Baby Face Willette – Mo' Rock Argo DJLP-739 Soul Jazz

 

 

 

 

 

 

 

 

 Baby Face Willette – Mo' Rock (Argo DJLP-739): Classic 1964 Soul Jazz Hammond Groove

 

 

 

 

Argo records 1964 – DJLP-739

notes:

Following his acclaimed Blue Note recordings, organist 
Baby Face Willette returned in 1964 with Mo' Rock, a 
deeply soulful Hammond organ session for Argo Records. 
Recorded in Chicago, the album blends gospel, blues,
 hard bop and soul jazz into an expressive organ trio
 performance that reflects Willette's unmistakable musical voice.
Backed by guitarist Ben White and drummer Eugene Bass,
 Willette delivers an energetic collection of original compositions 
alongside inspired interpretations of standards including
 "But Not for Me" and "Misty." The title track and "Zip Five" 
showcase his powerful Hammond B-3 sound, while 
"Bantu Penda" and "Sight in Darkness" reveal the trio's 
blues-infused improvisational chemistry.
Although often overshadowed by his Blue Note masterpieces,
 Mo' Rock remains an essential recording for collectors of 
soul jazz and vintage Hammond organ music. Its warm 
Chicago groove, gospel roots and swinging performances
 make it one of the hidden gems of the Argo catalog.

credits:

Line-up / Musicians
Baby Face Willette – Hammond organ
Ben White – guitar
Eugene Bass – drums
Recording Dates
February 4, 1964
March 17, 1964
Recording Studio
Ter Mar Recording Studio
Chicago, Illinois
Engineer – Ron Malo
Producer
Esmond Edwards

track list:

A1        Mo-Roc
Written By – Roosevelt Willette
    4:45
A2        Bantu Penda
Written By – Roosevelt Willette
    5:20
A3        Dad's Theme
Written By – Roosevelt Willette
    5:27
A4        But Not For Me
Written By – George & Ira Gershwin
    4:10
B1        Misty
Lyrics By – Johnny Burke
Music By – Erroll Garner
    3:50
B2        Unseen And Unknown
Written By – Roosevelt Willette
    4:15
B3        Zip Five
Written By – Roosevelt Willette
    5:16
B4        Sight In Darkness
Written By – Roosevelt Willette
    5:05

 

 

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Baby Face Willette – Behind The 8 Ball Argo DJLP-749

 

 

 

 

 

 

 Baby Face Willette – Behind The 8 Ball (Argo Records DJLP-749): Rare Soul Jazz Hammond Organ Masterpiece

 

 

 

 

 

Argo records 1964   – DJLP-749

 

 

 notes:

Behind The 8 Ball was Baby Face Willette's final album as a leader.
 Unlike his earlier Blue Note recordings featuring larger ensembles,
 this session is built around his working Chicago trio, emphasizing 
gospel-infused soul jazz and blues. The only additional musician is
 Gene Barge, a prominent Chess/Argo session saxophonist, who guests
 on the traditional gospel tune "Amen." The album was recorded 
at Chess Records' own Ter Mar Recording Studio in Chicago,
 where many classic Argo and Chess jazz and blues sessions were produced.

credits:

Personnel (Line-up)
Baby Face Willette – Hammond organ
Ben White – guitar
Jerold Donavon – drums
Gene Barge – alto saxophone (appears only on Track 3, "Amen")
Recording Session
Date: November 30, 1964
Studio: Ter Mar Recording Studio
Location: Chicago, Illinois
Producer: Esmond Edwards
Recording Engineer: Not officially credited on the original LP

Tracklist:

A1        Behind The 8 Ball
Written-By – Roosevelt Willette
    2:20
A2        Song Of The Universe
Written-By – Roosevelt Willette
    7:03
A3        Amen
Arranged By – Roosevelt Willette
    2:32
A4        Tacos Joe
Written-By – Bennie White
    3:12
B1        Roll 'Em Pete
Written-By – Joe Turner*, Pete Johnson
    2:57
B2        Just A Closer Walk
Written-By – Roosevelt Willette
    6:55
B3        St. James Infirmary
Written-By – Joe Primrose
    2:22
B4        Sinnin' Sam
Written-By – Nesbert Hooper
    4:25

 

 

 

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Maze Featuring Frankie Beverly – We Are One (1983) LP

 

 

 

 

 

 

 

 

 

 

 Maze Featuring Frankie Beverly – We Are One (1983) | Classic Soul & Quiet Storm LP

 

 

 

 

 

 

Capitol Records 1982/83   – ST-12262

 

 notes: 

We Are One is a soulful R&B classic by Maze featuring Frankie Beverly, 
released in 1983 on the We Are One album. Known for its heartfelt 
lyrics and smooth grooves, the track celebrates unity and love in the 
face of life’s everyday challenges.
The song opens with introspective lines reflecting on how people 
sometimes hurt each other and play “silly, silly games,” yet ultimately
 reaffirms that “we are one” — a message of shared humanity and compassion.
Frankie Beverly’s expressive vocals and the band’s rich musical 
arrangement helped make this track a beloved favorite among 
R&B and soul fans, and it still inspires listeners with its uplifting 
message of connection and understanding.

credits:

Frankie Beverly    Lead vocals, guitar, keyboards, percussion, producer
Robin Duhe    Bass guitar
Ron Smith    Lead guitar
Wuaneg (Wayne) Thomas    Guitar
Sam Porter    Organ, keyboards
Wayne "Ziggy" Lindsay    Keyboards, synthesizer
Billy Johnson    Drums
Roame (Ronald) Lowry    Congas, percussion, backing vocals
McKinley "Bug" Williams    Percussion, backing vocals
Additional musician
Phillip Woo – Keyboards (featured on selected tracks,
 including the title song)


Recording dates
Recorded: 1982–1983
Recorded at "The Automatt Recording Studios" - San Francisco.
Mixed at Fantasy Recording Studios, Berkeley, Ca
Mastered at Capitol Recording Studios
Engineer – Leslie Ann Jones (Jug)
Assistant Engineers: Ray Pyle, Michael Herbick, Steve Evans, Stephen Hart, 
Tom Race, David Luke (various sessions)
Mastered By – Wally Traugott
Mixed By – David Cole
Mixed By [Assistant] – Mike Herbick

tracklist:

All songs written by: Frankie Beverly

A1        Love Is The Key    4:26
A2        Right On Time    5:59
A3        Your Own Kind Of Way
Drums – Dr. Harvey Mason*
5:13
A4        I Wanna Thank You    5:26
B1        We Are One    6:30
B2        Never Let You Down
Drums – Dr. Harvey Mason*
5:21
B3        I Love You Too Much    6:13
B4        Metropolis    0:43

 

 

 

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Jimmy McGriff Live Where The Action's At Veep LP

Jimmy McGriff – Live Where The Action's At (Veep VPS 16515) | Rare Soul Jazz LP Review

Veep Records  1965     VPS 16515

notes:

Jimmy McGriff – Live Where The Action's At (Veep Records VPS 16515)
 is a dynamic live soul jazz album that captures the legendary 
Hammond B-3 organist at the peak of his powers. Blending blues, gospel, 
R&B and hard-grooving jazz, the record showcases McGriff's infectious 
rhythms, soulful improvisation and the electrifying atmosphere that made 
him one of the greatest jazz organists of his era. Today, this Veep Records 
release remains a highly desirable collectible among 
soul jazz enthusiasts and vintage vinyl collectors.

credits:

Line-up / Personnel
Jimmy McGriff – Hammond organ
Thornel Schwartz – guitar
Willie "Saint" Jenkins – drums
Recording Date
December 30, 1965
Recording Venue / Studio
Recorded live at The Front Bar, Newark, New Jersey, USA (not a recording studio).
Producer
Sonny Lester

tracklist:

A1        Where It's At    4:32
A2        When Johnny Comes Marching Home
Arranged By – J. McGriff*
4:00
A3        Up Tight
Written By – Cosby-Moy-Judkins
5:48
A4        Frugal Bugle    6:28
B1        Upper Ground    5:00
B2        Georgia On My Mind
Written-By – H. Carmichael*, S. Gorrell*
5:40
B3        Goin' Out Of My Head
Written-By – B. Weinstein*, T. Randazzo*
3:58
B4        Robbins Nest
Written By – I. Jacquet
Written-By – Sir Charles Thompson
5:08

Written-By – J. McGriff* (pistes : A1, A4, B1)

link

Ramsey Lewis – Dancing In The Street (Cadet LPS 794)

Ramsey Lewis – Dancing In The Street (Cadet Records LPS 794)

Cadet Records 1967 – LPS 794

 notes:

Released by Cadet Records as LPS 794, Dancing In The Street
 finds Ramsey Lewis and his celebrated trio transforming 
contemporary soul and pop hits into sophisticated soul jazz. 
Featuring elegant piano work, infectious grooves, and 
memorable melodies, the album captures the crossover 
sound that made Ramsey Lewis one of 
the most successful jazz artists of the 1960s.

Following the commercial success of The "In" Crowd, Lewis 
continued to bridge jazz and popular music with inventive 
arrangements that appealed to both jazz enthusiasts and 
mainstream audiences. The trio's dynamic interplay, subtle 
improvisation, and rhythmic precision make
 Dancing In The Street an essential entry in the Cadet catalog.
The album includes jazz interpretations of contemporary classics,
 blending soulful rhythms, blues influences, and polished production.
 It remains highly regarded by collectors of vintage jazz and soul LPs.

credits:

Ramsey Lewis – piano
Cleveland Eaton – bass
Maurice White – drums
Esmond Edwards – producer

Recorded :

July 3-9, 1967    Live At Basin Street West, San Flancisco, CA
Engineer – Wally Heider

tracklist:

A1        Dancing In The Street
Written-By – Marvin Gaye, William Stevenson
5:03
A2        Mood For Mendes
Written-By – Bill Taylor*
2:57
A3        Struttin' Lightly
Written-By – Cleveland Eaton
4:45
A4        You Don't Know Me
Written-By – Walker*, Arnold*
4:37
A5        Django
Written-By – John Lewis (2)
4:40
        "Black Orpheus" Medley    (8:23)
B1a        Felicidade
Written-By – Antonio Carlos Jobim, Vinicius DeMoraes*
B1b        Manha De Carnaval
Written-By – Luiz Bonfa*
B1c        Samba De Orpheus
Written-By – Luiz Bonfa*, A. Maria*
B2        What Now My Love
Written-By – Carl Sigman, Gilbert Becaud*
5:18
B3        Quiet Nights (Corcovado)
Written-By – Antonio Carlos Jobim, Gene Lees
3:22

 

 

 link 

Ramsey Lewis Trio – Hang On Ramsey! (Cadet Records LPS 761)

Ramsey Lewis Trio – Hang On Ramsey! (Cadet LPS 761)

Cadet Records 1965 – LPS 761

notes:

Released in 1965 on Cadet Records, Hang On Ramsey! 
captures the Ramsey Lewis Trio at the height of its 
popularity. Following the international success of 
The "In" Crowd, the trio continued blending sophisticated
 jazz with infectious soul grooves, gospel influences,
 and accessible pop melodies.
Featuring Ramsey Lewis' expressive piano, Eldee Young's 
melodic bass, and Red Holt's dynamic drumming, the album 
offers energetic interpretations of contemporary hits 
alongside tasteful originals. It remains one of the finest 
examples of mid-1960s soul jazz and an 
essential collectible for jazz and vinyl enthusiasts.

credits:

Line-up / Musicians
Ramsey Lewis – piano
Eldee Young – bass
Isaac "Redd" Holt – drums
Recording Date
October 14–17, 1965
Recording Venue / Studio

Unlike a studio album, Hang On Ramsey! was recorded live in concert at:

The Lighthouse Café
Hermosa Beach, California, USA
Production Credits
Producer: Esmond Edwards
Recording Engineer: Reice Hamel

tracklist:

A1 A Hard Day's Night
Written-By – John Lennon & Paul McCartney*    
A2 All My Love Belong To You
Written-By – Sol Winkler, Teddy Powell    
A3 He's A Real Gone Guy
Written-By – Nellie Lutcher    
A4 And I Love Her
Written-By – John Lennon & Paul McCartney*
A5 Movin' Easy
Written-By – Ramsey Lewis    
B1 Billy Boy / Hi-Heel Sneakers
Arranged By [Billy Boy] – Ramsey Lewis
Written-by [Hi-heel Sneakers] – Robert Higgenbotham*    
B2 The More I See You
Written-By – Harry Warren (2), Mack Gordon    
B3 Satin Doll
Written-By – Duke Ellington    
B4 Hang On Sloopy
Written-By – Bert Russell, Wes Farrell

link

 

The Ramsey Lewis Trio – Stretching Out (Argo LP 665)

The Ramsey Lewis Trio – Stretching Out (Argo LP 665, 1960) | Review, Musicians & Rare Jazz Vinyl

Argo Records 1960  ‎– LP 665

 

 

 notes:

Released in 1960 on Argo Records as LP 665, The Ramsey Lewis Trio
 – Stretching Out captures the young Chicago trio at the beginning 
of its remarkable career. Blending hard bop, blues and gospel influences
 with Ramsey Lewis' lyrical piano style, the album features bassist 
Eldee Young and drummer Isaac "Red" Holt. This article explores 
the complete track listing, recording session, musicians, historical 
background and the collectible value of this early Argo Records jazz LP.

credits:

Arranged By – Ramsey Lewis (tracks: A1, B1)
Bass – Eldee Young
Drums – Red Holt
Piano – Ramsey Lewis
Producer [Supervision] – Jack Tracy

Recorded February 23 and 24, 1960 at 
Ter-Mar Recording Studios, Chicago.
Engineer – Ron Malo

Producer – Jack Tracy

tracklist:

A1        Little Liza Jane
Arranged By – Lewis*
    3:08
A2        This Is My Night To Dream
Written-By – Monaco*, Burke*
    2:30
A3        Scarlet Ribbons
Written-By – Danzig*, Segal*
    3:25
A4        Here 'Tis
Written-By – Young*, Lewis*, Holt*
    2:46
A5        My Ship
Written-By – Gershwin*, Weill*
    4:06
B1        Put Your Little Foot Right Out
Arranged By – Lewis*
    2:53
B2        Solo Para Ti
Written-By – Young*, Lewis*, Holt*
    2:45
B3        These Foolish Things
Written-By – Maschwitz*, Link*, Strachey*
    3:30
B4        When The Spirit Moves You
Written-By – Young*, Lewis*, Holt*
    3:36
B5        A Portrait Of Jennie
Written-By – Burdge*, Robinson*
    2:25

 

link

Ramsey Lewis – Goin' Latin (Cadet Records LPS-790, 1967)

Ramsey Lewis – Goin' Latin (Cadet LPS-790) | Rare Soul Jazz Vinyl Guide

Cadet Records 1966 ‎– LPS 790

Notes:

Released in 1967 on Cadet Records, Goin' Latin finds 
Ramsey Lewis exploring Afro-Cuban and Brazilian influences 
while maintaining the soulful piano style that made him one 
of the most successful jazz artists of the 1960s. Following 
the crossover success of The In Crowd and Wade in the Water, 
Lewis blended infectious Latin grooves with sophisticated 
jazz improvisation, creating an album equally suited for
 jazz listeners and fans of danceable instrumental music.

Produced by the legendary Esmond Edwards for Cadet Records, 
the album features polished arrangements, memorable melodies,
 and rhythmic percussion that reflect the growing influence 
of Latin music on American jazz during the decade. The result
 is an engaging fusion of 
soul jazz, bossa nova, mambo, and hard-swinging Chicago jazz.

credits:

Arranged By, Conductor – Richard Evans 
Bass – Cleveland Eaton
Drums – Maurice White
Piano – Ramsey Lewis
augmented by Percussion, 
Bass, and strings
The album was expanded beyond the trio with an orchestra 
arranged by Richard Evans, featuring:
Unidentified brass section
Unidentified string section
Unidentified Latin percussionists
Unfortunately, Cadet Records did not credit the individual orchestral 
or percussion musicians on the original LP, and no verified 
AFM session sheets identifying these players have been published.
Producer – Esmond Edwards


Recorded: December 21–23, 1966
Recording Studio: RCA Studios, Chicago, Illinois
Producer – Esmond Edwards
Engineer [Recording] – Brian Christian
Engineer [Supervising] – Doug Brand
 

tracklist:

A1 Hey, Mrs. Jones
 Written-By – Miller*, Reagan 
A2 Summer Samba
Written By – Gimble, Marcus & Valle 
A3 One, Two, Three
 Written-By – White*, Madara*, Borisoff*     
A4 Free Again
 Written-By – Canfora*, Baselli*, Jourdan*, Colby* 
A5 Down By The Riverside
Adapted By – E. Edwards* 
B1 Blue Bongo
Written-By – Richard Evans  
B2 I'll Wait For You
Written-By – Evans 
B3 Function At The Junction
Written-By – Long*, Holland & Dozier 
B4 Spanish Grease
Written-By – Lastie, Bobo
B5 Lara's Theme (Somewhere My Love) 
(From The MGM Film "Dr. Zhivago")
Written-By – Garre*, Webster* 
B6 Cast Your Fate To The Wind
 Written-By – Guaraldi* 

    
link

 

 

 

 

 

The Ramsey Lewis Trio – Another Voyage (Cadet Records LPS-827, 1969

The Ramsey Lewis Trio – Another Voyage (1969 Cadet LPS-827) Review & Vinyl Guide

Cadet Records 1969 ‎– LPS-827

 

 notes:

Released in 1969 on Cadet Records (LPS-827), Another Voyage captures 
The Ramsey Lewis Trio during one of its most adventurous musical 
periods. Blending soul jazz, jazz-funk, gospel influences and contemporary
 grooves, the album reflects the trio's transition toward a more electric
 sound while maintaining the sophisticated piano style that made 
Ramsey Lewis one of jazz's most popular artists.

Recorded for Chess Records' Cadet label, the album features imaginative 
arrangements, strong rhythmic interplay and the elegant melodic touch 
that became Ramsey Lewis' trademark throughout the late 1960s.

Following the enormous success of The In Crowd and several 
best-selling Cadet releases, Another Voyage continued Lewis' exploration
 of modern jazz fused with soul and R&B influences, 
anticipating the jazz-funk movement of the early 1970s.

Crédits

    Bass – Cleveland Eaton
    Guitar – Phil Upchurch (tracks: A2, A5, B1)
    Kalimba – Maurice White (tracks: B3)
    Percussion – Maurice White
    Producer, Piano – Ramsey Lewis
   
Recorded 1969 at Ter-Mar Studios, Chicago:   10,12,13 and May 14

Engineer – Stu Black

tracklist:

A1 If You've Got It, Flaunt It (Part I)
Written-By – Eaton*, White*, Lewis*
A2 Wanderin' Rose
Written-By – Neal Creque
A3 How Beautiful Is Spring
Written-By – E. Harris*
A4 Do What You Wanna
Written-By – Ramsey Lewis
A5 My Cherie Amour
Written-By – Cosby*, Wonder*, Moy*
B1 Bold And Black
Written-By – E. Harris*
B2 Opus V
Written-By – Charles Stepney
B3 Uhuru
Written-By – Eaton*, White*
B4 Cecile
Written-By – Cleveland Eaton
B5 If You've Got It, Flaunt It (Part II)
Written-By – Eaton*, White*, Lewis*

 

 

 link

 

 

 

Jackie Ivory – Soul Discovery (ATCO SD 33-178)

Jackie Ivory – Soul Discovery (ATCO SD 33-178)  Rare 1965 Soul LP Review

Atco Records ‎1965 – SD 33 178

notes:

Released by ATCO Records in 1965, Jackie Ivory – Soul Discovery
 is one of the lesser-known but highly desirable soul LPs of 
the mid-1960s. Combining deep Southern soul, rhythm & blues, 
and gospel-infused vocals, the album showcases Ivory's powerful
 voice and emotional delivery during the golden age of American soul music.
Although overshadowed by larger ATCO stars, Soul Discovery has 
become a favorite among collectors seeking overlooked gems from 
the classic soul era. Original mono and stereo pressings 
remain scarce and increasingly sought after.

credits:

Drums – Bill Nicks
Organ – Jackie Ivory
Tenor Saxophone – Paul Renfro

Recorded in Chicago at Univerdal Recording Corporation
Engineer Murray R. Allen

tracklist:

A1        High Heel Sneakers
Written-By – Robert Higginbotham
A2        Freddy The Freeloader
Written-By – Miles Davis
A3        So What
Written-By – Miles Davis
A4        I Left My Heart In San Francisco
Written-By – Douglass Cross, George Corey*
A5        The Monkey Woman
Written-By – Grant Ivory
B1        Lonely Avenue
Written-By – Doc Pomus
B2        Do It To Death
Written-By – Grant Ivory
B3        Sister Sadie
Written-By – Horace Silver
B4        Thank Heaven
Written-By – Grant Ivory

link

The Joe Cuba Sextet – Wanted Dead Or Alive (Bang! Bang! Push, Push, Push) Tico Records TRSLP-1146

Joe Cuba Sextet Wanted Dead Or Alive  Tico TRSLP-1146

Tico Records 1966 ‎– TRSLP-1146

notes:

The Joe Cuba Sextet's Wanted Dead Or Alive 
(Bang! Bang! Push, Push, Push) is one of the defining 
recordings of the Latin boogaloo movement. Released 
on Tico Records, the album captures the infectious
fusion of Afro-Cuban rhythms, soul, jazz, and R&B that
dominated New York City's dance clubs during the late 1960s.

Following the international success of Bang Bang, Joe Cuba
 continued to bridge Latin music and American soul with 
irresistible dance grooves, lively percussion, and unforgettable 
vocal chants. This LP perfectly reflects the vibrant sound 
of Spanish Harlem during the golden age of Latin soul.
Driven by energetic timbales, congas, vibraphone, piano, 
and catchy choruses, the album remains an essential 
recording for collectors of Latin jazz, salsa, and rare groove vinyl.

credits:

Joe Cuba (Gilberto Miguel Calderón)    Congas, leader
Jimmy Sabater    Timbales, vocals
Nick Jiménez    Piano, arrangements
Tommy Berríos    Vibraphone
Jules Cordero    Bass
Willie Torres    Lead vocals, coro
Recording date: Not officially documented (probably summer–autumn 1966)
Recording location: New York City, New York, USA
Recording studio: Unknown / uncredited
Producer: Pancho Cristal

tracklist:

A1 Bang! Bang!
Written-By – Jaime Sabater, Joe Cuba 4:04
A2 Mujer Divina
Written-By – Hector Rivera 4:32
A3 Oh Yeah
Written-By – Jaime Sabater 3:20
A4 La Malanga Brava
Written-By – Jaime Sabater 3:05
A5 Que Son Uno
Written-By – Jaime Sabater*, Joe Cuba 4:15
A6 Sock It To Me
Written-By – Hector Rivera, Jaime Sabater 2:20
B1 Asi Soy
Written-By – Jaime Sabater*, Joe Cuba 3:04
B2 Triste
Written-By – Nick Jimenez 2:27
B3 Alafia
Written-By – Jaime Sabater 3:25
B4 Push, Push, Push
Written-By – Jaime Sabater*, Joe Cuba 2:15
B5 Cocinando
Written-By – Hector Rivera, Henry Alvarez*, Joe Cuba 9:00

link

 

The Larks – The Jerk (Money Records LP 1102)

The Larks – The Jerk (Money Records LP 1102) | Rare Soul LP

Money Records  1965 ‎– LP 1102

notes:

Released during the height of America's mid-1960s dance craze,  
The Jerk by The Larks captures the infectious energy of classic 
soul and rhythm & blues. Issued on Money Records as LP 1102,
 this scarce album combines upbeat dance numbers, smooth vocal 
harmonies and energetic performances that made dance
 records an essential part of the era's soul music scene.

Although primarily remembered for the title dance hit, 
the album offers an enjoyable blend of uptempo soul, 
R&B and early funk influences. Today, original Money 
Records pressings are sought after by collectors of 
rare soul vinyl, dance craze records and independent label releases.

For enthusiasts of vintage American soul, The Jerk remains 
an entertaining snapshot of the exciting dance-floor 
culture that flourished before the arrival of late-1960s funk.

Don Julian  was an American rhythm and blues,funk 
and soul singer, guitarist and songwriter. Most 
famous for his work as an R&B singer in the 1950's 
and 1960's, he's also known for composing the soundtrack 
and songs to the (so-called) blacksploitation film, Savage!
Born Donald R. Julian in Houston, Texas, United States, 
in his teens he moved to Los Angeles, California, where 
he began performing with local bands.He performed both 
solo and with backing bands. His most famous backing group 
was "The Meadowlarks" (later named The Larks (Los Angeles Band)), 
although most of his film music was performed with instrumental 
funk bands.The Meadowlarks is considered the first integrated 
doo-wop group.In 1954, Don Julian and the Meadowlarks' debut 
single "Heaven and Paradise", became popular with R&B fans. 
In 1964, the single, "The Jerk" was released under the band 
name, The Larks. 

credits:

Although Money Records did not publish detailed LP credits,
 the principal members include:

Don Julian – lead vocals, songwriter
Ted Walters – vocals
Charles Morrison – vocals

Session musicians were Los Angeles studio players
 whose complete personnel remain undocumented.

Recorded: Late 1964–Early 1965
Studio: Los Angeles, California (exact studio undocumented)
Producer: Don Julian
Engineer – Doc Siegel

tracklist:

A1        The Jerk
Written-By – Don Julian
    2:30
A2        Keep Jerkin'
Written By [On back cover] – T. Walters-D. Julian
Written By [On label] – T. Walter-D. Julian
Written-By – D. Julian*, T. Walters*
    1:50
A3        Mickey's East Coast Jerk
Written-By – Don Julian
    2:40
A4        Do The Jerk
Written-By – Don Julian
    2:45
A5        Jerkin' U.S.A.
Written-By – Don Julian
    2:45
B1        Soul Jerk
Written-By – Don Julian
    2:25
B2        You Must Believe Me
Written-By – Curtis Mayfield
    2:40
B3        Jerk Once More
Written-By – Don Julian
    2:30
B4        Slauson Shuffle #1
Written-By – Don Julian
    2:30
B5        Slauson Shuffle #2
Written-By – Don Julian
    2:30

link

 

Etta James – Tell Mama (Cadet LPS 802)

Etta James – Tell Mama (Cadet LPS 802) Review

Cadet Records 1967 – LPS 802

 

notes:

Tell Mama is the seventh studio album by American singer 
Etta James. Her second album release for Cadet Records, 
Released in 1968 on Cadet Records (LPS 802), Tell Mama marked 
one of the greatest comebacks in soul music history. Recorded
 primarily at the legendary FAME Studios in Muscle Shoals, 
Alabama, the album revitalized Etta James' career by 
combining Southern soul, blues, gospel, 
and R&B into one unforgettable recording.
Backed by the celebrated Muscle Shoals Rhythm Section, 
Etta delivered some of the most emotionally charged performances 
of her career. Her powerful voice perfectly matched producer
 Rick Hall's raw Southern sound, resulting in timeless classics 
such as Tell Mama, I'd Rather Go Blind, and Security.
Today, Tell Mama remains one of the finest soul albums ever 
recorded and an essential LP for collectors of vintage soul and blues vinyl.


credits:

Etta James – lead vocals
Jimmy Johnson – guitar
Albert Lowe Jr. – guitar
David Hood – bass
Roger Hawkins – drums
Keyboards

The keyboard personnel varied slightly between sessions:

August 1967 sessions

Dewey "Spooner" Oldham – piano, organ
Carl Banks – organ

November–December 1967 sessions

Barry Beckett – organ
George Davis – piano
Marvell Thomas – piano (selected tracks)
Carl Banks – organ (selected tracks)
Horn Section
Charles Chalmers – tenor saxophone
Floyd Newman – baritone saxophone
Aaron Varnell – tenor saxophone
James Mitchell – saxophone (later sessions)
Gene "Bowlegs" Miller – trumpet
Recording Sessions by Date
August 22, 1967

Recorded:

Steal Away
Don't Lose Your Good Thing
Just a Little Bit

Personnel:

Etta James
Jimmy Johnson
Albert Lowe Jr.
David Hood
Roger Hawkins
Dewey Oldham
Carl Banks
Charles Chalmers
Floyd Newman
Aaron Varnell
Gene "Bowlegs" Miller
August 23, 1967

Recorded:

I'd Rather Go Blind
Watch Dog
I'm Gonna Take What He's Got

Same core Muscle Shoals band as above.

August 24, 1967

Recorded:

Tell Mama
The Love of My Man
It Hurts Me So Much

Same personnel as the August sessions.

November 30 – December 6, 1967

Recorded:

The Same Rope
Security
My Mother-in-Law
Do Right Woman, Do Right Man

Personnel changes:

Barry Beckett replaced Dewey Oldham on many organ parts.
George Davis and Marvell Thomas shared piano duties.
James Mitchell joined the horn section on several tracks.

Recording studio: FAME Studios
Location: Muscle Shoals, Alabama
Recording dates:
August 22–24, 1967
November 30 – December 6, 1967
Producer: Rick Hall
Recording engineer: Rick Hall
Arranger: Rick Hall

trackslist:

A1 Tell Mama
Written-By – Carter*
A2 I'd Rather Go Blind
Written By – Foster
Written-By – Jordan*
A3 Watch DogWritten-By – Rosco Gordon
Written-By – Covay*
A4 The Love Of My Man
Written-By – Townsend*
A5 I'm Gonna Take What He's Got
Written-By – Covay*
A6 The Same Rope
Written-By – Caston*, Webber*
B1 Security
Written-By – Redding*
B2 Steal Away
Written-By – Hughes*
B3 My Mother-In-Law
Written-By – George David*, Lee Diamond
B4 Don't Lose Your Good Thing
Written By – Robert Killen
Written-By – Hall*, Oldham*
B5It Hurts Me So Much
Written-By – Chalmers*
B6 Just A Little Bit
Written-By – Rosco Gordon

link

Sonny Boy Williamson II – King Biscuit Time (Arhoolie)

 

 

 

 

 

 Sonny Boy Williamson II – King Biscuit Time (Arhoolie) | Classic Blues Album

 

 

 

 

 

 

Arhoolie records 1970    lp 2020

 

 

notes:

Sonny Boy Williamson II – King Biscuit Time (Arhoolie)
Few blues musicians left a legacy as influential as 
Sonny Boy Williamson II (Aleck "Rice" Miller). 
His distinctive harmonica style, expressive vocals, and 
unforgettable radio performances helped shape 
modern electric blues. King Biscuit Time, released by 
Arhoolie Records, preserves some of the finest broadcasts
 from the legendary King Biscuit Time radio show, 
offering listeners an authentic glimpse into 
Arkansas blues during its golden era.
Originally broadcast on KFFA Radio in Helena, Arkansas, 
King Biscuit Time introduced countless listeners to 
Delta blues legends. Sonny Boy Williamson became the 
program's best-known performer, blending traditional 
country blues with a modern, amplified sound that would
 inspire generations of musicians, including Eric Clapton, 
The Rolling Stones, The Yardbirds, Paul Butterfield, 
and countless blues harmonica players.
The Arhoolie collection captures Williamson at his most relaxed
 and spontaneous. Unlike polished studio recordings, these
 performances reveal the raw energy of live radio, complete
 with his witty introductions, conversational singing style, 
and extraordinary harmonica improvisations.
Musically, King Biscuit Time is rooted in classic Delta blues
 while hinting at the emerging Chicago electric sound. Williamson's
expressive harmonica phrases, rhythmic accompaniment, 
and charismatic vocals make every performance feel intimate and immediate.
For blues collectors, this Arhoolie release is far more than a historical 
document. It preserves performances that might otherwise have 
been lost and remains one of the essential recordings for 
anyone interested in the development of post-war blues.
Today, King Biscuit Time stands as one of the finest collections 
documenting Sonny Boy Williamson II's remarkable talent and the
 enduring influence of the King Biscuit radio broadcasts 
on American blues history.

credits:

Line-up / Musicians

Because King Biscuit Time is a compilation drawn from 
several recording sessions, the personnel varies by session.

Trumpet Records sessions – August 5, 1951

Tracks:

Do It If You Wanna
Cool, Cool Blues
Come On Back Home
Stop Crying
West Memphis Blues
I Cross My Heart
Sonny Boy's Christmas Blues
Pontiac Blues

Personnel

Sonny Boy Williamson II (Aleck "Rice" Miller) – vocals, harmonica
Willie Love – piano
Elmore James – guitar
Joe Willie Wilkins – guitar
Leonard Ware – bass
Unknown – drums

Trumpet Records session – March 12, 1951

Tracks

Eyesight to the Blind
Crazy About You Baby

Personnel

Sonny Boy Williamson II – vocals, harmonica
Willie Love (probably) – piano
Henry Reed – bass
Unknown – guitar
Joe Dison – drums
Trumpet Records session – December 4, 1951

Tracks

Nine Below Zero
Mighty Long Time
She Brought Life Back to the Dead
Stop Now Baby
Mr. Downchild
Too Close Together

Personnel

Sonny Boy Williamson II – vocals, harmonica
Willie Love – piano
Joe Willie Wilkins – guitar
Cliff Bivens (Givens) – bass
broom percussion & bass vocal on "Mighty Long Time"
Unknown – drums
KFFA "King Biscuit Time" radio broadcast – May 1965

Tracks

V-8 Ford
Stormy Monday
Right Now
Come Go With Me

Personnel

Sonny Boy Williamson II – vocals, harmonica
Houston Stackhouse – guitar
James "Peck" Curtis – drums
Sonny Payne – announcer (heard during the broadcast)

Bonus track

Dust My Broom (Elmore James)

Personnel

Elmore James – vocals, guitar
Sonny Boy Williamson II – harmonica
Leonard Ware – bass

Recording Studios
Trumpet Records Sessions (1951)
Trumpet Records Studio
Jackson, Mississippi
Producer: Lillian McMurry
Recorded for Trumpet Records using the original ACA/DRC masters.
KFFA Broadcast (1965)
KFFA Radio Studio
Helena, Arkansas
Recorded live during the daily King Biscuit Time program by Chris Strachwitz, 
preserving one of the last surviving broadcasts featuring Sonny Boy Williamson II.

 tracklist:

A1    Sonny Boy Williamson [II]    Do It If You Wanna    
A2    Sonny Boy Williamson [II]    Cool, Cool Blues    
A3    Sonny Boy Williamson [II]    Come On Back Home    
A4    Sonny Boy Williamson [II]    Stop Crying    
A5    Sonny Boy Williamson [II]    Eyesight To The Blind    
A6    Sonny Boy Williamson [II]    West Memphis Blues    
A7    Sonny Boy Williamson [II]    I Cross My Heart    
A8    Sonny Boy Williamson [II]    Crazy About You Baby    
B1    Sonny Boy Williamson [II]    Nine Below Zero    
B2    Sonny Boy Williamson [II]    Mighty Long Time
B3    Sonny Boy Williamson [II]    She Brought Life Back To The Dead    
B4    Sonny Boy Williamson [II]    Stop Now Baby    
B5    Sonny Boy Williamson [II]    Mr. Downchild    
B6    Sonny Boy Williamson [II]    Sonny Boy's Christmas Blues    
B7    Sonny Boy Williamson [II]    Pontiac Blues    
B8    Sonny Boy Williamson [II]    Too Close Together 

 

 

 

 

 link

 

 

 

 

 

Willie Mitchell – The Hit Sound Of Hi SHL 12034 LP

 

 

 

 

 

 

 

 

Willie Mitchell – The Hit Sound Of (Hi Records SHL 12034)  Rare Soul Instrumental LP Review 

 

 

 

 

 

Hi Records 1967 ‎– SHL 12034

 

 

 notes:

Willie Mitchell – The Hit Sound Of (Hi Records SHL 12034)
Few musicians shaped the unmistakable Memphis soul 
sound like Willie Mitchell. Long before becoming the 
celebrated producer behind Al Green's greatest recordings,
Mitchell established himself as one of the finest trumpeters, 
bandleaders, arrangers and producers of the 1960s.
Released by Hi Records as SHL 12034, The Hit Sound Of captures 
Mitchell and his accomplished orchestra performing a collection 
of soulful instrumental interpretations of contemporary hits.
 Blending southern soul, rhythm & blues, jazz and pop 
influences, the album showcases the polished horn 
arrangements and tight rhythm section that would
 soon define the legendary Hi Records sound.
Recorded in Memphis, the LP demonstrates Mitchell's remarkable
talent for transforming familiar melodies into sophisticated
 instrumental performances. Rich brass sections, crisp guitar
 work and deep grooves make this album a favorite among
 collectors of classic instrumental soul.
For collectors of rare soul LPs, early Hi Records releases and
instrumental R&B, this album is an excellent addition to any vinyl collection.

credits:

Recording sessions

The Hit Sound Of Willie Mitchell is not a single-session album.
 It compiles instrumental recordings made between approximately 
1966 and early 1968, including several previously 
released Hi singles and newer studio recordings.
Nearly all tracks were recorded at Hi Recording Studio (Royal Studios) 
in Memphis under Willie Mitchell's supervision while he was 
simultaneously becoming Hi Records' principal producer.

Probable session personnel
Hi Records rarely printed complete musician credits on LP jackets 
during this era, and no surviving AFM sheets have been published 
for this album. Based on Hi Records documentation and the
 musicians regularly employed by Willie Mitchell during 
1966–1968, the lineup is believed to have been:

Leader
Willie Mitchell – trumpet, bandleader, arranger
Rhythm section
Teenie Hodges – guitar
Leroy Hodges – bass
Charles Hodges – organ, piano
Howard Grimes – drums
Additional or earlier personnel (depending on recording date)
Reggie Young – guitar (appears on some earlier 1966 sessions)
Bobby Emmons – organ
Tommy Cogbill – bass
Al Jackson Jr. – drums on some earlier Hi recordings
Horn section
James Mitchell – tenor saxophone, horn arrangements
 Fred Ford - Tenor Saxophone 
Andrew Love – tenor saxophone
Charles Chalmers – baritone/tenor saxophone
Gene "Bowlegs" Miller – trumpet
Wayne Jackson – trumpet
Ben Cauley – trumpet
These musicians formed the evolving Hi Rhythm Section and 
Memphis horn unit that became the signature
 Hi Records sound during the late 1960s.

Recording studio
Hi Recording Studio (Royal Studios)
Memphis, Tennessee
Recording engineer: Ray Harris
Custom tube recording equipment
Famous for its warm drum sound and close-miked
 horn arrangements developed by Willie Mitchell.

tracklist:

A1 Mercy
Written-By – Ray Harris (3)
A2 Treat Her Right
Written-By – R. Head*
A3 When A Man Loves A Woman
Written-By – Wright*, Lewis*
A4 Land Of 1000 Dances
Written-By – C. Kenner*
A5 So Rare
Written-By – J. Sharpe*, J. Herst*
A6 Cherry Pink And Apple Blossom White
Written-By – Louiguy
B1 Searching For My Love
Written-By – Robert Moore
B2 Barefootin'
Written-By – R. Parker*
B3 Winchester Cathedral
Written-By – G. Stephens*
B4 Shotgun
Written-By – DeWalt*
B5 Misty
Written-By – E. Garner*, Burke*
B6     Sticks And Stones
Written-By – T. Turner*

 

 link