19) Saxophone – Andrew Love (tracks: 1, 3, 11 to 17), James Mitchell (tracks: 16, 17), Lewis Collins (2) (tracks: 16, 17) Tenor Saxophone – Bill Easley (tracks: 18, 19), Lewis Collins (2) (tracks: 18, 19) Trombone – Jack Hale* (tracks: 18, 19) Trumpet – Ben Cauley (tracks: 12 to 15, 18, 19), Dick Steff (tracks: 18, 19), Edgar Matthews (tracks: 18, 19), Gene Miller (tracks: 16, 17), Wayne Jackson (tracks: 1, 3, 11 to 15)
Engineer – Bobby Manuel (tracks: 1 to 11), Henry Bush (tracks: 1 to 11), Ronnie Capone* (tracks: 1 to 11)
Rufus and Carla was the moniker Stax Records used when releasing duets by Rufus Thomas and daughter Carla Thomas. They have the distinction of sharing the company's first hit "Cause I Love You" when Stax was briefly known as Satellite Records.
credits:
carla thomas vocal Rufus thomas vocal
tracklist:
A Cause I Love You 2:45 R. Thomas B Deep Down Inside 2:45 R. Thomas
credits: Record Company – Liberty Records, Inc. Written-By – Jimmy McCracklin
tracklist:
A1 Think Written-By – D. Malone*, J. McCracklin* 2:25 A2 Slightest Idea Written-By – McCracklin* 2:18 A3 The Bitter And The Sweet Written-By – McCracklin* 2:02 A4 Just Pretending Written-By – McCracklin* 1:58 A5 My Best Friend Written-By – McCracklin* 3:13 A6 Speak Up Written-By – McCracklin* 2:18 B1 Steppin' Up In Class Written-By – D. Malone*, J. McCracklin* 2:31 B2 I'm The One Written-By – McCracklin* 2:48 B3 My Life Written-By – McCracklin* 2:28 B4 Head Over Flip Written-By – McCracklin* 2:42 B5 Advice Written-By – McCracklin* 2:39 B6 I'll See It Through Written-By – McCracklin* 2:05
A1 These Boots Are Made For Walkin' Composed By – Lee Hazlewood 2:35 A2 Sorry Composed By – J. McCracklin* 2:38 A3 R-M Blues Composed By – J. McCracklin* 2:45 A4 You Don't Know Composed By – J. McCracklin* 2:00 A5 Tomorrow Composed By – J. McCracklin* 2:10 A6 Don't Suffer Composed By – J. McCracklin* 1:46 B1 Come On Home (Back Where You Belong) Composed By – Jimmy McCracklin 2:25 B2 Just Let Me Cry Composed By – Jimmy McCracklin 2:38 B3 Something That Belongs To Me Composed By – Jimmy McCracklin 2:21 B4 Convince Me Composed By – Jimmy McCracklin 2:38 B5 Self Experience Composed By – Jimmy McCracklin 1:54 B6 Thinking Back Composed By – Jimmy McCracklin 1:45
A1. Get together A2. How you like your love A3. Pay before you get A4. Believe in me A5. The walk A6. Advise B1. Walk right in B2. Dog (part 1) B3. Pretty little sweet thing B4. You're the one B5. Just got to know B6. A and I (Part 1)
notes: Ike & Tina Turner Revue Live is the first live album by Ike & Tina Turner released on Kent Records in 1964. The Ike & Tina Turner Revue was formed in 1960 in St. Louis by songwriter, musician, and bandleader Ike Turner The Revue had already built a reputation as "one of the most potent live acts on the R&B circuit," so for their first, and the only Kent album they recorded a live album.
credits:
Recorded 1964 Venue Club Imperial (St. Louis, MO), Harlem Club (St. Louis, MO) live recording at Club imperial and Harlem club in St Louis Missouri
A1 Ike & Tina Turner– Please, Please, Please A2 Jimmy Thomas– Feel So Good A3 Vanetta Fields*– The Love Of My Man A4 Bobby John (3)– Think B1 Stacy Johnson– Drown In My Own Tears B2 Robbie Montgomery– I Love The Way You Love B3 Vernon Guy– Your Precious Love B4 Ike & Tina Turner– All In My Mind B5 Ike & Tina Turner– I Can't Believe What You Say
So Fine is a studio album by R&B duo Ike & Tina Turner. The album was released on Pompeii Records in July 1968. It is the first of two albumsthe duo released on the Pompeii label.
credits:
Backing Vocals – The Ikettes Producer – Ike Turner Written-By – M. Rice* (tracks: A1, A3, A4), Ike Turner (tracks: A2, A5)
tracklist:
A1 Bet'cha Can't Kiss Me (Just One Time) 2:51 A2 Ain't Nobody's Business 2:09 A3 It Sho Ain't Me 3:08 A4 Too Hot To Hold 2:10 A5 A Fool In Love 2:49 B1 I Better Get Ta Steppin' Written-By – Charles Harris (13), Ike Turner 2:49 B2 Shake A Tail Feather Written-By – André Williams*, Otha M. Hayes*, Verlie Rice 2:15 B3 So Fine Written-By – Johnny Otis 2:41 B4 We Need An Understanding Written-By – Ike Turner, J. Northern* 2:43 B5 You're So Fine Written-By – Lance Finnie*, Willie Schofield 2:26
notes: Dynamite! is the second studio album released by Ike & Tina Turner on the Sue Records label in 1962. The album contains their first Grammy nominated song and their second million-selling hit "It's Gonna Work Out Fine. Apr 1962
credits:
Written By – M. Steward (tracks: B5)
Written-By – Ike Turner (tracks: A1, A3 to B4, B6),
J. Lee* (tracks: A2), J. Seneca* (tracks: A2, B5)
vocal: Tina Turner, Ike Turner
backing vocals : the Ikettes
track list:
A1 You Should'a Treated Me Right Written-By – Ike Turner 3:38 A2 It's Gonna Work Out Fine Written-By – J. Lee*, J. Seneca* 3:02 A3 A Fool In Love Written-By – Ike Turner 2:52 A4 Poor Fool Written-By – Ike Turner 2:33 A5 I Idolize You Written-By – Ike Turner 2:48 A6 Tra La La La La Written-By – Ike Turner 2:41 B1 Sleepless Written-By – Ike Turner 2:48 B2 I'm Jealous Written-By – Ike Turner, Bussong* 2:10 B3 Won't You Forgive Me Written-By – Ike Turner 2:40 B4 The Way You Love Me Written-By – Ike Turner 1:50 B5 I Dig You Written-By – J. Seneca*, M. Steward* 2:20 B6 Letter From Tina Written-By – Ike Turner 2:37
The Soul of Ike & Tina Turner is the debut album by Ike & Tina Turner. It was released on the Sue Records in February 1961. The album is noted for containing the duo's debut single "A Fool in Love" and their follow-up singles "I Idolize You" and "I'm Jealous.
credits:
Lead vocals by Tina Turner except for "You Can't Blame Me" and "You're My Baby" with lead vocals by Ike and Tina Turner Background vocals by The Ikettes All instrumentation by Ike Turner and The Kings of Rhythm
Recorded March 1960 Studio Technisonic Studios (St. Louis, Missouri)
tracklist:
A1 I'm Jealous Written-By – Turner*, Bussong* A2 I Idolize You Written-By – Ike Turner A3 If Written-By – Ike TurnWritten-By – Ike Turnerer A4 Letter From Tina Written-By – Ike Turner A5 You Can't Love Two Written-By – Ike Turner A6 I Had A Notion Written-By – Joe Morris (2) B1 A Fool In Love Written-By – Ike Turner B2 Sleepless Written-By – Ike Turner B3 Chances Are Written-By – Ike Turner B4 You Can't Blame Me Written-By – Ike Turner B5 You're My Baby Written-By – Ike Turner B6 The Way You Love Me Written-By – Ike Turner
notes: A Fool in Love" is the debut single by Ike & Tina Turner. It was released on Sue Records in 1960. The song is Tina Turner's first release with the stage name "Tina Turner"
credits:
Background vocals: The Artettes (Robbie Montgomery, Sandra Harding, and Frances Hodges) Bass guitar: Jesse Knight Jr. Composer Ike Turner Drums: T.N.T. Tribble Lead vocals: Tina Turner Piano: Fred Sample Producer: Ike Turner
Recorded March 1960 Studio Technisonic Studios (St. Louis, Missouri)
Live at the Lighthouse '66 is a live album by The Jazz Crusaders recorded in 1966 and released on the Pacific Jazz label
credits:
Wayne Henderson - trombone Wilton Felder - tenor saxophone Joe Sample - piano Leroy Vinnegar - bass Stix Hooper - drums
Producer – Richard Bock Engineer – Dino Lappas, Don Blake, Richard Bock Recorded: January 14-16, 1966 The Lighthouse Hermosa Beach, CA
tracklist:
A1 Aleluia Written-By – Edu Lobo, Ruy Guerra 5:45 A2 Blues Up Tight Written-By – Joe Sample 6:30 A3 You Don't Know What Love Is Written-By – Don Raye, Gene DePaul 5:01 A4 Miss It Written-By – Wilton Felder 5:50 B1 Scratch Written-By – Wayne Henderson 7:55 B2 Doin' That Thing Written-By – Leroy Vinnegar 7:15 B3 Milestones Written-By – Miles Davis 6:40
Powerhouse is a 1969 album by The Jazz Crusaders. It was their fourteenth album produced by Richard Bock for World Pacific Jazz Records. It was the first album in which Joe Sample played on the Fender Rhodes and according Thom Jurek in his All Music review, would mark a turning point for the band.
credits:
Wayne Henderson - Trombone Wilton Felder - Saxophone Joe Sample - Keyboards Stix Hooper - Drums Charles "Buster" Williams - Bass
on A4,A5,B3 joe sample - electric piano Arthur Adams Guitar
Recorded July 9-10-11, 1968 Pacific Jazz Studios, LA,
Richard Bock - Producer and liner notes Thorne Nogar - Engineer Woody Woodward - Art Direction
tracklist:
A1 Promises, Promises 6:13 Burt Bacharach, Hal David A2 Love And Peace 3:20 Arthur Adams A3 Hey Jude John Lennon, Paul McCartney Written-By John Lennon, Paul McCartney 3:17 A4 Sting Ray 3:24 Wayne Henderson A5 Fancy Dance Joe Sample 4:25 B1 Love Is Blue Pierre Cour, Andre Popp, Blackburn 4:35 B2 Cookie Man Wayne Henderson 5:35 B3 Upstairs Burt Bacharach, Hal David 3:12 B4 Fire Water Charles Wilson 6:23
Talk That Talk is the ninth album by The Jazz Crusaders recorded in 1966 and released on the Pacific Jazz label
credits:
Wayne Henderson (trombone) Wilton Felder (tenor saxophone) Joe Sample (piano) Stix Hooper (drums) Leroy Vinnegar (bass) overdubs: unidentified big band
Producer – Richard Bock Engineer – Lanky Linstrot Pacific Jazz Studios, Hollywood, CA, February 7, 1966
tracklist:
A1 Walkin' My Cat Named Dog Written-By – Norma Tanega A2 Studewood 2:15 A3 I Can't Believe You Love Me Written-By – Clarence Gaskill, Jimmy McHugh 2:39 A4 There Is A Time (Le Temps) 2:06 A5 Hey Girl Written-By – Goffin And King 2:23 A6 Uptight (Everything's Alright) 2:30 B1 Arrastao 2:38 B2 Mohair Sam Written-By – Dallas Frazier 2:28 B3 Walk On By Written-By – Bacharach And David 2:49 B4 1, 2, 3 Written-By – David White , John Madara, Leonard Borisoff 2:43 B5 The Shadow Do 2:39 B6 Turkish Black 2:16
The Thing is the eighth album by The Jazz Crusaders recorded in 1965 and released on the Pacific Jazz label.
credits:
The Jazz Crusaders Wayne Henderson (trombone) Wilton Felder (tenor saxophone) Joe Sample (piano) Stix Hooper (drums) Monk Montgomery (Fender Jazz bass) (tracks 2, 3, 6 & 7) Victor Gaskin (bass)(tracks 1, 4 & 5)
Producer Richard Bock Recorded February 5 & 22, 1965 Studio Pacific Jazz Studios, Hollywood, CA
tracklist:
A1 The Thing Written-By – Joe Sample 4:40 A2 Sunset In Mountains Written-By – Wayne Henderson 5:10 A3 While The City Sleeps Written-By – Strause*, Adams* 3:35 A4 White Cobra Written-By – Joe Sample 4:45 B1 New Time Shuffle Written-By – Joe Sample 4:40 B2 Para Mi Espoza Written-By – Nesbert Hooper 6:40 B3 Soul Kosher Written-By – Wilton Felder 5:35
Charisma is an album by jazz trumpeter Lee Morgan featuring performances by Morgan, Jackie McLean, Hank Mobley, Cedar Walton, Paul Chambers and Billy Higgins, recorded on September 29, 1966, but not released on the Blue Note label until 1969
credits:
Lee Morgan - trumpet Jackie McLean - alto saxophone Hank Mobley - tenor saxophone Cedar Walton - piano Paul Chambers - bass Billy Higgins - drums
Recorded September 29, 1966 Van Gelder Studio, Englewood Cliffs engineer Rudy Van Gelder
tracklist:
A1 Hey Chico Composed By – L. Morgan 7:00 A2 Somethin' Cute Composed By – L. Morgan 6:35 A3 Rainy Night Composed By – C. Walton 5:40 B1 Sweet Honey Bee Composed By – D. Pearson 6:55 B2 The Murphy Man Composed By – L. Morgan 7:35 B3 The Double Up Composed By – L. Morgan 6:35
Cornbread is an album by American jazz trumpeter Lee Morgan. Recorded in September 1965but released on the Blue Note label in early 1967,] the album features performances by Morgan, along with sidemen Herbie Hancock, Billy Higgins, Jackie McLean, Hank Mobley, and Larry Ridley.
credits:
Lee Morgan – Trumpet Herbie Hancock – Piano Billy Higgins – Drums Jackie McLean – Alto sax Hank Mobley – Tenor sax Larry Ridley – Bass
recorded at: Rudy Van Gelder Studio, Englewood Cliffs, NJ, September 18, 1965 Recorded By – Rudy Van Gelder
tracklist:
A1 Cornbread Written-By – Lee Morgan 9:00 A2 Our Man Higgins Written-By – Lee Morgan 8:50 B1 Ceora Written-By – Lee Morgan 6:20 B2 Ill Wind Written-By – Arlen*, Koehler* 7:55 B3 Most Like Lee Written-By – Lee Morgan 6:45
notes: The founding members of the Watts 103rd Street Rhythm Band b. Charles Wright, 1940, Clarksdale, Mississippi, U.S.A. Originally an instrumental group known as the Soul Runners, the original line up consisted of: Bernard Blackman (guitar) Raymond Jackson (trombone) John Rayford (b.1943, tenor saxophone)
Melvin Dunlap (bass)
Al McKay (guitar)
and James Gadson (drums)
Charles Wright is a singer, pianist, guitarist, and leader of the eight-member band.
Bernard Blackman (guitar) Raymond Jackson (trombone) John Rayford (b.1943, tenor saxophone) Melvin Dunlap (bass) Al McKay (guitar) and James Gadson (drums) Charles Wright is a singer, pianist, guitarist, and leader of the eight-member band.
Arranged By – James Carmichael Producer – Fred Smith Written-By – Smith, Carmichael
Bernard Blackman (guitar) Ray John Rayford (b.1943, tenor saxophone) Melvin Dunlap (bass) Al McKay (guitar) and James Gadson (drums) Charles Wright is a singer, pianist, guitarist, and leader of the eight-member band.
tracklist: A Chittlin' Salad 2:25 B Chittlin' Salad - Part II 2:00
The Packers – Hole In The Wall Label:Pure Soul Music – Pure Soul 1001 Format:Vinyl, LP, Album Country:US Released: 1965 Genre:Funk / Soul Style:Rhythm & Blues
notes
The Packers were an American soul group formed by tenor saxophonist Charles "Packy" Axton, who was the son of Stax Records part-owner Estelle Axton. Axton was a former member of the Mar-Keys, as was Steve Cropper, who played on the group's first recording and hit, ostensibly recorded as a 'demo'. Cropper, a member of Booker T. Jones & The MGs and the Stax Records session band, was also joined by Booker T. on piano and drummer Al Jackson for the recording, while Leon Haywood (on organ) was among those who also played on the group's records.
credits:
Packy Axton - Sax Steve Cropper - Guitar Earl Grant - Bass Leon Haywood - organ Al Jackson JR. - Drums Booker T - Piano Magnificent Montague - Congas
Producer – Magnificent Montague Recorded Late 1965 in Audio Arts Studio Hollywood Cal. Engineer Calvin Harrison, Ralph Mouton
tracks listing:
A1 Hole In The Wall Written-By – Jackson*, Jones*, Nathan*, Cropper* A2 There's No Tomorrow Written-By – N. Nathan* A3 Pure Soul Written-By – N. Nathan* A4 Goodness, Goodness Written-By – N. Nathan* A5 Headin' Home Written-By – N. Nathan* A6 Sweet Grapes, Part I Written-By – N. Nathan* B1 Hollywood Baby Written-By – N. Nathan* B2 Go Head On Written-By – C. Paxton*, L. Haywood*, N. Nathan* B3 Hoppin' John Written-By – N. Nathan* B4 I'm Converted Written-By – N. Nathan* B5 Sweet Grapes, Part II Written-By – N. Nathan* B6 Cherio O Written-By – N. Nathan*
Charles "Packy" Axton was an American rhythm and blues tenor saxophone player and bandleader, who was a member of The Mar-Keys and later The Packers.
He was born in Memphis, Tennessee, the son of Everett and Estelle Axton. Estelle Axton and her brother Jim Stewart were the founders of Stax Records. By 1959, Packy Axton had become a member of The Royal Spades, a group formed by Steve Cropper, Donald "Duck" Dunn, Charlie Freeman and Terry Johnson, which expanded to include a horn section comprising Axton, Don Nix and Wayne Jackson. In 1961, they renamed themselves The Mar-Keys, and had a major hit (# 3 on the Billboard Hot 100, # 2 on the R&B chart) with "Last Night". In fact, only Axton and Jackson from the band appeared on the record which was mostly performed by session musicians. After Cropper left the band in 1961, soon followed by Dunn, Axton became the effective leader of the Mar-Keys, and also worked as a session musician at Stax. He left in 1965 to live in Los Angeles, reportedly after a series of disagreements with Jim Stewart.
Later in 1965, the Stax Revue performed in Los Angeles, and radio disc jockey Magnificent Montague persuaded Axton to record there with Cropper, Booker T. Jones and Al Jackson, of Booker T. & the M.G.'s. They recorded an instrumental track together, "Hole In The Wall", which Montague then released as by The Packers; it reached # 43 on the pop chart and # 5 on the R&B chart. Axton then formed a pick-up group to promote the record, later returning to Memphis. There, he recorded several singles credited to The Pac-Keys, which mostly featured members of The Bar-Kays. After 1967, he ran the Satellite Record Shop in Memphis, occasionally performing with musicians such as Charlie Rich.
tracks list:
A1 – Martinis, Holiday Cheer A2 – Martinis, Bullseye A3 – Martinis, Hung Over A4 – Stacy Lane No Ending A5 – L.H. & The Memphis Sounds House Full Of Rooms A6 – Pac-Keys, Stone Fox A7 – Packers, Hole In The Wall A8 – Martinis, South American Robot A9 – Pac-Keys, Dig In B1 – L.H. & The Memphis Sounds Out Of Control B2 – Martinis, Key Chain B3 – Pac-Keys, Hip Pocket B4 – L.H. & The Memphis Sounds I'm A Fool (In Love) B5 – Stacy Lane No Love Have I B6 – Pac-Keys, Greasy Pumpkin B7 – Martinis, I'll Always Love You B8 – Martinis, Late Late Party