Alvin Robinson – Something You Got / Searchin' (Tiger Records – TI 104).

 

 

 

 

 

 

 Alvin Robinson – Something You Got / Searchin' (Tiger Records TI 104)  Classic New Orleans Soul Vinyl

 

 

Tiger Records 1964  – TI 104

notes:

Alvin Robinson – Something You Got / Searchin' (Tiger Records – TI 104) 
remains one of the defining releases of classic New Orleans R&B. Released 
during the golden era of American soul music, this outstanding 45 RPM single
 showcases Alvin Robinson's powerful vocals and the unmistakable groove t
hat helped shape Southern soul.
The A-side, "Something You Got," became Robinson's signature recording. 
Built around an irresistible rhythm, infectious guitar work, and soulful delivery, 
the song quickly earned recognition among R&B audiences and would later
 be covered by numerous legendary artists, proving its timeless appeal.
The flip side, "Searchin'," complements the release with another strong
 performance, highlighting Robinson's expressive voice and the rich musical 
tradition emerging from New Orleans during the early 1960s.
Issued by Tiger Records as TI 104, this rare single remains highly sought after 
by vinyl collectors, Northern Soul enthusiasts, DJs, and fans of vintage 
rhythm and blues. Original pressings are increasingly difficult to find,
 making the record an important addition to any serious soul collection.
Today, "Something You Got" continues to receive airplay among collectors 
and classic R&B fans worldwide. Its influence can still be heard in later soul, 
blues, and rock recordings, cementing Alvin Robinson's place in American music history.
Whether you're a longtime collector or discovering classic New Orleans soul for 
the first time, Tiger Records TI 104 is an essential recording that captures 
the authentic sound and spirit of early 1960s rhythm and blues.

credits:

Session musicians

Unfortunately, no surviving session sheet or AFM contract has surfaced 
identifying the musicians on this single. None of the standard
 discographical sources list personnel.
Given Alvin Robinson's background as a New Orleans session guitarist and 
the musical style, collectors and historians generally believe the backing 
band was drawn from New Orleans studio musicians associated with Joe Jones,
 but this has never been documented. Any names would therefore be speculative.
Recording studio
Likewise, no recording studio has been positively identified.
The most likely possibilities are:
a New Orleans studio used by Joe Jones during 1964 (possibly Cosimo Matassa's operation),
or a New York session organized after Robinson signed with Tiger Records.
Producer: Joe Jones
"Something You Got" arrangement: Joe Jones
"Searchin'" arrangement: Mike Stoller
Tiger Records was the new label established by the songwriting/production 
team of Jerry Leiber and Mike Stoller, although they are not
 credited as producers of this particular single.

tracklist:

A        Something You Got
Arranged By – Joe Jones (2)
Written-By – Chris Kenner
    2:26
B        Searchin'
Arranged By – Mike Stoller
Written-By – Jersey Leiber-Mike Stoller*
    2:31

link

 

 

 

 

 

The Spencer Davis Group – Their First LP (Fontana TL 5242)

 

 

 

 

 

 

 The Spencer Davis Group – Their First LP (Fontana TL 5242): The British R&B Classic That Started It All

 

 

 

 

Fontana records 1965  ‎– TL 5242

notes:

When discussing the roots of the British rhythm and blues explosion 
of the 1960s, few debut albums are as significant as Their First LP by
 The Spencer Davis Group. Released in 1965 on the Fontana label 
under catalog number TL 5242, this record captures a young band 
before worldwide fame, showcasing the remarkable talent of 
teenage keyboard prodigy Steve Winwood.
For collectors of British Invasion vinyl and enthusiasts of classic 
rhythm and blues, Their First LP remains one of 
the most desirable early UK pressings.
The Spencer Davis Group – Their First LP is much more than a 
debut album. It represents the beginning of one of Britain's finest
 rhythm and blues bands and showcases the extraordinary early 
talent of Steve Winwood. Whether you're a lifelong fan or a vinyl 
collector searching for an important British Invasion release, 
this Fontana pressing deserves a place on your shelf.



Crédits

Core line-up
Spencer Davis – vocals, guitar, harmonica
Steve Winwood – lead vocals, guitar, harmonica, piano
Muff Winwood – bass guitar, backing vocals
Pete York – drums
Additional session musicians

Only three guest musicians are documented for the LP:

Musician    Instrument / Vocal    Tracks
Kenny Salmon    Hammond organ    "Every Little Bit Hurts", "Here Right Now"
Peter Asher    Piano    "I'm Blue (The Gong Gong Song)"
Millie Small    Guest vocal    "I'm Blue (The Gong Gong Song)"

Producer
Chris Blackwell – producer (BPR Production for Island Records,
 distributed by Fontana Records).


tracklist:

A1 My Babe
Lead Guitar [Solo] – Steve WinwoodWritten-By – Medley*, Hatfield*    
A2 Dimples
Lead Guitar – Steve WinwoodWritten-By – John Lee Hooker    
A3 Searchin'
Written-By – J. Leiber / M. Stoller*    
A4 Every Little Bit Hurts
Organ – Kenny SalmonWritten-By – E. Cobb*    
A5 I'm Blue (Gong Gong Song)
Piano – Peter AsherVocals [Refrain] – Millie*Written-By – Turner*
A6 Sittin' And Thinkin'
Written-By, Lead Vocals – Spencer Davis    
B1 I Can't Stand It
Written-By – Smokey McAllister
B2 Here Right Now
Organ – Kenny SalmonWritten-By – Steve Winward*
B3 Jump Back
Written-By – Rufus Thomas    
B4 It's Gonna Work Out Fine
Written-By – Lee*, Seneca*    
B5 Midnight Train
Written-By – Alvin Roy, Gerry Hicks    
B6 It Hurts Me So
Written-By – Steve Winward*

link

 

 

unior Mance – Harlem Lullaby (Atlantic SD 1479)

Junior Mance – Harlem Lullaby (Atlantic SD 1479)  Classic Jazz Piano Album Review

 Atlantic Records 1966  – SD 1479

        

 notes:

Few jazz pianists blended blues, swing, and bebop 
with the warmth and accessibility of Junior Mance.
 His album Harlem Lullaby, released on Atlantic Records (SD 1479),
 captures the pianist's unmistakable touch—lyrical, 
soulful, and deeply rooted in the traditions of American jazz.
Whether you're a longtime collector of classic jazz LPs or 
discovering Junior Mance for the first time, Harlem Lullaby 
offers an engaging listening experience filled with tasteful 
improvisation, elegant melodies, and expressive rhythms.
Harlem Lullaby perfectly illustrates why Junior Mance remains 
one of jazz's most respected pianists. His ability to blend blues
emotion, swing tradition, and modern jazz language creates an 
album that continues to resonate with listeners today.
For fans of classic piano jazz, blues-infused improvisation, 
and beautifully recorded vintage vinyl, 
Junior Mance – Harlem Lullaby (Atlantic SD 1479) deserves 
a place in every serious jazz collection.

credits:

All tracks were recorded in New York City over three sessions:

Recording date    Tracks
September 12, 1966    "Harlem Lullaby", "That Mellow Feeling"
October 28, 1966    "Run 'Em Round", "St. James Infirmary"
November 7, 1966    "The Uptown", "Cootin'", "I'm Falling for You", 
"What Becomes of the Brokenhearted"

Personnel by session
Date    Piano/Bass/Drums
Sept. 12, 1966    Junior Mance – piano/harpsichord; 
Bob Cunningham – bass; Alan Dawson – drums
Oct. 28, 1966    Junior Mance – piano/harpsichord; 
Gene Taylor – bass; Bobby Thomas – drums
Nov. 7, 1966    Junior Mance – piano/harpsichord; 
Gene Taylor – bass; Ray Lucas – drums

Recorded By, Engineer – Phil Iehle
Supervised By – Joel Dorn

tracklist:

A1        The Uptown
Bass – Gene Taylor
Drums – Ray Lucas
Harpsichord – Junior Mance
Songwriter – Junior Mance
3:52
A2        That Mellow Feeling
Bass – Bob Cunningham
Drums – Alan Dawson
Piano – Junior Mance
Songwriter – Junior Mance
4:35
A3        Cootin'
Bass – Gene Taylor
Drums – Ray Lucas
Harpsichord – Junior Mance
Songwriter – Junior Mance
4:43
A4        I'm Falling For You
Bass – Gene Taylor
Drums – Bobby Thompson 
Piano – Junior Mance
Songwriter – Floyd Trill
5:03
B1        St. James Infirmary
Bass – Gene Taylor
Drums – Bobby Thompson 
Harpsichord – Junior Mance
Songwriter – Traditional
3:11
B2        Harlem Lullaby
Bass – Bob Cunningham
Drums – Alan Dawson
Piano – Junior Mance
Songwriter – Junior Mance
4:54
B3        Run 'Em Round
Bass – Gene Taylor
Drums – Bobby Thompson 
Piano – Junior Mance
Songwriter – Junior Mance
4:37
B4        What Becomes Of The Brokenhearted
Bass – Gene Taylor
Drums – Bobby Thompson 
Piano – Junior Mance
Songwriter – James Dean , Paul Riser, William Weatherspoon
3:02

 

 

 

 link

 

 

 

 

The Ramsey Lewis Trio – The In Crowd (Argo Records LPS-757)

The Ramsey Lewis Trio – The In Crowd (Argo Records LP-757): The Jazz Album That Changed Everything

Argo Records 1965 ‎– LPS-757

notes:

The In Crowd is a live album by the Ramsey Lewis Trio, recorded in 1965 
at the Bohemian Caverns nightclub in Washington, D.C., and released on the Argo label.
The In Crowd won a Grammy in 1966 for Best Instrumental Jazz Performance by an 
Individual or Group. As well the album's title track single was Grammy nominated 
for Record of the Year. In 2009 this said song was eventually 
inducted into the Grammy Hall of Fame.

credits:

 Ramsey Lewis Piano, Keyboards
 Eldee Young Bass, Cello    
 Redd Holt Drums  

Recorded live by Edgewood Recording Studios at The Bohemian Caverns 
in Washington, D.C. on May 13, 14 & 15, 1965.
Engineer – Ed Green
Producer, Supervised By – Esmond Edwards 

tracklist:

A1 The 'In' Crowd
Written-By – Billy Page
A2 Since I Fell For You
Written-By – Buddy Johnson
A3 Tennessee Waltz
Written-By – Pee Wee King, R. Stewart*
A4 You Been Talkin' 'Bout Me Baby
Written-By – Garnett*, Riviera*, Hirsch*
B1 Spartacus (Love Theme From)
Written-By – Alex North
B2 Felicidade (Happiness)
Written-By – A. C. Jobim*, V. DeMorais*
B3 Come Sunday
Written-By – Duke Ellington

 

link

 

 

 

The Ramsey Lewis Trio – Barefoot Sunday Blues (Argo Records LPS-723)

The Ramsey Lewis Trio – Barefoot Sunday Blues (Argo Records LPS-723) | Classic Jazz Album Review 

Argo Records ‎1963 – LPS-723

notes:

The Ramsey Lewis Trio – Barefoot Sunday Blues (Argo Records LPS-723)
Few jazz pianists have blended soulful blues, gospel warmth, and sophisticated 
swing as naturally as The Ramsey Lewis Trio. Released on the legendary
 Argo Records label as LPS-723, Barefoot Sunday Blues captures the trio
 during one of its most creative periods, delivering a collection 
of expressive performances that remain fresh decades later.
This album showcases the unmistakable piano style of Ramsey Lewis, whose
 melodic touch and rhythmic feel helped introduce jazz to wider audiences. 
Supported by a tight rhythm section, the trio effortlessly moves between blues,
 gospel-inspired grooves, and swinging jazz standards.
Whether you're an experienced jazz collector or discovering vintage vinyl for 
the first time, Barefoot Sunday Blues is an essential recording that highlights
 the elegance and accessibility of classic piano trio jazz.

credits!

Ramsey Lewis - piano
Eldee Young - bass, cello
Christopher White - bass (tracks 1 & 7)
Issac "Red" Holt - drums

Supervised By – Esmond Edwards

Recorded     
August 20, 1963 Van Gelder Studio, 
Englewood Cliffs, New Jersey
Engineer – Rudy Van Gelder

This album marks one of the Ramsey Lewis Trio's early sessions at 
Rudy Van Gelder's famous Englewood Cliffs studio after recording 
previous albums in Chicago, New York, and Los Angeles.
The only personnel variation from the working trio is bassist 
Christopher White, who substitutes for Eldee Young on tracks 1 and 7.
The repertoire mixes originals by Ramsey Lewis and Eldee Young 
with compositions by Cannonball Adderley, Charles Lloyd, 
Dave Grusin, and Doc Pomus.
  

tracklist:

A1        Lonely Avenue
Written-By – Doc Pomus
    2:56
A2        Don't Even Kick It Around
Written-By – R. Lewis*
    4:26
A3        Salute To Ray Charles
Written-By – R. Lewis*
    5:51
A4        Barefoot Sunday Blues
Written-By – Julian Adderly*
    3:35
A5        Island Blues
Written-By – Charles Lloyd
    2:47
B1        I Spend My Life
Written-By – Eldee Young
    3:42
B2        Act Like You Mean It
Written-By – Eldee Young
    2:23
B3        Sarah Jane
Written-By – Dave Grusin
    5:20
B4        The Train Won't Wait
Written-By – Ramsey Lewis
    3:02
B5        Come On Baby
Written-By – Lewis*, Holt*
    2:30

link

  

Various – Ska Authentic Volume 2 (ND Records JBL 113)

Various – Ska Authentic Volume 2 (ND Records JBL 113) | Classic Jamaican Ska Compilation on Vinyl

ND RECORDS 1965                  JBL 113

 

 notes:

If you're a fan of authentic Jamaican music, Various – Ska Authentic Volume 2
 is an essential compilation that celebrates the energetic sound of the original 
ska era. Released by ND Records under catalog number JBL 113, this collection 
brings together classic recordings that capture the vibrant spirit of early Jamaican music.
Ska emerged in Jamaica during the late 1950s and early 1960s, blending Caribbean 
rhythms with American jazz and rhythm & blues. The result was an upbeat style 
characterized by walking bass lines, offbeat guitar chords, lively horn sections
, and infectious dance rhythms.
This compilation offers listeners a nostalgic journey through the golden age of ska, 
making it an excellent addition for vinyl collectors and fans of 
vintage reggae and Jamaican music.
Whether you're expanding your vinyl collection or discovering classic ska for the
 first time, Ska Authentic Volume 2 delivers timeless performances that showcase 
the roots of one of Jamaica's most influential musical genres.
Collectors appreciate this release for its historical importance, authentic recordings,
 and enjoyable listening experience that continues to 
inspire generations of reggae and ska enthusiasts.

credits:

Recording studio
Jamaica Recording Studio (also known as Studio One), Kingston, Jamaica.
Producer: Clement 'Coxsone' Dodd.
Core session musicians

The original Studio One LP credits list the following 
personnel throughout the compilation:

Instrument    Musician
Trombone    Don Drummond
Tenor sax    Tommy McCook
Tenor sax    Roland Alphonso
Alto sax    Lester Sterling
Trumpet    Johnny 'Dizzy' Moore
Piano, organ    Jackie Mittoo
Guitar    Jerry Hines
Bass    Lloyd Brevett
Drums    Lloyd Knibb

These musicians comprise the classic Skatalites
 rhythm section and horn line heard on nearly every track.

Featured artists

The compilation includes recordings by:

Don Drummond
Tommy McCook
Roland Alphonso
The Gaylads
Delroy Wilson
Andy & Joey
The Maytals
Lester Sterling
Notes
JBL 113 is the original 1965 Studio One/ND Records Jamaican LP issue.
    

 Tracklist

A1     –Roland Alphonso     Tear Up     
A2     –Andy & Joey     My Love     
A3     –Roland Alphonso     President Kennedy     
A4     –The Maytals     Tell Me     
A5     –Lester Sterling     Cant Sit Down     
A6     –The Gaylads     Dream Dream     
B1     –Don Drummond     Rain Or Shine     
B2     –Tommy McCook / Roland Alphonso     Trotting On     
B3     –Roland Alphonso     Dr. Kildare     
B4     –The Gaylads     River Bed     
B5     –Delroy Wilson     Love Abiding     
B6     –Tommy McCook     Cow And Gate

 

 

 

link 

 

 

 

 

 

 

The Original Ska-Talites – Ska Authentic (Studio One SOL 9006)

The Original Ska-Talites – Ska Authentic (Studio One SOL 9006) | Classic Jamaican Ska Vinyl Review

Studio One records 1967 ‎– SOL 9006

notes :

When discussing the birth of Jamaican ska, few albums carry as much 
historical importance as Ska Authentic by The Original Ska-Talites. 
Released on the legendary Studio One label under catalog number SOL 9006,
 this recording captures the energetic sound that helped define 
Jamaican popular music during the early 1960s.
The Ska-Talites were not simply another studio band. They were the musicians
 behind countless recordings produced by Studio One founder 
Clement 'Coxsone' Dodd and became the backbone of 

Jamaica's thriving music industry.
Combining jazz improvisation, Caribbean rhythms, rhythm & blues, and 
mento influences, the group created an unmistakable sound that would
 inspire rocksteady, reggae, and countless ska revival bands around the world.

In spring 1964, The Skatalites recorded their first LP Ska Authentic at 
Studio One in Kingston and toured Jamaica as the creators of ska. Their 
producers were Coxsone Dodd, Duke Reid, Prince Buster, Vincent "King" Edwards, 
Justin "Phillip" Yap, Leslie Kong, Lindon Pottinger, Sonia Pottinger 
and Vincent "Randy" Chin. The Skatalites led sessions with top artists 
and worked with young talents such as Delroy Wilson, 
Desmond Dekker, The Wailers, Lee Perry, etc.

credits:

Musician    Instrument
Tommy McCook    Tenor saxophone, flute
Roland Alphonso    Tenor saxophone
Lester Sterling    Alto saxophone
Don Drummond    Trombone
Johnny "Dizzy" Moore    Trumpet
Jackie Mittoo    Piano, organ
Jerome "Jah Jerry" Haynes    Guitar
Lloyd Brevett    Bass
Lloyd Knibb    Drums
Session musicians associated with the Ska Authentic period

While the LP itself is generally credited to the nine 
core members above, Studio One sessions from 1964–65
 often included additional players depending on the tune:

Ernest Ranglin – lead guitar
Baba Brooks – trumpet
Raymond Harper – trumpet
Dennis "Ska" Campbell – tenor saxophone
Lloyd Richards – keyboards
Aubrey Adams – piano/organ

Vocalists who worked with the Skatalites during 
the same Studio One period include:

Doreen Shaffer
Lord Tanamo
Tony DaCosta
Jackie Opel (on some recordings and live performances)
Recording details
Studio: Studio One (also known as Jamaica Recording Studio)
Producer: Clement "Coxsone" Dodd
Recording period: Spring–1964, shortly after the Skatalites 
formally came together as Studio One's house band.
Release: 1965 (SOL 9006).

One important historical note: although Ska Authentic is 
presented as a Skatalites album, several tracks are vocal 
recordings by Studio One artists backed by the Skatalites.
 For example, the album includes performances by Lee Perry, 
Lord Brynner, The Maytals, and Delroy Wilson, 
with the Skatalites serving as the backing band.

tracklist:

A1 Lee Harvey Oswald        
A2 Bridge View        
A3 President Kennedy        
A4 Further East        
A5 Ska In Vienna Woods        
A6 You're So Delightful        
B1 Four Corners Of The World        
B2 Scrap Iron        
B3 Feeling Good        
B4 Royal Flush        
B5 Ball Of Fire        
B6 Christine Keiler

 

link

Don Drummond – Don D Special / Fidel | Rare Jamaican Ska

 

 

 

 

 

 

 

 Don Drummond – Don D Special / Fidel – C And N Records Rare Ska Single

 

 

C And N Records 2013 – DSR 017 A

 

 notes:

Few musicians have shaped the sound of Jamaican ska like Don Drummond.
 Known as one of the founding members of The Skatalites, Drummond's 
expressive trombone playing helped define the golden era of Jamaican 
music during the early 1960s.
Among his lesser-known recordings is "Don D Special / Fidel", released on 
C And N Records. Although not as widely recognized as some of his Studio 
One classics, this single showcases Drummond's unmistakable trombone tone, 
rich arrangements, and melodic creativity.

credits:

Probable session musicians

Although no session sheet survives, these recordings belong to the classic 
Studio One ska period when the house band was essentially the early The Skatalites. 

tracklist:

A        Don D Special
B        Fidel

 

 

 

link 

 

 

 

Elmore James – The Last Session (2/21/63 "The Stereo Tapes")

 

 

 

 

 

 

 Elmore James – The Last Session, 2/21/63 "The Stereo Tapes" (Relic Records 1021)

 

 

Relic records 1984 – 1021

notes:

Few blues artists have left a mark as deep as Elmore James. Known as 
the "King of the Slide Guitar," James helped define the electrified 
Delta blues sound that would inspire generations of musicians, from 
British blues pioneers to modern rock guitarists.
Released by Relic Records (Catalog No. 1021), The Last Session, 2/21/63
 "The Stereo Tapes" captures one of the final studio performances of 
Elmore James before his untimely death in May 1963. These recordings 
provide an intimate look at an artist whose raw emotion, powerful vocals, 
and unmistakable slide guitar were still at their peak.
The Story Behind the Recording
On February 21, 1963, Elmore James entered the studio to record what
would become one of the most historically important sessions of his career.
 Unlike many earlier blues recordings of the era, these performances were
 captured in stereo, offering remarkable clarity while preserving 
the gritty authenticity that made James famous.
he album The Last Session, 2/21/63 "The Stereo Tapes" Relic LP 1021, issued 1984; 
 documents Elmore James' final recording sessions, made just days before his 
death on February 24, 1963. The material comes from two New York recording
 dates: February 13 and February 21, 1963,
 with the LP concentrating on the February 21 stereo recordings.

credits

Personnel (February 21, 1963)

The accepted lineup for the 2/21/63 stereo session is:

Musician    Instrument
Elmore James    vocals, slide guitar
Johnny Jones    piano
Homesick James    second guitar
A.C. Reed    tenor saxophone
David    organ (on selected titles)
Raymond (probable)    bass
Bobby Robinson (or session drummer hired by Robinson)    production

The drummer is not definitively documented. Discographers generally
 agree that the surviving session files do not identify the drummer with
 certainty, and several reference works leave the position uncredited.

The recordings were made in New York City for producer Bobby Robinson.
Most modern discographies identify the location simply as:
Bobby Robinson's New York recording studio, Manhattan

Producer
Bobby Robinson — producer and owner of the Fire/Enjoy labels.
Recording dates
13 February 1963 – first session
21 February 1963 – final session (source of the "Stereo Tapes")
24 February 1963 – Elmore James died of a heart attack three days later.

tracklist:

A1        Everyday I Have The Blues
Written-By – P. Chatman*
A2        Can't Stop Lovin' My Baby
Written-By – Elmore James
A3        I Got To Move
Written-By – Elmore James
A4        I Believe
Written-By – Elmore James
A5        Elmore Jumps One (Inst.)
Written-By – Elmore James
A6        Talk To Me Baby
Written-By – Elmore James
A7        It Hurts Me Too
Written-By – Elmore James
B1        Dust My Broom
Written-By – Elmore James
B2        Hand In Hand
Written-By – Elmore James
B3        Got A Right To Love My Baby
Written-By – Elmore James
B4        Pickin' The Blues (Inst.)
Written-By – Elmore James
B5        Twelve Year Old Boy
Written-By – Elmore James
B6        Make My Dreams Come True
Written-By – Elmore James
B7        I Gotta Go Now
Written-By – Elmore James

link

Elmo James – The Sky Is Crying (Sphere Sound Records LP 7002)

 

 Elmo James – The Sky Is Crying (Sphere Sound Records LP 7002): The Blues Masterpiece That Defined Electric Delta Blues

 

 

Sphere Sound Records 1965 – LP 7002 

 

 

 notes:

Few blues recordings have achieved the timeless status of
 Elmo James' "The Sky Is Crying." Released as Sphere Sound Records 
LP 7002, this iconic collection captures the raw emotion, soulful slide 
guitar, and powerful vocal delivery that made Elmo James 
one of the most influential figures in blues history.
Known as a pioneer of electric slide guitar, Elmo James helped shape 
the sound of modern blues and inspired generations of musicians, 
including Eric Clapton, Duane Allman, Stevie Ray Vaughan, and countless others.
The Story Behind The Album
"The Sky Is Crying" showcases Elmo James at the peak of his artistic powers. 
The album features some of his most celebrated recordings, blending 
traditional Delta blues roots with the emerging electric blues sound that 
dominated the post-war era.
The title track, "The Sky Is Crying," remains one of the most recognizable 
blues songs ever recorded. Its haunting lyrics and expressive slide guitar 
perfectly capture the pain, longing, and resilience that define classic blues music.

This LP was the first U.S. album compilation to gather Elmore James' Bobby 
Robinson-produced recordings made between 1959 and 1961 in Chicago and 
New York. Seven tracks had originally appeared on Robinson's Fire label
 singles before being collected on the Sphere Sound album.

 

credits:

Musician    Instrument
Elmore James    vocals, slide guitar
Homesick James    second guitar, bass guitar
Little Johnnie Jones    piano
J. T. Brown    tenor saxophone
Odie Payne Jr.    drums
Wild Jimmy Spruill    guitar on New York sessions
Boyd Atkins (possible)    saxophone on some sessions
Sam Myers (occasionally cited)    drums/harmonica on some recordings

The LP is not a single-session album. It compiles recordings made for producer Bobby Robinson:

Period    Location    Notes
Nov. 1959    Chicago    Session that produced “The Sky Is Crying,”
 “Bobby's Rock,” and other Fire recordings.
1960–1961    Chicago    Additional Fire label recordings with the Broomdusters.
1960–1961    New York City    Sessions supervised by Bobby Robinson using 
New York session musicians, including Wild Jimmy Spruill.

Producer
Bobby Robinson — producer, Fire/Enjoy/Sphere Sound recordings. 
Robinson also recalled helping develop the song idea for 
“The Sky Is Crying” during a rainy day in Chicago.

tracklist:

A1        The Sky Is Crying
Written-By – Robinson*, James*
2:47
A2        Dust My Broom
Written-By – Elmo James*
2:54
A3        I Held My Baby
Written-By – Robinson*, James*
2:50
A4        Fine Little Mama
Written-By – Elmo James*
2:32
A5        Bobbie's Rock
Written-By – Robinson*, James*
2:09
A6        I Can't Stop Lovin' You
Written-By – Elmo James*
2:33
B1        I Done Somebody Wrong
Written-By – Robinson*, James*
2:20
B2        Rollin' And Tumblin'
Written-By – Robinson*, James*
2:30
B3        One Way Out
Written-By – James*, Sehorn*
2:25
B4        My Bleeding Heart
Written-By – James*, Sehorn*
3:05
B5        I'm Worried
Written-By – Robinson*, James*
2:44
B6        Standing At The Crossroads
Written-By – James*, Josea* 

 

 

 

link 

 

 

 

Ramsey Lewis Trio – Bossa Nova (Argo Records LP 705)

Ramsey Lewis Trio Bossa Nova Argo LP 705 – Vintage Jazz Vinyl Album Review

Argo records 1962  – LP 705

 

 notes:

The Ramsey Lewis Trio brought a fresh and sophisticated sound 
to the jazz world with Bossa Nova, released on Argo Records as 
LP 705. During the early 1960s, the bossa nova movement captivated 
audiences worldwide, and Ramsey Lewis successfully blended 
Brazilian rhythms with his signature jazz piano style.
Featuring elegant piano work, subtle percussion, and tasteful 
bass lines, Bossa Nova showcases the trio's ability to reinterpret 
popular Latin-inspired melodies while maintaining a distinctly 
American jazz character. The album reflects the growing influence 
of Brazilian music on jazz during the era and remains an enjoyable
 listen for collectors and enthusiasts of vintage vinyl records.
The recording highlights Ramsey Lewis's melodic touch and rhythmic
 precision, qualities that would later contribute to his rise as one of
 the most recognizable jazz pianists of his generation. Today, original 
pressings of Argo LP 705 are sought after by vinyl collectors who 
appreciate classic jazz and the golden age of bossa nova.
Whether you're a longtime fan of Ramsey Lewis or discovering his
 music for the first time, Bossa Nova offers a fascinating glimpse into
 the fusion of jazz and Brazilian musical traditions
 that defined an important chapter in jazz history.

credits:

Personnel

Ramsey Lewis — piano
Eldee Young — bass
Isaac 'Red' Holt — drums
Josef Paulo — guitar, pandeiro, vocals
Carmen Costa — cabaça (gourd percussion), vocals

Recording Studio

Sources agree that the album was recorded at Yamaha Studio during the September 
1962 sessions. Most discographical references identify the location as Los Angeles, 
California, while some original pressing notes list Yamaha Studios 
and have been reported as San Francisco, California.

Recording Staff
Producer: Ralph Bass
Recording Engineer: Reice Hamel
recorded 
September 22 & 25, 1962    Yamaha Studio, 
San Fransisco, CA

tracks list:

A1        Samba De Orpheus
Written-By – Jobin*, Bonfa*
    3:35
A2        Maha De Carnaval (The Morning Of The Carnaval)
Written-By – Jobin*, Bonfa*
    4:41
A3        A Criancinhas (The Children)
Written-By – Eldee Young
    2:37
A4        A Noite Do Meu Bem (The Night Of My Love)
Vocals – Carmen Costa
Written-By – D. Duran*
    4:17
A5        O Pato (The Duck)
Written-By – J. Silva*
    2:37
B1        Generique (Happiness)
Arranged By – Ramsey Lewis
    5:00
B2        Roda Moinho (Whirlpool)
Written-By – V. Guaraldi*
    3:19
B3        Cara De Palhaco (The Face Of The Clown)
Vocals – Josef Paulo
    2:22
B4        Canacao Para Geralda (A Song For Geraldine)
Written-By – R. Lewis*
    6:17

 

 

link

Ramsey Lewis – Wade In The Water (Cadet Records LPS 774)

Ramsey Lewis – Wade In The Water (Cadet Records LPS 774): The Jazz Classic That Defined Soul Jazz

Cadet Records 1966  LPS 774

notes:

Few jazz recordings have crossed over into mainstream popularity
 as successfully as "Wade In The Water" by Ramsey Lewis. Released 
on Cadet Records as LPS 774, this landmark album captures the energy,
 groove, and accessibility that helped bring soul jazz to 
a wider audience during the 1960s.
The title track, a vibrant interpretation of the traditional spiritual 
"Wade In The Water," became one of Ramsey Lewis' biggest hits. 
Combining infectious rhythms, memorable piano lines, and the tight
 interplay of the Ramsey Lewis Trio, the recording resonated with 
both jazz enthusiasts and popular music listeners alike.

credits:

Musician    Instrument
Ramsey Lewis    piano, keyboards
Cleveland Eaton    bass
Maurice White    drums
Richard Evans    arranger, conductor
Additional Horn Personnel
Musician    Instrument
John Avant    trombone
    
Richard Evans - Director

Engineer – Bob Kidder, Bruce Swedeen
Recorded:May 26, 1966-Jun 29, 1966 at 
Universal Studios, Chicago, Ill. 
Augmented by Brass, Woodwind and Percussion.

tracklist: 

A1 Wade In The Water
Written-By – Lewis    
A2 Ain't That Peculiar
Written-By – Tarplin*, Rogers*, Robinson*, Moore    
A3 Tobacco Road
Written-By – Loudermilk*    
A4 Money In The Pocket
Written-By – Zawinul
A5 Message To Michael
Written-By – Bacharach & David
B1 Up Tight
Written-By – Cosby*, Judkins*, May    
B2 Hold It Right There
Written-By – Evans
B3 Day Tripper
Written-By – Lennon-McCartney
B4 Mi Compasion
Written-By – Edwards*
B5 Hurt So Bad
Written-By – Weinstein*, Harshman*, Randazzo*

 

 

 

 link

 

Prime Mates – Hot Tamales

 

 

 

 

 Prime Mates – Hot Tamales  Classic Dance &  Groove Review

 

 

 

Sansu records 1967  ‎– 465

notes:

Prime Mates – Hot Tamales is a dance and electronic music release 
that captures the energetic spirit of classic club culture. Built around
 engaging rhythms, dynamic percussion, and memorable melodies, 
the track remains an interesting listen for fans of vintage electronic music.
The production showcases the characteristics that made many dance 
records from its era stand out: driving beats, layered instrumentation, 
and a groove-oriented arrangement designed to keep 
listeners engaged from beginning to end.
For collectors and enthusiasts of electronic dance music, Hot Tamales 
represents a snapshot of a period when creativity and experimentation 
were central to club-oriented productions. Its rhythmic structure and i
nfectious energy continue to appeal to DJs, music historians,
 and fans exploring classic dance releases.
The Prime Mates only released one single 'Hot Tamales'.
They were a group of Sansu studio musicians possibly 
including Allen Toussaint on piano and Art Neville on organ.

Credits

Musicians

No contemporary source gives a complete lineup. The strongest 
published lead is that The Prime Mates were probably a studio-only
 group made up of Sansu session musicians, with possible participation by:

Allen Toussaint – piano (unconfirmed)
Art Neville – organ (unconfirmed)
This attribution comes from collector/researcher notes stating that the 
Prime Mates were “a group of Sansu studio musicians possibly including 
Allen Toussaint on piano and Art Neville on organ.

    Producer – A. Toussaint*, M. Sehorn*
    Written-By – Al D. F. Fayard*

tracklist:

A     Hot Tamales - Part 1     2:37
B     Hot Tamales - Part 2     2:50 

 

 

link 

 

 

 

 

 

The Braceros – Sunny / Spanish Moss (VAULT V-930)

 

 

 

 

 

 The Braceros – Sunny / Spanish Moss (VAULT V-930): A Rare Northern Soul & Funk Treasure

 

 

 

VAULT records ‎1966 – V-930

 

 notes:

Released on the prestigious Vault Records label as catalog number V-930, 
The Braceros' "Sunny" backed with "Spanish Moss" remains a fascinating
 collectible for soul, funk, and Northern Soul enthusiasts. While many 
versions of Bobby Hebb's classic "Sunny" appeared throughout the late 
1960s and early 1970s, The Braceros delivered a distinctive interpretation 
that blended soulful vocals, tight musicianship, and infectious rhythm.

The A-side, "Sunny," offers a vibrant and groove-driven take on the beloved 
standard. The band's arrangement brings a fresh energy to the song, 
combining soulful expression with dancefloor appeal that continues to 
resonate with vinyl collectors today.

On the flip side, "Spanish Moss" showcases a deeper, moodier atmosphere. 
Rich instrumentation and subtle funk influences create a memorable 
listening experience, making it a favorite among 
DJs searching for lesser-known gems from the era.

credits:

here is no official individual band member credit printed on the 7" vinyl. 
In the 1960s Los Angeles music scene, "The Braceros" was almost certainly 
a pseudonym created for a group of top-tier West Coast studio session 
musicians.The name "Bracero" translates from Spanish to mean "manual 
worker" (derived from brazo, meaning arm), paying a thematic homage 
to the Latin, jazz, and soul crossover style they were playing. The track features: 
 Lead Vocals / Ensemble: Latin Soul/Boogaloo style vocal delivery.
Instrumentation: A tight rhythm section consisting of driving drums,
 heavy bass, upfront Latin percussion (congas/timbales), and a sharp 
brass/horn section executing a mid-tempo groove behind Bobby Hebb's 
classic "Sunny" melody.Because it was a localized studio-only project 
designed to capitalize on the 1966 Latin soul craze, the exact names
 of the session players remain lost to time, sealed within Vault's lost logbooks.
 Today, the single remains highly sought after by Popcorn, Soul, and Latin Jazz vinyl collectors.

Producer – Jack Lewerke

 Tracklisting

A Sunny
Written-By – B. Hebb 2:35
B Spanish Moss
Written-By – B. Gerstlauer 2:30

 

 

 

link